El Panecillo

The Virgin of El Panecillo (in Spanish: Virgen del Panecillo), also known as the Virgin of Quito from the sculpture of the same name, is a monument in Quito, Ecuador. It is located on the top of the hill of El Panecillo, a loaf-shaped hill in the heart of the city and serves as a backdrop to the historic center of Quito. With a total height of 135 feet (41 meters) including the base, it is the highest statue in Ecuador and one of the highest in South America (taller than the Christ the Redeemer statue in the Brazilian city of Rio de Janeiro). It is also the tallest aluminum statue in the world.

Alfaro is an electoral urban parish or district of Quito, Ecuador. The parish was established as a result of the October 2004 political elections, when the city was divided into 19 electoral urban parishes.

The Ecuador National Museum of Medicine is located in Quito, Ecuador.

The City Museum (Museo de la Ciudad) is a museum in the colonial center of Quito, Ecuador. It is located on Garcia Moreno Street, between Morales and Rocafuerte. The museum was founded in 1998 and occupies the buildings of what once was the San Juan de Dios Hospital. The buildings were designated as a UNESCO Cultural World Heritage Site. and were restored in 1995 using the same materials as the original buildings to repair damaged areas. Ancient stone Doric columns, stone doorways and stone coverings in the patios are a highlight of the architecture.The museum chronicles the history of Quito, along with 400 years of the history of the hospital. The former hospital buildings include an area of 10,200 square meters which house the four museum collections, 10 exhibition halls, workshop areas and museum offices, arranged around four courtyards. In addition to its permanent collections, the museum also offers the temporary exhibitions, focusing on particular aspects of life in Quito.In July 2020, a collection of 69 artifacts were privately restituted to Ecuador to be displayed and appreciated at the museum. The objects were first taken from Ecuador by a London diplomat in the 1960s who was an art and archaeology enthusiast. The objects in his collection include Catholic icons from the era of the Spanish conquest and objects thought to date to the Pre-Columbian era.One of the permanent exhibitions offers a journey through the customs, people and traditions of Quito, through its displayed history from the sixteenth century to the nineteenth century. Another is the display of the history of the hospital and a collection of items from a former doctor at the hospital. There is another permanent exhibit which is called "A new social order breaks through: Quito nineteenth century".The museum is open Tuesday to Sunday, from 09:30 until 17:30. Admission is free for people with disabilities, certain institutions and municipal employees. Admission for the general public requires minimal fees.

The National Ecuadorian Exposition was a world's fair held in Quito in 1909 to mark 100 years since the start of the campaign for Ecuadorian independence from Spain.The Palace of the Exhibition was formally opened on 10 August 1909 to mark 100 years since the "First Cry for Independence". The fair opened on 8 September.

The Church and monastery of El Carmen Alto is a Catholic complex of convent, church and chapels built in the historic center of the city of Quito, capital of Ecuador, on calle García Moreno, formerly known as De las Siete Cruces, on the corner of Rocafuerte.

The Church of Santo Domingo is a Catholic church in the historic center of the city of Quito, capital of Ecuador. The complex of convent, church and chapels is located on the Plaza de Santo Domingo, itself named after the church.

Casa del Alabado is a Precolumbian Art Museum in Quito, Ecuador. The museum is located in a colonial house built in the 17th century during the Spanish Colony. It houses a collection of over 5,000 archaeological pieces, 500 of which are on permanent display. Casa del Alabado is unique in the sense that its display is organized thematically, not chronologically. The aim of the museum is to treat objects as works of art rather than archaeological remnants. The display is distributed along 8 rooms with 8 different themes, which serve as representations of cultural aspects of ancient Ecuadorian cultures: their cosmology, their relationship with their ancestors, their religious ideas and rituals, and their relationship with their environment. Casa del Alabado has: Eight exhibit rooms, one room for temporary exhibits, two rooms for workshops, a museum shop and two courtyards.

El Salvador is an electoral parish (parroquia electorale urban) or district of Quito, the capital city of Ecuador. The parish was established as a result of the October 2004 political elections when the city was divided into 19 urban electoral parishes.

The Plaza de San Francisco (“Saint Francis Square”) is a major public square in the Historic Center of Quito, Ecuador, upon which faces La Iglesia y Monasterio de San Francisco (the Church and Convent of St. Francis) from which it takes its name.

Alberto Mena Caamaño Museum (Spanish: Museo Alberto Mena Caamaño) is a museum in Quito, Ecuador. A cultural institution of Quito, the capital of Ecuador, it is located in the historic center of the city, next to the Palacio de Carondelet. The Rough Guide to Ecuador considers it to be the "old town's most rewarding museum".It was created by ordinance on May 28, 1957, following a donation from the aristocratic philanthropist Alberto Mena Caamaño. The donation included more than 600 objects including paintings, sculptures, archaeological pieces, weapons and miscellaneous items. After a restoration of the former Royal Barracks building, the museum opened to the public on November 3, 1959. In 1970 a permanent exhibition hall was added on a theme of the slaughter which occurred on August 2, 1810, when 200 citizens were killed in the barracks and the surrounding streets of Quito by royalist troops. It is depicted by wax figures of the artist Francisco Barbieri. In 1987 the museum had to close its doors due to minor damage to the building structure, as a result of the earthquakes that rocked Quito that year. Finally, on November 27, 2002, it reopened following extensive restoration.

The Basilica and Convent of San Francisco (Spanish: Iglesia y Convento de San Francisco), commonly known as el San Francisco, is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same name. It is the oldest and most significant religious site in Ecuador. The structure is the largest architectural complex within the historic centers of all of South America, and for this reason it was known as "El Escorial of the New World". San Francisco is considered a jewel of continental architecture for its mixture of different styles combined throughout more than 150 years of construction. San Francisco is part of the UNESCO World Heritage Site "City of Quito". On its three and a half hectares of surface, thirteen cloisters have been built (six of them of great magnitude), three temples, a large Atrium, adding approximately 40,000 square meters of construction. Multiple activities are currently carried out there: conventual and religious, public care in the areas of health, communication, education and others of a popular nature that keep the building active. Inside the church there are more than 3,500 works of colonial art, of multiple artistic manifestations and varied techniques, especially those corresponding to the Colonial Quito School of Art, which was born precisely in this place. It also has a Franciscan library, described in the 17th century as the best in the Viceroyalty of Peru. The complex is preceded by the Plaza de San Francisco that for years supplied the city with water from its central fountain, and which has functioned as a popular market, as a space for military and political concentrations, and as a meeting place and social recreation. The concave-convex staircase that connects the square with the Atrium, which highlights the Mannerist-Baroque facade of the main building, is considered of great architectural importance in the Colonial Americas.