Temple of Saturn

The Porticus Deorum Consentium (Italian: Portico degli Dei Consenti; English: Portico of the Harmonious Gods), sometimes known as the Area of the Dii Consentes, is an ancient structure located at the bottom of the ancient Roman road that leads up to the Capitol in Rome, Italy. The Clivus Capitolinus ("Capitoline Rise") turned sharply at the head of the Forum Romanum where this portico of marble and composite material was discovered and re-erected in 1835. It was last rebuilt in 367 AD and was thus the last functioning pagan shrine in the Forum (such shrines had been forbidden by law more than a decade earlier). The Portico housed twelve recessed rooms where it is believed the judicial clerks of the Capitoline Assent held their offices.

The Temple of Vespasian and Titus (Latin: Templum divi Vespasiani, Italian: Tempio di Vespasiano) is located in Rome at the western end of the Roman Forum between the Temple of Concordia and the Temple of Saturn. It is dedicated to the deified Vespasian and his son, the deified Titus. It was begun by Titus in 79 after Vespasian's death and Titus's succession. Titus’ brother, Domitian, completed and dedicated the temple to Titus and Vespasian in approximately 87.

The altar of Saturn (Latin: Ara Saturni) is an archaic altar dedicated to the god Saturn. Constructed in the sixth century BCE, it continued to be used until the Roman Empire collapsed. It is located in front of the Temple of Saturn in the Roman Forum and its remains were uncovered by Rodolfo Lanciani in 1902.

The Temple of Concord (Latin: Aedes Concordiae) in the ancient city of Rome refers to a series of shrines or temples dedicated to the Roman goddess Concordia, and erected at the western end of the Roman Forum. The earliest temple is believed to have been vowed by Marcus Furius Camillus in 367 BC, but it may not have been built until 218 BC by L. Manlius. The temple was rebuilt in 121 BC, and again by the future emperor Tiberius between 7 BC and AD 10.

The Plutei of Trajan (Latin Plutei Traiani; often called the Anaglypha Traiani) are carved stone balustrades built for the Roman emperor Trajan. They are on display inside the Curia Julia in the Forum Romanum today, but are not part of the original structure. It is unknown exactly where Trajan erected them. They are believed to have been built either on the edge of the Rostra or on the sides of the black pavement marking the underground "Tomb of Romulus". In spite of this uncertainty, they are of great historical value because the carvings show the full length of both sides of the Forum at the time they were erected.

The Umbilicus Urbis Romae (Classical Latin: [ʊmbɪˈliːkʊs ˈʊrbɪs ˈroːmae̯])—"Navel of the City of Rome"—was the symbolic centre of the city from which, and to which, all distances in Ancient Rome were measured. It was situated in the Roman Forum where its remnants can still be seen. These remains are located beside the Arch of Septimius Severus and the Vulcanal, behind the Rostra. Originally covered in marble, the Umbilicus is now a forlorn-looking brick core some 2 metres high and 4.45 metres in diameter.

The Shrine of Vulcan (Italian: Volcanale), or Vulcanal, or Volcanal, was an 8th-century BC sacred precinct on the future site of the Roman Forum in Rome, modern Italy. Dedicated to Vulcan, the Roman god of fire, it was traditionally considered to commemorate the spot where the legendary figures Romulus and Tatius concluded the peace treaty between the tribes known as the Latins — on the Palatine Hill — and the Sabines — on the Quirinal and Esquiline. This famous merger of the hill-villages was said to be the foundation of the Roman state.

The rostra (Italian: Rostri) was a large platform built in the city of Rome that stood during the republican and imperial periods. Speakers would stand on the rostra and face the north side of the comitium towards the senate house and deliver orations to those assembled in between. It is often referred to as a suggestus or tribunal, the first form of which dates back to the Roman Kingdom, the Vulcanal.It derives its name from the six rostra (plural of rostrum, a warship's ram) which were captured following the victory which ended the Latin War in the Battle of Antium in 338 BC and mounted to its side. Originally, the term meant a single structure located within the Comitium space near the Forum and usually associated with the Senate Curia. It began to be referred to as the Rostra Vetera ("Elder Rostra") in the imperial age to distinguish it from other later platforms designed for similar purposes which took the name "Rostra" along with its builder's name or the person it honored.

The Five-Columns monument is a dedicatory addition to the Rostra in the Roman Forum dating to the early fourth century CE. This monument was part of the Tetrarchy’s expansion of the Forum and is connected to the tenth anniversary of the Caesares within the four-ruler system. It is also referred to as the Fünfsäulendenkmal as well as the four-column monument, depending on Jupiter’s inclusion.

The Basilica Opimia was one of four Republican-era basilicas in the Roman Forum. The other two were the Basilica Aemilia, the Basilica Porcia, and the Basilica Sempronia. Of the three, only the Basilica Aemilia partially survives. It was built in 121 BC near the Temple of Concord and named after Lucius Opimius, who had financed its construction and that of the temple. When the Temple of Concord was enlarged under Tiberius the basilica had to be sacrificed and there is no record of its survival after that date.

