Target Center

Athletic Park was the home of the Minneapolis Millers baseball team from 1889 to mid-season 1896. The park was located behind the West Hotel at 6th St and 1st Ave North in Minneapolis near where Target Center and Target Field are today. The park was originally built in 1889 under the supervision of local architects Fremont D. Orff and George W. Orff. Bleachers seating roughly 1,600 people were added in 1890; a grandstand with capacity for 1,800 people was built in 1892. The park burned down in 1893, but was rebuilt the next year and further improved.Athletic Park's playing field was very small with distances estimated at between 200 feet (61 m) to 250 feet (76 m) to the left and right field foul poles. This meant home runs were common in an era otherwise not known for them. Perry Werden's 42 home runs in 1894 and 45 home runs in 1895 were several times higher than contemporary American Association or National League players and would not be challenged until Babe Ruth's rise in the 1920s. The park's shallow outfield meant hits (particularly to right field) still required batters to run hard to first base to avoid being thrown out. High fencing and wire mesh in the outfield helped prevent balls from leaving the field. The park's small dimensions also required some ground rules for ruling whether outfield hits were counted as a ground rule double or home run.The park was the stage for one major league game: a contest between Columbus and Milwaukee of the American Association on October 2, 1891. Milwaukee won 5-0 thanks to excellent pitching from former Minneapolis Miller Frank Killen. Several other games had been planned, but cold and rainy weather prevented playing on October 1st and 3rd. This would be the last major league baseball game played in Minnesota until the Minnesota Twins were founded in 1961.Ice hockey was played here in 1896 when the Minnesota Golden Gophers men's ice hockey team played the Winnipeg Victorias. The Minnesota Golden Gophers football team also made use of the field. The ballpark was sold during May of the 1896 baseball season and the Millers were evicted. They returned from a June road trip and opened their hastily-constructed new facility, Nicollet Park. The site remained open as a site for various events, until finally being turned over to developers. In 1901, the so-called "baseball block" was purchased by T. B. Walker and later developed into the Butler Square warehouse.

Butler Square (originally the Butler Brothers Company building) is a former warehouse and office building in Minneapolis, Minnesota, United States. The building is located within the Minneapolis warehouse district and was listed on the National Register of Historic Places in 1971. It is significant for its restrained Chicago School design by major Minneapolis architect Harry Wild Jones, and as a leading example of the older warehouse/office buildings in Minneapolis–Saint Paul. Jones designed other buildings in Minneapolis such as the Minneapolis Scottish Rite Temple, Calvary Baptist Church, the Lakewood Cemetery Chapel, and the Washburn Park Water Tower.It was originally built as a warehouse for Butler Brothers, a mail-order firm, on the land that formerly housed the Athletic Park baseball stadium. It had rather heavy construction in keeping with its function as a warehouse, featuring thick interior masonry walls with thin, recessed windows topped by corbelled parapets. The interior is built with heavy timber posts and beams, cut from Douglas fir grown near Aitkin, Minnesota. The columns are 24 inches (61 cm) wide at the bottom level, gradually diminishing to 9 inches (23 cm) wide on the top level. The basement included a horse stable, to accommodate deliveries, and the building had three large coal-fired boilers for heating. Mechanical elevators were used to move goods throughout the building. The building had a rail spur to facilitate boxcar loading. Gradually, as truck transportation became more competitive with rail transportation, the urban location of the building rendered it inefficient as a warehouse.In 1972 real estate developer Charles Coyer purchased the building with plans to rebuild the east half of the building as an office-retail complex. As part of the renovation, a central atrium in the eastern half of the building was built to allow natural light into the building. This made the retail and office space more marketable, since the large floor space and small windows made it difficult to get enough natural light into the interior. James H. Binger purchased the building in 1979 with similar plans to develop the west half of the building. The atrium on western side was built with more of the heavy timber construction exposed, and more efficient mechanical systems were installed. The renovation of the building has served as a catalyst for additional development and preservation within the Minneapolis Warehouse District.

First Avenue & 7th St Entry (locally known as The Mainroom and The Entry) are two music venues housed in the same landmark building in downtown Minneapolis, Minnesota. The names are derived from the building's location on the corner of First Avenue North and 7th Street North. The building is marked by 531 stars on its exterior commemorating past venue performers.David Carr wrote in The New York Times that First Avenue's cultural weight and history is matched by only a few clubs in the United States: CBGB, Maxwell's, Metro Chicago and the 9:30 Club.The nightclub celebrated its 50th anniversary in 2020.

The Pantages Theatre is a historic theatre in Minneapolis, Minnesota. The original building was a Beaux-Arts style twelve-story complex on Hennepin Avenue, designed by Kees & Colburn and operated by Alexander Pantages, a Greek immigrant who opened 500 theatres. The building was reduced significantly, to two stories, with an Art Moderne facade and a Beaux Arts interior. The Pantages Theatre innovated the mezzanine, and was also the first air conditioned theatre in Minnesota. In 1945, the Pantages Theatre was renovated after being purchased by Edmond R. Ruben. It was then sold to Ted Mann in 1961; he owned many of the theatres in downtown Minneapolis. The Pantages Theatre closed in 1984, and was renovated and reopened by the City of Minneapolis in 2002. In 2005, the city transferred ownership of its theaters to the Hennepin Theatre Trust.Since its reopening, the Pantages has been operated by the Historic Theatre Group.Historic Theatre Group's original partner in booking the Pantages was Clear Channel Entertainment (now Live Nation). Live Nation sold most of its theatrical properties, including its Minneapolis operations, to Key Brand Entertainment in 2008.

