One57

165 West 57th Street, originally the Louis H. Chalif Normal School of Dancing headquarters, is a building in the Midtown Manhattan neighborhood of New York City. It is along the northern sidewalk of 57th Street between Sixth Avenue and Seventh Avenue. The five-story building was designed by George A. and Henry Boehm for dance instructor Louis H. Chalif. It was designed as an event space, a school, and Chalif's apartment. 165 West 57th Street has an asymmetrical facade. The original ground story was originally built with ivory-colored Dover marble but was later refaced with limestone. At the second and third stories, the facade contains a diagonal pattern resembling a diamond, with terracotta molding. Inside were a ballroom at the second story (later known as the Carl Fischer Hall, Judson Hall, or CAMI Hall) and a dining area at the third story. The fourth floor has terracotta panels and windows; it was originally used as Chalif's family residence. The fifth floor, used as an event space, has a loggia behind a colonnade. The building is topped by an overhanging cornice and an asphalt roof. Construction started in 1914 and was completed in 1916. The building was occupied by the Louis H. Chalif Normal School of Dancing until 1932 or 1933. Three clients were listed as occupying the building until 1937, after which it remained vacant for five years. The Federation of Crippled and Disabled moved its headquarters to the building in 1943 and operated there for several years. Carl Fischer Music acquired the building in 1946 and had a shop and performance hall there until 1959, when it was sold to Columbia Artists Management Inc (CAMI). The New York City Landmarks Preservation Commission designated 165 West 57th Street as a city landmark in 1999. It was sold to the Clover Foundation in 2007 and has been occupied by IESE Business School since then.

The Alwyn Court, also known as The Alwyn, is an apartment building at 180 West 58th Street, at the southeast corner with Seventh Avenue, in the Midtown Manhattan neighborhood of New York City. The Alwyn Court was built between 1907 and 1909 and was designed by Harde & Short in the French Renaissance style. It is one of several luxury developments constructed along Seventh Avenue during the late 19th and early 20th century. The building is thirteen stories tall. Its facade is clad with elaborate terracotta ornamentation in the Francis I style, with a main entrance on Seventh Avenue and 58th Street. Inside is an octagonal courtyard with a painted facade by artist Richard Haas, as well as a location of the Petrossian caviar bar. The Alwyn Court was originally built with twenty-two elaborately decorated apartments, two on every floor, which typically had fourteen rooms and five bathrooms. The interior was subdivided into 75 apartments in 1938. The Alwyn Court was named after Alwyn Ball Jr., one of the building's developers. Despite a fire shortly after its opening, the Alwyn Court quickly became one of New York City's most expensive apartment buildings. During the early 20th century, ownership changed several times. By the 1930s, the last luxury tenant had moved out, and the building's interior was completely rebuilt. The Alwyn Court was made a New York City designated landmark in 1966, and added to the National Register of Historic Places in 1979. The building was renovated and converted to cooperative apartments in 1980, and the facade was restored in the late 1990s and early 2000s.

The Briarcliffe is a 13-story, 35-unit residence at 171 West 57th Street, at the northeastern corner with Seventh Avenue, in Midtown Manhattan, New York City. Located just north of Carnegie Hall, the property was built as a hotel in 1922, designed by architects Warren and Wetmore, and converted to its current purpose as condominiums in 1999. The Briarcliffe is part of Billionaires' Row and shares a city block with the Alwyn Court to the north and 165 West 57th Street, One57, the Nippon Club Tower, the Calvary Baptist Church, and 111 West 57th Street to the east. In 1998, the owner of the building hired architect Richard Rice to ready the deteriorating property to be placed on the market. The building's murals had been damaged by water, and Rice was prepared to restore them; however, the following year, the building was converted to a condominium, and the murals were destroyed in the reconstruction work.

JAC Recording, Inc., was a small American recording studio based in New York City at 152 West 58th Street. It was founded in the 1950s by Charles Leighton, a virtuoso classical and jazz harmonica player, who, in the 1950s, took on Jack Arnold as a partner, who also was a pianist. The JAC acronym stood for "Jack and Charlie." The studio was Leighton's personal residence — apartment 8D. Phil Ramone, a prolific recording engineer, entrepreneur, founder, and co-owner of A & R Recording Inc., was first mentored in the art of studio engineering by Leighton at JAC in the late 1950s. Ramone had left JAC in 1958 to start his own recording studio with the help of Jack Arnold, as partner. The "A & R" stood for Arnold and Ramone.

The Russian Tea Room is an Art Deco Russo-Continental restaurant, located at 150 West 57th Street (between Sixth Avenue and Seventh Avenue), between Carnegie Hall Tower and Metropolitan Tower, in the New York City borough of Manhattan.

The Nippon Club of New York City is a private social club on 57th Street in Midtown Manhattan, New York City, founded in 1905 by Jōkichi Takamine for Japanese Americans and Japanese nationals. The only Japanese traditional gentlemen's club in the United States, the Nippon Club's dual purpose is to help enhance the unity of the Japanese community in New York City and to help develop evolving relationships with the American people. Over the course of its first century, the Nippon Club has fostered ongoing business and cultural relationships through various events, workshops, cultural classes and athletic events.By holding various athletic events and cultural activities, as well as by providing the facilities where these events can occur, The Nippon Club has cemented itself as one of New York City’s oldest cultural institutions. Membership has grown to about 3,000 members, including 800 women who are members of the allied Fujin-Bu Club; several hundred of these members are Americans.