The Column of Phocas (Italian: Colonna di Foca) is a Roman monumental column in the Roman Forum of Rome, Italy, built when Rome was part of the Eastern Roman Empire after reconquest from the Kingdom of the Ostrogoths. Erected in front of the Rostra and dedicated or rededicated in honour of the Eastern Roman Emperor Phocas on August 1, 608 AD, it was the last addition made to the Forum Romanum. The fluted Corinthian column stands 13.6 m (44 ft) tall on its cubical white marble socle. On stylistic grounds, the column seems to have been made in the 2nd century for an unknown structure, and then recycled for the present monument. Likewise, the socle was recycled from its original use supporting a statue dedicated to Diocletian; the former inscription was chiselled away to provide a space for the later text. The base of the column was uncovered in 1813, and the inscription on it reads, in Latin: Optimo clementiss[imo piissi]moque / principi domino n[ostro] / F[ocae imperat]ori / perpetuo a d[e]o coronato, [t]riumphatori / semper Augusto / Smaragdus ex praepos[ito] sacri palatii / ac patricius et exarchus Italiae / devotus eius clementiae / pro innumerabilibus pietatis eius beneficiis et pro quiete / procurata Ital[iae] ac conservata libertate / hanc sta(tuam maiesta)tis eius / auri splend(ore fulge)ntem huic / sublimi colu(m)na(e ad) perennem / ipsius gloriam imposuit ac dedicavit / die prima mensis Augusti, indict[ione] und[icesima] / p[ost] c[onsulatum] pietatis eius anno quinto The English translation is as follows: To the best, most clement and pious ruler, our lord Phocas the perpetual emperor, crowned by God, the forever august triumphator, did Smaragdus, former praepositus sacri palatii and patricius and Exarch of Italy, devoted to His Clemency for the innumerable benefactions of His Piousness and for the peace acquired for Italy and its freedom preserved, this statue of His Majesty, blinking from the splendor of gold here on this tallest column for his eternal glory erect and dedicate, on the first day of the month of August, in the eleventh indiction in the fifth year after the consulate of His Piousness. The precise occasion for this signal honour is unknown, though Phocas had formally donated the Pantheon to Pope Boniface IV, who rededicated it to all the martyrs and Mary (Sancta Maria ad Martyres). Atop the column's capital was erected by Smaragdus, the Exarch of Ravenna, a "dazzling" gilded statue of Phocas (which probably only briefly stood there). Rather than a demonstration to mark papal gratitude as it is sometimes casually declared to be, the gilded statue on its column was more likely an emblem of the imperial sovereignty over Rome, which was rapidly fading under pressure from the Lombards, and a personal mark of gratitude from Smaragdus, who had been recalled by Phocas from a long exile and was indebted to the Emperor for retrieving his position of power at Ravenna. In October 610, Phocas was overthrown and killed; his statues everywhere were overthrown. The monument remains today in its original location (in situ). Its isolated, free-standing position among the ruins has always made it a landmark in the Forum, and it often appears in vedute and engravings. The rise in ground level due to silt and debris had completely buried the socle by the time Giuseppe Vasi and Giambattista Piranesi made engravings and etchings of the column in the mid-18th century. The square foundation of brick (illustration, right) was not originally visible, the present level of the Forum not having been excavated down to its earlier Augustan paving until the 19th century.

The Lapis Niger (Latin, "Black Stone") is an ancient shrine in the Roman Forum. Together with the associated Vulcanal (a sanctuary to Vulcan) it constitutes the only surviving remnants of the old Comitium, an early assembly area that preceded the Forum and is thought to derive from an archaic cult site of the 7th or 8th century BC. The black marble paving (1st century BC) and modern concrete enclosure (early 20th century) of the Lapis Niger overlie an ancient altar and a stone block with one of the earliest known Old Latin inscriptions (c. 570–550 BC). The superstructure monument and shrine may have been built by Julius Caesar during his reorganization of the Forum and Comitium space. Alternatively, this may have been done a generation earlier by Sulla during one of his construction projects around the Curia Hostilia. The site was rediscovered and excavated from 1899 to 1905 by Italian archaeologist Giacomo Boni. Mentioned in many ancient descriptions of the Forum dating back to the Roman Republic and the early days of the Roman Empire, the significance of the Lapis Niger shrine was obscure and mysterious to later Romans, but it was always discussed as a place of great sacredness and significance. It is constructed on top of a sacred spot consisting of much older artifacts found about 5 ft (1.5 m) below the present ground level. The name "black stone" may have originally referred to the black stone block (one of the earliest known Latin inscriptions) or it may refer to the later black marble paving at the surface. Located in the Comitium in front of the Curia Julia, this structure survived for centuries due to a combination of reverential treatment and overbuilding during the era of the early Roman Empire.