Basilica of San Vitale

The Mausoleum of Galla Placidia is a Late Antique Roman building in Ravenna, Italy, built between 425 and 450. It was added to the World Heritage List together with seven other structures in Ravenna in 1996. Despite its common name, the empress Galla Placidia (d. 450) was not buried in the building, a misconception dating from the thirteenth century; she died in Rome and was buried there, probably alongside Honorius in the Mausoleum of Honorius at Old Saint Peter's Basilica.

The province of Ravenna (Italian: provincia di Ravenna; Romagnol: pruvènza ed Ravèna) is a province in the Emilia-Romagna region of Italy. Its capital is the city of Ravenna. As of 2015, it has a population of 391,997 inhabitants over an area of 1,859.44 square kilometres (717.93 sq mi), giving it a population density of 210.81 inhabitants per square kilometre. Its provincial president is Claudio Casadio.

Ravenna Cathedral or Metropolitan Cathedral of the Resurrection of Our Lord Jesus Christ (Italian: Cattedrale metropolitana della Risurrezione di Nostro Signore Gesù Cristo; Duomo di Ravenna) is a Roman Catholic cathedral dedicated to the Resurrection of Jesus Christ in the city of Ravenna, Italy. Formerly the archiepiscopal seat of the Archdiocese of Ravenna, it is now the seat of the archbishops of Ravenna-Cervia.It was granted the status of a minor basilica by Pope John XXIII on 7 October 1960. It is the seat of the parish of San Giovanni in Fonte belonging to the Urban Vicariate of the archdiocese of Ravenna-Cervia.

The Baptistery of Neon (Italian: Battistero Neoniano) is a Roman religious building in Ravenna, northeastern Italy. The most ancient monument remaining in the city, it was partly erected on the site of a Roman bath. It is also called the Orthodox Baptistery to distinguish it from the Arian Baptistery constructed on behest of Ostrogothic King Theodoric some 50 years later.

The Archiepiscopal Museum (Italian: Museo Arcivescovile) is located in Ravenna, Italy, next to the Baptistry of Neon and behind the Duomo of Ravenna. In the museum relics of early Christian Ravenna are preserved, including fragments of mosaic from the first cathedral church, and the chapel of Sant'Andrea, dating from the Gothic kingdom. The main room, on entering, contains lapidary inscriptions as HIC REQUIESCIT IN PACE VIR SBL SEDA IGNUCUS ('Here lies in peace that eminent man Seda the Eunuch'), CUBICULARIUS or 'Bedchamberlain' to Theodoric the Great, buried 541 AD. Beneath this, by the window, a reliquary for the martyred saints Quiricus and Julietta, whose remains were carried from Tarsus, the birthplace of Saint Paul, to Auxerre and from thence to Ravenna. The depictions on its four facings are in keeping with the theme of donation: Galla Placidia placed it in the church of San Giovanni Battista (not to be confused with the church of the 'Evangelista'). They are: Christ giving the Tables of the Law to St. Peter, with Paul standing by him; Daniel in the lions' den, with the prophet Habakkuk offering him a loaf and fishes; The Three Wise Kings bringing their gifts to the infant Christ; The women sitting below at His empty tomb.The marble rosette on the facing wall is a Paschal calendar of the 6th century. Its purpose was to fix the movable feast of Easter in such a way that it might be celebrated everywhere in Christendom on the same day - no easy matter when East and West were using different calendars: the Eastern Church used the Hebrew lunar calendar, while the Western church followed the sun's cycle. Despite the decrees of the Council of Nicea in 325 AD and the tables of Theophilus, in this, as in all matters of faith, people followed their own loyalties. This calendar follows the eastern lunar cycle: LV on the outer rim, followed by AN indicates the phase of its 19-year cycle; the date then for Easter is written in each recurring phase from 532 AD to 626 AD. The mosaics are the few fragments left of what covered the apse of the first church: they are not Roman originals but of the early 12th century. The most beautiful and intact is that of the Madonna, praying in the eastern manner; other fragments give some idea of its composition - the life of Sant'Apollinare, the patron saint and evangeliser of Ravenna; scenes of the Resurrection; Saints Peter and Paul. On entering the room to the right, there is a little stele depicting Christ the Good Shepherd by a tree: it is the tombstone of Antiphon, who died aged 17 years, 5 months and 12 days, sometime at the end of the 2nd/beginning of the 3rd century, long before the Edict of Tolerance, and is thus the earliest Christian record in Ravenna. The red porphyrian man (drawing or sheathing his sword?), headless, handless, footless, may be the Emperor Theodosius. It recalls the statue of the Tetrarchs outside the Doge's Palace in Venice, gripping onto power. The jewel of the collection is the Ivory Cathedra, the bishop's seat of the Byzantine era (6th century), considered among the finest pieces of ivory carving in Western art. It is placed in what was the tower of Porta Salustra, the Roman gateway which commanded the southern entrance along the Cardis. It is the work of different hands and, even allowing for the missing panels, it still remains a visible masterpiece: the front bench, with the figures of Saint John the Baptist flanked by the Evangelists and a frieze work of peacocks, lions, goats and deer among vines, is especially fascinating; the backrest represents scenes from the birth of Christ, including Mary proving her virginity by immersion; on the other side, the miracles of Christ, his baptism and entry into Jerusalem; the armrests depict the Old Testament life of Joseph, reading from left to right (for the sitter).

