Edificio Lapido

The Museo de UTE is a museum located in Barrio Centro in Montevideo, Uruguay. Specialized in the history, science and technology of Uruguay, the museum is directly dependent on the UTE. It exposes diverse elements linked to the history of the Uruguayan company. To visit the museum, one must coordinate a guided tour from Monday to Friday from 9AM to 5PM. This is one of the museums that adheres to the day of the Uruguayan heritage. The museum has the peculiarity of being located in an old house. The collection shows part of the country's electrical history and the preservation of old parts, tools and an incandescent lamp from 1879.

Plaza Fabini, or Plaza Ingeniero Juan Pedro Fabini, also known as Plaza del Entrevero, is a square of the Uruguayan capital, Montevideo. It is located on Montevideo's main avenue, 18 de Julio Avenue, in the barrio of Centro and on its north side starts Libertador Avenue. Its main fountain has a bronze sculpture of José Belloni called 'El Entrevero', which acts as the monument to the unknown soldier. Under the square, there is a municipal exposition area called Subte Municipal.

The Church of Saint Michael Garicoits (Spanish: Iglesia de San Miguel Garicoits), popularly known as Iglesia de los Vascos (Spanish for "the church of the Basque people") is a Roman Catholic parish church in Montevideo, Uruguay.

Edificio London París (English: London Paris Building), also known as The Standard Life is a building located at the intersection of 18 de Julio Avenue and Río Negro in Centro, Montevideo, Uruguay. Built between 1905 and 1908 in an eclectic style, it has variously been ascribed to the design of British architect John Adams and Uruguayan Julián Masquelez. Between 1908 and 1966 it housed the department store London París.

Victoria Hall (Spanish: Teatro Victoria) is an historic building located in Centro, Montevideo, Uruguay.

Palacio Salvo (English: Salvo Palace) is a building in Montevideo, Uruguay, located at the intersection of 18 de Julio Avenue and Plaza Independencia. It was designed by the architect Mario Palanti, an Italian immigrant living in Buenos Aires, who used a similar design for his Palacio Barolo in Buenos Aires, Argentina. Finished in 1928, Palacio Salvo stands 100 m (330 ft) high with the antenna included. It was the tallest building in Latin America for a brief period.

Palacio Rinaldi is a building in Centro, Montevideo, Uruguay, located on the Plaza Independencia near its junction with the 18 de Julio Avenue, near the Palacio Salvo. It is a fine example of Art Deco architecture, built in 1929, by the architects Alberto Isola and Guillermo Armas.It has been a Municipal Site of Interest since 1997.

Avenida 18 de Julio, or 18 de Julio Avenue, is the most important avenue in Montevideo, Uruguay. It is named after the date on which the country's first Constitution was sworn in, on July 18, 1830. It starts from Plaza Independencia at the limits of the Ciudad Vieja (the Old City), crosses the barrios Centro and Cordón and ends at the Obelisk of Montevideo in Tres Cruces, where it meets Artigas Boulevard. Although not the widest or longest avenue of the city, it is considered as the most important of Montevideo, both as a commercial center and because of the many tourist attractions along its length. It is also the district of Montevideo, as well as Ciudad Vieja, where art deco architecture is best preserved, an example of which is the Rinaldi, Díaz and Salvo palaces.

The National Auditorium of Sodre Dr. Adela Reta is a venue located in Montevideo, Uruguay. It is named after the lawyer, former minister and president of the Official Service of Broadcasting, Television and Entertainment, Adela Reta (1921–2001).On August 29, 2019, the Ministry of Education and Culture, through the National Cultural Heritage Commission, designated the Auditorio Nacional del Sodre as a Historical Monument of Uruguay.It is located in the old Urquiza Theater building, which caught fire on September 18, 1971. In addition, it is the home of the National Ballet of Uruguay.

The Estévez Palace (Spanish: Palacio Estévez) is a building situated in Plaza Independencia, Montevideo, Uruguay, designed in a combination of Doric and Colonial styles by Manoel de Castel in 1873. It has served as the working place of the President of Uruguay and has been eventually converted to a museum, housing artifacts and mementos of the Uruguayan presidency and its office holders.It was owned by don Francisco Estévez and his family until it was acquired by the Uruguayan government in 1880, when it was established as the working place of president Lorenzo Latorre in 1890. After the restoration of democracy in 1985, president Julio María Sanguinetti moved the seat of the Executive Power to the Liberty Building, which had served before as the Ministry of Defence. During the government of Tabaré Vázquez the seat was moved to the Torre Ejecutiva, which is next to the Estévez Palace.

Palacio Chiarino is a French Neoclassical building located on the corner of Plaza de Cagancha and Avenue 18 de Julio in the center of Montevideo, Uruguay. Its construction began in 1922 and finished in 1928. The architects Antonio Chiarino, Bartolome Triay and Gaetano Moretti was commissioned to create the design for the Arturo Soneira family. Moretti died before the building was completed. Moretti also designed Palcio Legislativo in Montevideo, Uruguay. Palacio Chiarino was added to the National Register of Historic Places and was declared a National Historic Landmark in 2011.

Plaza Independencia (Spanish for Independence Square) is the name of Montevideo's most important plaza. It separates Ciudad Vieja from downtown Montevideo, with the Ciudadela, Montevideo Twin Towers on one side and the beginning of 18 de Julio avenue on the other. In the center, the Artigas Mausoleum dominates the perspective. Many important buildings, such as the Solís Theatre and the workplaces of the President of Uruguay (both the Estévez Palace and the Executive Tower) are located by this square. One of the characteristic buildings located by the square is Palacio Salvo. This square was designed in the 1830s by Carlo Zucchi, inspired in the Rue de Rivoli, Paris. Three decades later it was redesigned by Bernardo Poncini.