Piazza San Babila

San Babila is an underground station on Line 1 of the Milan Metro. It was opened on 1 November 1964 as part of the inaugural section of the Metro, between Sesto Marelli and Lotto.The station is located at Piazza San Babila, in the city centre of Milan. In the future it will also be one of the 21 stations on Line 4.

The Snia Viscosa Tower (Italian: Torre Snia Viscosa) is a skyscraper in Milan, Italy.

The Snia Viscosa Tower (Italian: Torre Snia Viscosa) is a skyscraper in Milan, Italy.

San Babila is a Romanesque-style Roman Catholic church in Milan, region of Lombardy, Italy. It was once considered the third most important in the city after the Duomo and the Basilica di Sant'Ambrogio. It is dedicated to saint Babylas of Antioch.

The Traversi Garage (Italian: Garage Traversi) is a building located in Milan, Italy.

The Palazzo Taverna is a late Neoclassical mansion in Milan, Italy, designed by Ferdinando Albertolli in 1835. It is located at 2, Via Montenapoleone, in the Porta Nuova district of the city.The building is notable in that it is reminiscent of Milan's Royal Villa and of country houses in general as the main body of the building is set back to form a courtyard next to the street. The entrance consists of an Ionic colonnade supporting a parapet. The two lateral sections have giant pilasters surmounted by triangular tympani.Today the mansion houses a Louis Vuitton store.

Casa Barelli is a historic building located in Milan, Italy.

San Carlo al Corso is a neo-classic church in the center of Milan. The church is managed by the Servite Order. The church facade was designed in 1844 by Carlo Amati and was finished in 1847. It then served as a model for the Chiesa Rotonda in San Bernardino, Switzerland, 1867. The complex was built to replace Convent of the Servite founded as early as 1290 and later was suppressed in 1799. The new church was built in thanks for the ending a cholera epidemic, and dedicated to Saint Charles Borromeo who was the Bishop of Milan during the time of the bubonic plague in Milan during the 16th century.

Palazzo Carcassola Grandi is a historical palace in Milan located at via Monte Napoleone 3.

Casa Fontana-Silvestri is one of the few Renaissance buildings surviving in Milan, Italy. The main structure dates back to the 12th century, but its current form is due to a thorough modification that were made at the end of the 14th century, in a style that mixes Renaissance and Gothic elements. The facade was originally decorated with frescos that scholars credit to Bramante or Bramantino; most of these painting have disappeared, with just a few remnants now visible under the cornice. It has also been suggested that Bramante may have designed the cotto decorations, also on the facade.

Palazzo Visconti di Grazzano, also known as Palazzo Visconti di Modrone or Palazzo Bolagnos, is a historical palace located in the centre of Milan, in Via Cino del Duca no. 8.

Scior Carera (Milanese for 'Mister Carera'; IPA: [ˈʃuːr kaˈreːra]) and Omm de preja ('stone man'; IPA: [ˈɔm de ˈprɛja]) are traditional, popular names used to refer to an ancient Roman sculpture located in Milan, Italy, at No. 13 of Corso Vittorio Emanuele (next to the Duomo). Before being located where it is now (on the facade of a modern building) in the mid 20th century, the sculpture has been in different places around the city, most notably in Via San Pietro dall'Orto. It is a marble bas-relief dating back to the 3rd century, depicting a man wearing a toga, with the right leg slightly put forward; it has lost its arms as well as its head. The latter was replaced in the Middle Ages, supposedly to represent archbishop Adelmanno Menclozzi. The name Carera is a corruption of the first word carere (Latin for 'to lack') of the epigraph found below the statue, a sentence credited to Cicero: Carere debet omni vitio qui in alterum dicere paratus est ('Anybody who wants to criticise someone should be free from all faults'). Another inscription below this one recalls the former collocation of the statue in Via San Pietro all'Orto as well as the role this statue has played in the 19th century during the Austrian rule of Milan; at the time, in fact, there was the common habit of attaching satirical political messages to the statue, much like what happened in Rome with Pasquino and other "talking statues". In particular, the so-called tobacco riots that started the Five Days of Milan (whereby the Milanese quit smoking to cause economical damage to the Austrians) was possibly initiated on 31 December 1848 by a message attached to Scior Carera. Because of the role of the statue in the fight for independence of Milan, its name was used for a satirical journal (L'uomo di pietra, Italian equivalent of Omm de preja) that was published between 1856 and 1864 and again after 1878.