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Marmorpalais

Baroque architecture in PotsdamBuildings and structures in PotsdamHistoric house museums in GermanyHouses completed in 1791Museums in Potsdam
Palaces in BrandenburgRoyal residences in BrandenburgWorld Heritage Sites in Germany
Marmorpalais
Marmorpalais

The Marmorpalais (or Marble Palace) is a former royal residence in Potsdam, near Berlin in Germany, built on the grounds of the extensive Neuer Garten on the shores of the Heiliger See (lake). The palace was commissioned by King Friedrich Wilhelm II (Frederick William II of Prussia) and designed in the early Neoclassical style by the architects Carl von Gontard and Carl Gotthard Langhans. The palace remained in use by the Hohenzollern family until the early 20th century. It served as a military museum under communist rule, but has since been restored and is once again open to the public.

Excerpt from the Wikipedia article Marmorpalais (License: CC BY-SA 3.0, Authors, Images).

Marmorpalais
Im Neuen Garten, Potsdam Nauener Vorstadt

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N 52.412671 ° E 13.06975 °
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Marmorpalais

Im Neuen Garten
14469 Potsdam, Nauener Vorstadt
Brandenburg, Germany
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Dairy in the New Garden
Dairy in the New Garden

The Dairy in the New Garden was built to plans by the master builder, Carl Gotthard Langhans, on the shore of the Jungfernsee lake at the northernmost tip of the New Garden in Potsdam, Germany. Construction was carried out from 1790 to 1792 by Andreas Ludwig Krüger.In the course of laying out the landscape garden and building the Marble Palace under Frederick William II of Prussia, a dairy was built to supply the royal court. Cows grazing on the surrounding land produced milk for the manufacture of butter and cheese. In 1843/1844 Frederick William IV. had the building extended. To a design by the architect Ludwig Persius a second storey was added under the direction of Ludwig Ferdinand Hesse and the southwest corner was enhanced with a tower. Battlements run along the edges of the roof and give the building a Norman character. A second expansion was carried out in 1857 with the engine or pump house, which was built to water the New Garden. The high, slender chimney is part of that technical modification. The upper basin for the supply of water is nowadays located within the Belvedere on the Pfingstberg. In 1928 a restaurant was established in the building that became one of the most popular destinations for day trippers in Potsdam until the Second World War. Its occupation by the Red Army at the end of 1945 and the destruction by fire of part of the building ended its gastronomic function. The dairy was still in this ruined condition when the Berlin Wall was built in 1961. In 1991, after the Wende, renovation and restoration measures were carried out on the old building and, in 2003, it was able to re-open as a brewery and restaurant (Gasthausbrauerei).

Museum FLUXUS+

The museum FLUXUS+ is located in Potsdam, Germany and opened in the city's new cultural centre Schiffbauergasse in April 2008. It is Potsdam's first museum of modern art. The 1000 sqm exhibition space of the two-storey building comprehends artworks from private collections. With its large art+life-shop, its café, an “atrium” for temporary exhibitions and events, the museum FLUXUS+ has become a cultural meeting point not only for artists and art-lovers. The permanent exhibition of the museum FLUXUS+ consists of artworks, documents and films of and about the international and intermedia art movement fluxus. On the ground floor, it features works of Wolf Vostell, Emmet Williams, Ben Patterson, Nam June Paik, and other artists of the 1960s. Besides, works of artists like Arman, Lebel, Christo, Niki de Saint-Phalle, Hains, Leve, and Ann Noël are presented in order to give a general idea of the avant-garde of the second half of the 20th century. The exhibits on the second floor of the museum focus on the art and lifework of Wolf Vostell. Here, rather the smaller art objects, sketches, and paintings than oversized works of Vostell reflect his motto “Leben ist Kunst. Kunst ist Leben”. The collection comprehends some of Vostell's earliest sketches as well as works that he completed shortly before his death, thus, illustrates his work as a fluxus-and happening-artist, designer, composer, painter, and video pioneer. Furthermore, the museum features today's interpretation of “Kunst ist Leben” by presenting the works of four contemporary artists: Costantino Ciervo, Hella De Santarossa, Lutz Friedel, and Sebastian Heiner.