The Archdiocese of Ravenna-Cervia (Latin: Archidioecesis Ravennatensis-Cerviensis) is a Latin Church metropolitan archdiocese of the Catholic Church in the Emilia-Romagna region of Italy.The cathedral of the archdiocese is the Cathedral Basilica of the Resurrection of Our Lord in Ravenna; the Cathedral of Saint Peter in Cervia is the co-cathedral of the archdiocese.The current Metropolitan Archbishop of the Roman Catholic Archdiocese of Ravenna-Cervia, since his appointment by Pope Benedict XVI on Saturday, November 17, 2012, is Lorenzo Ghizzoni.

The Battle of Ravenna, fought on 11 April 1512, was a major battle of the War of the League of Cambrai. It pitted forces of the Holy League against France and their Ferrarese allies. Although the French and Ferrarese eliminated the Papal–Spanish forces as a serious threat, their triumph was overshadowed by the loss of their young general Gaston of Foix. The victory therefore did not help them secure northern Italy. The French withdrew entirely from Italy in the summer of 1512, as Swiss mercenaries hired by Pope Julius II and Imperial troops under Emperor Maximilian I arrived in Lombardy. The Sforza were restored to power in Milan.

The Battle of Rimini was fought in 432 between the two strong men of the Western Roman Empire, the very recently deposed Magister Utriusque Militiae Flavius Aetius and the newly appointed Magister Utriusque Militiae Bonifatius (Bonifacius or Boniface). In 430, Aetius had the Magister Utriusque Militiae Flavius Constantius Felix executed by the army, as he was allegedly plotting against Aetius. According to Wijnendaele, Aetius was lured into confronting Bonifatius by being appointed Consul in 432, where he was deposed and Bonifatius appointed by Galla Placidia. Aetius and Bonifatius then departed the court of Ravenna, gathered their bucellarii, and met five Roman miles outside of Rimini. Aetius had brought his own troops from the West where he had intended to confront the Sueves, while Bonifatius had brought part of his troops from Africa, most likely being composed of his personal bucellarii and local Italian troops. Allegedly, Aetius had a longer lance and utilized it to spear Bonifatius in personal combat during the battle. Bonifatius, though victorious, was mortally wounded during the battle and died several months later. He was succeeded by his son-in-law, Sebastian, who tried to have the retired Aetius assassinated. Aetius fled to the Huns and returned possibly with a large army of Huns. Sebastian, who was unpopular with the army and the court, was exiled and Aetius quickly became the de facto manager of the Western Roman Empire.

The Battle of Ravenna in 729 was fought between the troops of the Eastern Roman (Byzantine) Exarchate of Ravenna and a force of Lombard Italians. This was in response to Emperor Leo III the Isaurian outlawing the veneration of holy icons, which Pope Gregory II was against. After a fierce battle, the Eastern Roman Army was overcome and thousands of Byzantines were killed.