Mayo Clinic Square on Block E in downtown Minneapolis, is a building bounded by Hennepin Avenue, North 6th Street, North 7th Street, and 1st Avenue North. It is part of the Downtown West neighborhood in Minneapolis, historically known as the Warehouse District. It is one block south of the Warehouse District/Hennepin Avenue light rail station on the METRO Blue and Green lines. "Block E" is a City planning department designation of the block; other blocks have similar designations ("Block F," for example, is the adjacent block on which First Avenue and the Pantages Theatre sit.) Block E has a long history which includes theaters, bars, retail, and restaurants. Currently, it is home to basketball practice facilities and front offices of both the Minnesota Timberwolves of the NBA and Minnesota Lynx of the WNBA. Mayo Clinic Square is connected to Target Center via the Minneapolis Skyway System. The building also contains a Mayo Clinic sports medicine facility, which is open to the public. The street-level redevelopment has been spearheaded with the new restaurant City Works.

A statue of former Minnesota Twins baseball team owner Calvin Griffith stood in front of Target Field in Minneapolis, Minnesota from 2010 until 2020.

Rifle Sport Alternative Art Gallery was an underground art space open from 1985 to 1988 in the Block E segment of Hennepin Avenue in downtown Minneapolis, Minnesota. It was an important and groundbreaking venue for non-mainstream and punk-rock art in the Twin Cities. Writer Andy Sturdevant has noted that the gallery's memory and influence have lasted among Twin Cities artists long after its closure, "like it might have happened in a Jacques-Louis David painting."The gallery was founded in September 1985 by artist Colleen Barnett. It was named after the defunct arcade (whose signage remained) which had previously occupied the space. The neighborhood around Block E attracted a broad cross-section of punks, artists, and musicians, and, because of the infamous bar Moby Dick's next door, as well as the similarly troubled bar Brady's Pub directly below, was also notorious for attracting criminals, vagrants, and alcoholics.In the three years it was open, around 130 artists, musicians and performance artists used the space. Artists who exhibited work at Rifle Sport include Shannon Brady, Phillip Johnson, Michael Joo, Ross Knight, Ruthann Godollei, Jan Elftman, Frank Gaard, Melissa Stang, W. Joe Hoppe, Julia Scher, The Slime Clowns (Zingo & Bloppo), Steve Grandell (Venus De Mars), Mann Hawks, Robert Grassel, and Ken Avidor. Bands that performed at the gallery include The Slime Clowns, The Swabs, Ting Kong, Lies Inc., and Chris Strouth's King Paisley and The Pscho-del-ics.The building that housed Rifle Sport was demolished with the rest of Block E in 1988, the victim of downtown redevelopment. The gallery lived on after the demolition, moving near Loring Park, but closed after a year. Its final show was a dual exhibition by artists Stuart Mead and Dean Lucker.An unrelated local band, Rifle Sport, also named after the arcade, established their name before the gallery in 1981.

The Minneapolis general strike of 1934 grew out of a strike by Teamsters against most of the trucking companies operating in Minneapolis, the major distribution center for the Upper Midwest. The strike began on May 16, 1934 in the Market District (the modern day Warehouse District). The worst single day was Friday, July 20, called "Bloody Friday", when police shot at strikers in a downtown truck battle, killing two and injuring 67. Ensuing violence lasted periodically throughout the summer. The strike was formally ended on August 22. With a coalition formed by local leaders associated with the Trotskyist Communist League of America, a group that later founded the Socialist Workers Party (United States), the strike paved the way for the organization of over-the-road drivers and the growth of the Teamsters labor union. This strike, along with the 1934 West Coast Longshore Strike and the 1934 Toledo Auto-Lite Strike led by the American Workers Party, were also important catalysts for the rise of industrial unionism in the 1930s, much of which was organized through the Congress of Industrial Organizations.

The Skyway Theatre is a historic entertainment venue located in downtown Minneapolis, Minnesota, United States. Originally opened in 1986 as a movie theater, it has since evolved into a prominent multi-stage live performance venue. Since 2011, Skyway Theatre has served as a key player in the local and national live music scene, offering a space for concerts, electronic dance music (EDM) events, comedy shows, and other forms of entertainment. The venue has become a notable destination for both established and emerging artists across various genres.

Mill City Nights (formerly known as The Brick) was a concert venue in downtown Minneapolis, Minnesota, United States, with a capacity of about 1200 that opened in 2012 and was operated by AEG Live.It had no affiliation with the Mill City Museum or Mill City Live. Many national acts that are too small to pack an entire stadium came to Mill City Nights, including Cole Swindell, Eric Paslay, and Dan + Shay. The venue had a partnership with AXS TV and several concerts were featured on AXSLive. The first act was Seether who performed on October 16, 2012.The venue went out of business and closed its doors permanently on November 30, 2016, citing the high cost of rent. AEG is no longer operating the venue but there are reports of it reopening as MPLS Music Hall.

Ramp A/7th Street Transit Center is a bus rapid transit station in downtown Minneapolis, Minnesota. The transit center is a southbound station on the Metro C Line and upcoming D Line, as well as several local routes. The transit center is located inside of Ramp A, a 3,637 stall parking ramp built over sunken Interstate 394.

The Lincoln Bank Building is a building on Hennepin Avenue in downtown Minneapolis, Minnesota, United States. The building was listed on the National Register of Historic Places in October 2012.