Metropolitan Tower is a mixed-use skyscraper at 146 West 57th Street in the Midtown Manhattan neighborhood of New York City. Completed in 1987 and designed by SLCE Architects, the building measures 716 ft (218 m) tall with 68 stories. Metropolitan Tower is designed with a black-glass facade, with a rectangular 18-story base topped by a 48-story triangular tower. It was developed by Harry Macklowe. Metropolitan Tower is next to Carnegie Hall Tower, separated from it only by the Russian Tea Room. The building has entrances at 57th and 56th Streets, connected by a passageway that forms part of 6½ Avenue. The base contains about 225,000 sq ft (20,900 m2) of office space, with a triple-height mechanical area at the top. The office stories are owned as a single condominium, as are each of the 235 residential apartments in the upper stories. The residential tower resembles a right triangle in form, with a pointed edge facing north on 57th Street. Because of the high ceilings of the office stories, several floor numbers are skipped and the highest floor is numbered 78. The site of Metropolitan Tower was occupied by low-rise buildings until 1982, when they were acquired by the Feinberg Realty and Construction Company and then Macklowe's company Macklowe Properties. Though Macklowe also tried to acquire what later became Carnegie Hall Tower's site, he was unable to obtain the Russian Tea Room between them. Construction began in 1984, and the residences were marketed to wealthy buyers after the building was completed. The office condominium has changed ownership several times in Metropolitan Tower's history; as of 2016, the offices are owned by GreenOak Realty and L&L Holding.

57th Street is a broad thoroughfare in the New York City borough of Manhattan, one of the major two-way, east-west streets in the borough's grid. As with Manhattan's other "crosstown" streets, it is divided into its east and west sections at Fifth Avenue. The street runs from a small park overlooking the East River in the east to the West Side Highway along the Hudson River in the west. 57th Street runs through the neighborhoods of Sutton Place, Midtown Manhattan, and Hell's Kitchen from east to west. 57th Street was created under the Commissioners' Plan of 1811. It was developed as a mainly residential street in the mid-19th century. The central portion of 57th Street was developed as an artistic hub starting in the 1890s, with the development of Carnegie Hall. The section between Fifth and Eighth Avenues is two blocks south of Central Park. Since the early 21st century, the portion of the street south of Central Park has formed part of Billionaires' Row, which contains luxury residential skyscrapers such as 111 West 57th Street, One57, and the Central Park Tower.

The Big Bend is a supertall proposed skyscraper for Billionaires' Row in Midtown Manhattan. The skyscraper, which was designed by the New York architecture firm Oiio Studio in 2017, would be the tallest building in the Western Hemisphere at 2,000 feet (610 m) if it were built. Reception to the proposal has been mixed.

140 West 57th Street, also known as The Beaufort, is an office building on 57th Street between Sixth Avenue and Seventh Avenue in Midtown Manhattan in New York City. It was built from 1907 to 1909 and designed by Pollard and Steinam, who also simultaneously designed the neighboring, nearly identical building at 130 West 57th Street. The buildings are among several in Manhattan that were built in the early 20th century as both studio and residences for artists. 140 West 57th Street is fifteen stories tall, with fourteen stories facing 57th Street, as well as a penthouse. The lowest two stories of the primary facade along 57th Street are clad in limestone, while the upper stories are clad in brick. The facade contains both broad and narrow bays with metal-framed studio windows, some of which are double-height. Along 57th Street, there are cornices above the second story. There were double-height studios on the 57th Street side and smaller residences at the back of the building. 140 West 57th Street was developed upon land owned by artist Robert Vonnoh. Although marketed as artists' studios, 140 West 57th Street was also home to lawyers, stock brokers, teachers, and other professionals. The building was converted into a rental-apartment structure in 1944, and was subsequently converted into an office building during the late 20th century. 140 West 57th Street was designated a city landmark by the New York City Landmarks Preservation Commission in 1999.

Calvary Baptist Church is a Baptist independent church, located at 123 West 57th Street between the Avenue of the Americas (Sixth Avenue) and Seventh Avenue, near Carnegie Hall in Midtown Manhattan, New York City. The 123 W. 57th Street facility is under renovation - until the renovation is complete, Calvary will gather every Sunday at 10 a.m. at Assembly Hall on the Manhattan campus of Hunter College, located at 695 Park Ave, New York, NY 10065, North Building, E. 68th St. The church also gathers online every Sunday morning at live.cbcnyc.org.

The Rose Museum is a small museum dedicated to the history of Carnegie Hall in Manhattan, New York City. The museum, which opened in 1991, is located at 154 West 57th Street, on the second floor of Carnegie Hall. It was funded by the Susan and Elihu Rose Foundation and includes more than 2,500 feet of archives and more than a century of concert programs. The plan when the museum opened was to supplement its permanent collection with a series of rotating exhibits. The museum also focuses on the Hall's uncertain future following the development of Lincoln Center and the sale of Carnegie Hall in the late 1950s leading to the preservation campaign spearheaded by Isaac Stern. The government purchased the hall in 1960 and the building was declared a National Historic Landmark in 1962.