Rosendals Trädgård

Bellmansro was a restaurant north of Oakhill Palace on Djurgården island in Stockholm, which opened as a catering hall in 1828. The restaurant's eventual name reflected its proximity to Johan Niclas Byström's bust of Carl Michael Bellman that was dedicated on July 26, 1829. For much of its history Bellmansro was a tavern, but in the late 19th century it became a restaurant with food service. By the early 1900s the establishment had fallen into disrepute. The building burned to the ground May 13, 1952. An annual festival, held on Bellman Day (July 26), commemorates the inauguration of the Bellman bust.

Djurgården (pronounced [ˈjʉ̌ː(r)ɡɔɳ] or [ˈjʉ̂ːrˌɡoːɖɛn] (listen)) or, more officially, Kungliga Djurgården (Swedish for 'The [Royal] Game Park'), is an island in central Stockholm, Sweden. Djurgården is home to historical buildings and monuments, museums, galleries, the amusement park Gröna Lund, the open-air museum Skansen, the small residential area Djurgårdsstaden, yacht harbours, and extensive stretches of forest and meadows. It is one of the Stockholmers' favorite recreation areas and tourist destinations alike, attracting over 10 million visitors per year, of which some 5 million come to visit the museums and amusement park. The island belongs to the National City park founded in 1995. Since the 15th century the Swedish monarch has owned or held the right of disposition of Royal Djurgården. Today, this right is exercised by the Royal Djurgården Administration which is a part of the Royal Court of Sweden. A larger area of the city, separated from Djurgården proper by Djurgårdsbrunnsviken is Norra Djurgården (Northern Djurgården), including Gärdet.

Rosendal Palace (Swedish: Rosendals slott) is a Swedish palace pavilion located on Djurgården, an island in central Stockholm. It was built between 1823 and 1827 for King Karl XIV Johan, the first Bernadotte King of Sweden. It was intended as an escape from the formalities of court life at the Royal Palace. Rosendal Palace was largely designed by Fredrik Blom, one of the leading architects of the time, who received a royal commission to draw and build the palace building after the original buildings burned down. Fredrik August Lidströmer, Stockholm's City Architect from 1818 to 1824, had been King Karl XIV Johan's primary architect at the construction of the original Rosendal Palace. After it burned down in 1819, Lidströmer also created the initial drawings for the replacement palace. These were then adapted and redrawn by Fredrik Blom, who had been an assistant to Jonas Lidströmer, father of Fredrik August Lidströmer. The Queen's Pavilion at Rosendal Palace (Swedish:Drottningpaviljongen)) and Guard's Cottage (Swedish:Vaktstugan) remained entirely the work of Fredrik August Lidströmer. The creation of the Rosendal Palace in the 1820s marked the beginning of the development of Djurgården into a stately residential area. When King Oskar II died in 1907, his heirs decided to make Rosendal Palace a museum of the Karl Johan period and of the life of Karl XIV Johan. This makes Rosendal Palace a unique documentation of the European Empire style, in Sweden also known as the Karl Johan style. The Karl Johan style remained popular in Scandinavia even as the Empire style disappeared in other parts of Europe. The palace stands today largely as it did in Karl XIV Johan's lifetime. During the summer months the palace is open to visitors for guided tours. Prince Carl Philip and his wife Princess Sofia lived at Rosendal Palace 2015-2017 while their permanent home, Villa Solbacken, was being renovated.

The Stockholm Exhibition (in Swedish, Stockholmsutställningen) was an exhibition held in 1930 in Stockholm, Sweden, that had a great impact on the architectural styles known as Functionalism and International Style. The fair was conducted by the City of Stockholm and the Svenska Slöjdföreningen (which has evolved into the existing organization, Swedish Form) art society. The art historian and leader of the Svenska Slöjdföreningen, Gregor Paulsson, was the intellectual leader of the fair, inspired, after a visit to the 1927 Weissenhof Estate in Stuttgart, to organize a similar event for Stockholm. It took place from May through September 1930, on the southern portion of the Djurgården recreation area in eastern-central Stockholm, and entertained about four million visitors. Swedish artists, craftsmen and companies showed their latest products, particularly the glass producer Orrefors Glasbruk. Many of the available images were taken by the pioneering photographer W. Gustaf Cronquist, and were published by Swedish Form. The exhibition's slogan was: Acceptera!, or Accept!, literally a plea for acceptance of functionalism, standardization, and mass production as a cultural change. The effort to persuade Swedish citizens of the benefits of a modernized lifestyle included serving mass-produced food.

