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Kensington Gardens

1728 establishments in Great BritainEngvarB from July 2013Grade I listed parks and gardens in LondonKensington GardensParks and open spaces in the City of Westminster
Parks and open spaces in the Royal Borough of Kensington and ChelseaRoyal Parks of London
Kensington Palace from across Long Water
Kensington Palace from across Long Water

Kensington Gardens, once the private gardens of Kensington Palace, are among the Royal Parks of London. The gardens are shared by the City of Westminster and the Royal Borough of Kensington and Chelsea and sit immediately to the west of Hyde Park, in western central London. The gardens cover an area of 107 hectares (265 acres). The open spaces of Kensington Gardens, Hyde Park, Green Park, and St. James's Park together form an almost continuous "green lung" in the heart of London. Kensington Gardens are Grade I listed on the Register of Historic Parks and Gardens.

Excerpt from the Wikipedia article Kensington Gardens (License: CC BY-SA 3.0, Authors, Images).

Kensington Gardens
Lancaster Walk, City of Westminster Bayswater

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Latitude Longitude
N 51.507222222222 ° E -0.18027777777778 °
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Lancaster Walk

Lancaster Walk
SW7 2EU City of Westminster, Bayswater
England, United Kingdom
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Kensington Palace from across Long Water
Kensington Palace from across Long Water
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Lancaster Gate
Lancaster Gate

Lancaster Gate is a mid-19th century development in the Bayswater district of central London, immediately to the north of Kensington Gardens. It consists of two long terraces of houses overlooking the park, with a wide gap between them opening onto a square containing a church. Further terraces back onto the pair overlooking the park and loop around the square. Until 1865 the terraces were known as Upper Hyde Park Gardens, with the name Lancaster Gate limited to the square surrounding the church. The development takes its name from Lancaster Gate, a nearby entrance to Kensington Gardens, itself named in honour of Queen Victoria as Duke of Lancaster.The terraces are stuccoed and are in an eclectic classical style featuring English Baroque details and French touches. The church, known as Christ Church, Lancaster Gate, was an asymmetrical gothic composition with a needle spire. The architects were F. & H. Francis. The church was one of the most well known in London, but when dry rot was discovered in the roof the decision was taken to demolish most of the building and redevelop the site. The last service in the church was on 6 March 1977, and demolition began on 15 August 1977; only the tower and spire survive. The rest of the building was replaced by a housing scheme called Spire House in 1983.Lancaster Gate stands alongside Hyde Park Gardens as one of the two grandest of the 19th-century housing schemes lining the northern side of Hyde Park and Kensington Gardens. The development was planned in 1856–57 on the site of a nursery and tea gardens, and construction took at least 10 years. The terraces overlooking the park were designed by Sancton Wood and those around the square by John Johnson. The exteriors are largely complete, with just a couple of 20th-century infills, but many of the interiors have been reconstructed behind the facades. Many of the properties are still in residential use and command very high prices. Others are used as embassies (such as the Embassy of Costa Rica), offices, or hotels. For many years, the headquarters of The Football Association were located in Lancaster Gate and the term was often used as a metonym for the organisation, but it later relocated to Soho Square and is now based at Wembley Stadium.Lancaster Gate is also an electoral ward of Westminster City Council. The population at the 2011 Census was 13,195.

Frieze of Parnassus
Frieze of Parnassus

The Frieze of Parnassus is a large sculpted stone frieze encircling the podium, or base, of the Albert Memorial in London, England. The Albert Memorial was constructed in the 1860s in memory of Prince Albert, the husband of Queen Victoria. The frieze is named after Mount Parnassus, the favorite resting place in Ancient Greek mythology for the muses. It contains 169 life-size full-length sculptures, a mixture of low-relief and high-relief, of individual composers, architects, poets, painters, and sculptors from history. The depictions of earlier figures necessarily, were imaginary, although many of the figures were based on materials contained in a collection of artworks and drawings gathered for the purpose of ensuring authentic depictions, where this was possible. The total length of the frieze is approximately 64 metres (210 feet). The frieze was intended to be the 'soul' of the memorial, and the memorial's designer, George Gilbert Scott, stated that he was inspired by the Hémicycle des Beaux Arts by Paul Delaroche. The memorial was not laid out precisely to directions of the compass, however, closely enough that the sides are referred to by direction. Musicians and poets were placed on the south side, with painters on the east side, sculptors on the west side, and architects on the north side. Henry Hugh Armstead carved the figures on the south and east sides, the painters, musicians, and poets (80 in total), and grouped them by national schools. John Birnie Philip carved the figures on the west and north sides, the sculptors and architects (89 named figures, plus two generic figures), and arranged them in chronological order. The carving was executed in situ, and was said by Scott to be "perhaps one of the most laborious works of sculpture ever undertaken". The initial contracts, agreed around 1864, had specified that the work was to be completed in four years for £7,781 15s. The eventual cost, however, exceeded this by some £2,000 and the work was not finished until 1872. Large groups of figures of eminent persons from the past often decorate public buildings and monuments of the later nineteenth century, and some buildings such as the Walhalla temple in Bavaria and the Panthéon in Paris were dedicated to this purpose. Many figures of visual artists decorate the Victoria and Albert Museum close to the Albert Memorial at the other end of the "Albertopolis" complex. A mosaic frieze of more generalised figures from the arts runs round the circular Royal Albert Hall adjacent to the memorial. The Parnassus by Raphael (1511), opposite the philosophers of The School of Athens in the Vatican Raphael Rooms, is an earlier group portrait of great artists.