The Battle of Ravenna, capital of the Western Roman Empire, between the Heruli under their King Odoacer and the remnants of the Western Roman army in Roman Italy occurred in early September 476, and represented a culminating event in the ongoing fall of the Western Roman Empire. The Western Roman Empire had been in relative decline since the beginning of the barbarian invasions and Rome, the symbolical heart and largest city of the Western Empire, was sacked in 410 by the Visigoths and in 455 by the Vandals. By 476 the Roman emperor was little more than a puppet, having very little de facto control of any territory outside of Italy. The last Roman emperor, Romulus Augustulus, was not recognized as a legitimate ruler outside of Italy; the Eastern Roman Empire recognized Julius Nepos as the true Western Roman Emperor. Herulians were foederati of the Western Roman Empire; they were mercenary troops of the Roman army of Italy. They envied the fortune of their brethren in Gaul, Spain, and Africa, whose victorious arms had acquired an independent and perpetual inheritance; and they insisted that a third part of the lands of Italy should be immediately divided among them. Orestes, the father of emperor Romulus Augustus, rejected their demand – causing their revolt. From all the camps and garrisons of Italy the confederates flocked to the standard of Odoacer, their leader; Orestes later retreated to Pavia. Pavia was subsequently pillaged and Orestes was executed.The decisive battle was fought on 2 September 476 near Ravenna, the capital of the Western Roman Empire: it saw the foederati defeat the largely depleted Roman garrison. The city, defended by Paulus (the brother of Orestes) was captured swiftly and easily. Two days later, the sixteen year old emperor Romulus Augustulus was forced to abdicate by Odoacer. Romulus was sent into retirement in Campania.

San Giovanni Battista is a baroque church in the historic center of Ravenna, Italy, built in 1689 by Pietro Grossi.The church here, a three-nave basilica, was built in the 6th century. In 1688, it was strongly damaged by an earthquake, demolished, and a new building was constructed in the same place. Parts of the apse of the old building survived, as well as the bell-tower built in the 9th-10th centuries.

The Teatro Comunale Alighieri is an opera house located at 2 Via Mariani in Ravenna, Italy and designed by the Venetian architects, Tommaso Meduna and his brother, Giambattista who had designed the second La Fenice theatre after the fire of 1836 . The new Teatro Comunale Alighieri was inaugurated on 15 May 1852 with a production of Meyerbeer's Robert le diable, followed by Giovanni Pacini's Medea. It presently offers a program of up to six operas during the season which runs from November to April. For about 125 years following 1723, Ravenna had one main theatre for the presentation of opera, the Teatro Comunitativo located outside the centre of the city. It featured a lavishly decorated, U-shaped baroque auditorium with 97 boxes on four tiers. In the 50 years following 1802, it presented 170 operatic productions, 24 of which were by Rossini, 22 by Donizetti, and 10 by Verdi. However, the 1830s and 1840s revealed its inadequacy, and plans were made to build a new theatre in the heart of the city; the cornerstone of the replacement theatre was laid in 1840. With construction continuing until 1852, the new Teatro Comunale was named for the famous poet, Dante Aligheri, who had been exiled from Florence and then spent the last four years of his life in Ravenna. Reflecting the style of the Venetian brothers, the exterior of the Alighieri is neo-classical with a four ionic columns and a portico with statues of four Muses. With 118 boxes in four tiers plus a gallery, the auditorium was constructed in the traditional horseshoe shape with 830 seats. As befitting his position as the major operatic composer of the day, Giuseppe Verdi's operas were dominant at the new theatre during its first fifty years; of other composers' works, Donizetti's operas were the only ones which appeared regularly until 1870 and those of Bellini vanished after 1866. However, French grand opera survived until the 20th century. Since its foundation in 1990, the annual June/July Ravenna Festival has presented a very diverse range of operas at the Alighieri. These have included rare works by Salieri, Auber, and Cherubini as well as less performed operas by many of the standard 19th-century composers plus more popular works.