Casa Martí

Els Quatre Gats (pronounced [əls ˈkwatɾə ˈɣats]; Catalan for 'The Four Cats') is a café in Barcelona, Catalonia, Spain that famously became a popular meeting place for famous artists throughout the modernist period in Catalonia, known as Modernisme. The café opened on June 12, 1897 in the famous Casa Martí, and served as a hostel, bar and cabaret until it eventually became a central meeting point for Barcelona’s most prominent modernist figures, such as Pablo Picasso and Ramon Casas i Carbó. The bar closed due to financial difficulties in June 1903, but was reopened and eventually restored to its original condition in 1989.

Saüc is a Michelin starred restaurant in Barcelona, Spain.

Caelis is a Michelin-starred restaurant in Barcelona, Spain. In 2002, Toulouse chef Romain Fornell took over the Diana restaurant at the El Palace Hotel and renamed it Caelis in 2004. It received its Michelin star the next year. The restaurant was closed from 2009 to 2011, when the hotel underwent a major renovation. Caelis moved to the Hotel Ohla in 2017.

Portal de l'Àngel (Catalan pronunciation: [puɾˈtal də ˈlaɲʒəl]) is a pedestrian street in the Ciutat Vella district of Barcelona adjacent to Plaça Catalunya and part of the large shopping area that spans from Avinguda Diagonal to Barri Gòtic. It's one of the city's most visited streets and is always crowded with tourists and locals all year round. Portal de l'Àngel is noteworthy for being the most expensive street in Spain, with an average rental price of €265 per square meter in 2013.There is a large El Corte Inglés department store in this street, just opposite a building that has a giant thermometer in its façade. It's also home to other international shopping brands, including Zara, Massimo Dutti, and Benetton.

The Sepulchral way of the Plaça de la Villa de Madrid is a Roman necropolis dating from the 1st to the 3rd century AD, located in the Plaça de la Villa de Madrid and its surroundings in Barcelona. The site lies below the current level of the square, but is visible from the street due to the urban design. It is one of the various heritage sites managed by the Museum of the History of Barcelona. Between the 1st and 3rd centuries, Roman law prohibited burials inside the city, so the necropolises of Barcino were located outside the city walls, along the roads that led out of the city. In this context, the necropolis in the Plaça de la Villa de Madrid is considered to be a secondary cemetery, far from the walls, used for the burial of the middle and lower classes, including slaves and freedmen. However, it is the best preserved and most studied necropolis of this period in Barcelona, as only scattered remains have been found in other necropolises, mostly in the form of reused funerary monuments that were incorporated into the Roman expansion of the city in the 4th century. The main feature of the necropolis is a five-metre wide road, the remains of which were discovered between the streets of Portaferrissa and Santa Ana. This road left the city through the south-west gate (in the direction of what is now Boqueria street) and led to the Corts or Sarrià areas. The tombs, arranged in rows but not in any regular order, are flanked on the outside by a wall. A total of 85 burials of different types have been identified: six monolithic Cupae, six altars, one stele, two inscribed slabs, 33 burial mounds (two conical and the rest square or masonry cupae), 17 burials protected by tiles or amphorae and 20 burials without any protection. At present, three additional monolithic cupae can be seen in the burial path, brought from the excavations of the Roman wall in the 1950s to replace damaged original masonry cupae in their original positions. After the necropolis ceased to be used, it was gradually buried by the alluvial deposits of the Collserola streams, which prevented the stones from being reused as building materials. The site was rediscovered in 1956 during the groundwork for the building that now occupies the south-east side of the square, and a first excavation campaign was carried out, followed by another in 1959. Further excavations took place between 2000 and 2003, coinciding with the renovation of the square, and the site was officially opened to the public as a museum in 2008. The nature of this site lies in the fact that the tombs have been found in their original context, since the vast majority of Roman burials known to us have only reused stone elements from other buildings or isolated tombs. For example, many monolithic cupae have been found in Barcelona (28 in total), but only the six from this burial route have been found in their original location.

The Cercle Artístic de Sant Lluc (Catalan pronunciation: [ˈseɾklə əɾˈtistiɡ də ˈsaɲ ˈʎuk], meaning in English "Saint Lluc Artists' Circle") is an arts society which was founded in Barcelona (Catalonia) in 1893 by Joan Llimona, Josep Llimona, Antoni Utrillo, Alexandre de Riquer, the city councillor Alexandre M. Pons and a group of artists who were followers of bishop Josep Torras i Bages, as a reaction to the anticlerical current present in modernisme and in the Cercle Artístic de Barcelona, which they considered to be frivolous. The society was typified by its vigorous defence of Catholic morals (even going so far as to prohibit the artistic nude) and of family virtue, and its desire to follow in the path of humility that was pursued by the mediaeval guilds. Its president was Lluís Serrahima, and its members included Dionisio Baixeras Verdaguer, Iu Pascual, Enric Clarasó, Antoni Gaudí, Joaquim Vancells i Vieta, Joaquim Renart i Garcia and Ramon Sunyer i Clarà, as well as Joaquín Torres García, Josep Pijoan, Feliu Elias, Darius Vilàs, Francesc d'Assís Galí, Eugeni d'Ors and other artists without religious commitment who attended drawing classes there including Joan Miró. It is considered to have been very influential in defining the noucentisme movement. After the Spanish Civil War it was reorganized and it protected the activities of the Agrupació Dramàtica de Barcelona and the Coral Sant Jordi, as well as the early performances by Els Setze Jutges and Els Joglars. It created the Joan Miró Drawing Prize and in 1993 it received the highest honour awarded by the Catalan government, the Creu de Sant Jordi.