Djurgårdsbrunnsviken is a bay in central Stockholm, Sweden, together with the canal Djurgårdsbrunnskanalen forming the northern shore line of the island Djurgården (or more correctly between Northern and Southern Djurgården). The bridge Djurgårdsbron stretches over the bay. Old names Ladugårdsviken (17th-18th centuries), Surbrunnsviken, Södra brunnsvikenHistorically known as a good fishing ground, Djurgårdsbrunnsviken, also known as the Bay of Sweden, is today popular for bathing in summer. The bay was used for the diving, swimming (including the part for the modern pentathlon event), water polo and rowing competitions during the 1912 Summer Olympics, and during the Swedish championship 1930.On the north shore of the bay are a great number of embassies and several museums, including The National Maritime Museum (Sjöhistoriska museet), the Ethnographical Museum (Etnografiska museet), and the Technical Museum (Tekniska museet). On the south shore are the open-air museum Skansen, the Rosendal Palace (Rosendals slott).

Prins Eugens Waldemarsudde (Swedish for Cape Waldemar), is a museum located on Djurgården in central Stockholm. The name is composed of Waldemar, an Old German noble male name, and udde, meaning cape. It is derived from a historical name of the island Djurgården, Valmundsö (see History of Djurgården.)

The Swedish National Museum of Science and Technology (Swedish: Tekniska museet) is a Swedish museum in Stockholm. It is Sweden’s largest museum of technology, and has a national charter to be responsible for preserving the Swedish cultural heritage related to technological and industrial history. Its galleries comprise around 10,000 square meters, and the museum attracts annually about 350,000 visitors. The collections consist of more than 55,000 objects and artifacts, 1 200 shelf metres of archival records and documents, 200,000 drawings, 800,000 images and about 40,000 books. The National Museum of Science and Technology also documents technologies, processes, stories and memoirs in order to preserve them for generations to come.

The Police Museum (Polismuseet) is a policing museum in Stockholm, Sweden, run by and telling the history of the Swedish Police. It has existed in its present form since 2007.

The Museum of Ethnography (Swedish: Etnografiska museet), in Stockholm, Sweden, is a Swedish science museum. It houses a collection of about 220,000 items relating to the ethnography, or cultural anthropology, of peoples from around the world, including from China, Korea, South and Southeast Asia, the Pacific region, the Americas and Africa. The museum is situated in Museiparken at Gärdet in Stockholm. Since 1999, it is a part of Swedish National Museums of World Culture and is also hosting the Sven Hedin Foundation. The museum is open Tuesday to Sunday 11:00AM – 5:00 PM, and Wednesdays 11:00 AM – 8:00 PM and is closed on Mondays.Among the oldest collections at the museum are objects gathered during the Cook expeditions in the 18th Century. However the main part stems from the period 1850-1950 and is heavily influenced by the colonial era explorations, evangelisations and trade. When the museum first opened in 1930 it was the result of a long pre-history of lobby work from among others Hjalmar Stolpe and Erland Nordenskiöld, several huge public exhibitions and a growing concern for the inadequate keeping of ethnographic collections on many hands. In 2007, after several years of negotiation, the museum agreed to return a totem pole to the Haisla Nation, from which it has been taken in 1929. The Haisla nation gave the museum a contemporary replica of the pole, currently on display outside the museum's entrance. The Museum has also returned a number of other objects to their country of origin. All current artifacts in the museum are considered national property and so the museum has a right and a responsibility to display and preserve these artifacts.The museum is expanding on its collection with the addition of a digital exhibition. This exhibition explores the role and significance of birds in material culture, society and somolog.

The Norwegian Legation in Stockholm played a significant role during the Second World War. Until 9 April 1940 the legation consisted of four persons, and at the end of the war about 1,100 persons were connected to the legation. Refugee cases were among the legation's most central tasks. In 1941 a Military office was established, and this was later split into separate offices for intelligence (XU related cases), and for Milorg related cases.

The Embassy of the United Kingdom in Stockholm is the chief diplomatic mission of the United Kingdom in Sweden. The Embassy also represents the British Overseas Territories in Sweden. It is located on Skarpögatan in the Diplomatstaden neighbourhood. The current British Ambassador to Sweden is Judith Gough.

The Baltic Sea Science Center in Stockholm is part of the open-air museum Skansen, and showcases the Baltic marine environment and its threats, using aquariums, exhibitions, and educational activities.