The Church of Santa Anna (Catalan: Església de Santa Anna, Spanish: Iglesia de Santa Ana) is a church located in Barcelona, Catalonia, Spain. It was declared Bien de Interés Cultural in 1881.

The Statistical Institute of Catalonia (in Catalan: Institut d'Estadística de Catalunya, usually referred to by its acronym IDESCAT) is the official body responsible for collecting and publishing statistics in the autonomous community of Catalonia, Spain. The institute comes under the Department of the Economy and Finances of the Generalitat de Catalunya (Government of Catalonia). Its offices are on Via Laietana, Barcelona.

The Church of Saint Philip Neri (Catalan: Església de Sant Felip Neri) is a baroque-style church located in the Plaça de Sant Felip Neri, in the Gothic quarter of Barcelona, Catalonia, Spain. It was built between 1721 and 1752. During the Spanish Civil War, on January 30, 1938, it was bombarded by Franco's air forces (the effects of the explosion can be seen on the facade). The church has a convent annex belonging to the Oratory of Saint Philip Neri. The composer Francesc Queralt produced a number of oratorios for performance at the church.

Plaça de Sant Felip Neri is a small square in the Gothic Quarter in the district of Ciutat Vella in Barcelona, Catalonia, Spain. The square takes its name from the Church of Saint Philip Neri, which presides over the square. To the right of the church is the School of Saint Felip Neri which uses the square as a playground. To the left of the church is a house used by the Oratory of Saint Philip Neri. In the centre of the square is an octagonal fountain, dedicated as a symbol of life. The architecture of the square and surrounding buildings is in the medieval Baroque-style.

Palau de la Música Catalana (Catalan pronunciation: [pəˈlaw ðə lə ˈmuzikə kətəˈlanə], English: Palace of Catalan Music) is a concert hall in Barcelona, Catalonia, Spain. Designed in the Catalan modernista style by the architect Lluís Domènech i Montaner, it was built between 1905 and 1908 for Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the Renaixença (Catalan Rebirth). It was inaugurated on 9 February 1908. The construction project was mainly financed by Orfeó Català, but important financial contributions also came from Barcelona's wealthy industrialists and bourgeoisie. The palace won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension under the direction of architects Oscar Tusquets and Carles Díaz. In 1997, the palace de la Música Catalana was declared a UNESCO World Heritage Site along with Hospital de Sant Pau. Today, more than half a million people a year attend musical performances in the Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).

Conservatori Superior de Música del Liceu (Catalan pronunciation: [kunsəɾβəˈtɔɾi supəɾiˈo ðə ˈmuzikə ðəl liˈsɛw]) is a music college in Barcelona, Catalonia, Spain. It was created in 1837 with the name Liceo Filo-dramático de Montesión. In 1847 the institution inaugurated the opera house Gran Teatre del Liceu. In 1854, the Liceo Filarmónico and the Gran Teatre del Liceu separated administratively. Nevertheless, both entities have always remained closely linked. Among its students have been, among other, artists as: singers Francisco Viñas, Maria Barrientos, Josefina Huguet, Conchita Supervía, Mercedes Capsir, Elvira de Hidalgo, Miguel Fleta, Victoria de los Ángeles, Jaume Aragall, Montserrat Caballé, Manuel Ausensi, José Carreras, Eduard Giménez, Dalmacio González, Juan Pons, Nuria Rial, Josep Bros; guitarist Renata Tarragó; pianist Frank Marshall or composers Leonardo Balada, Lluís Benejam, Agusti Grau Joan Guinjoan, Joan Lamote de Grignon, Ricard Lamote de Grignon, Frederic Mompou, Carles Santos, Manuel Valls, and Joaquim Zamacois. Many of them also became professors there upon completion of their studies, including Renata Tarragó. Among the professors there were Catalan composers Enric Morera, Graciano Tarragó and German composer Engelbert Humperdinck. The Barcelona Guitar Orchestra is based there. Since 1999 Maria Serrat i Martín has assumed the General Direction and in 2002 the Spanish composer and musicologist Benet Casablancas assumed the academic direction of the Conservatori Superior de Música del Liceu.