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Potseluev Bridge

1768 establishments in the Russian EmpireBridges completed in 1738Bridges completed in 1768Bridges completed in 1808Bridges in Saint Petersburg
PoceluevMost 29613
PoceluevMost 29613

The Potseluev Bridge (Russian: Поцелуев мост, literally Bridge of Kisses) is a bridge across the Moyka River in Saint Petersburg, Russia. The name of the bridge spurred numerous urban legends. The panoramic view of Saint Isaac's Cathedral that opens from the bridge makes it a popular subject of artists paintings.

Excerpt from the Wikipedia article Potseluev Bridge (License: CC BY-SA 3.0, Authors, Images).

Potseluev Bridge
Поцелуев мост, Saint Petersburg

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Geographical coordinates (GPS)

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N 59.928333333333 ° E 30.295 °
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Поцелуев мост

Поцелуев мост
190999 Saint Petersburg (Адмиралтейский округ)
Saint Petersburg, Russia
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PoceluevMost 29613
PoceluevMost 29613
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Mariinsky Theatre Second Stage
Mariinsky Theatre Second Stage

The Mariinsky Theater Second Stage is the second part of a theatre complex which is made up of the original 1860 Mariinsky Theatre and the 2007 Mariinsky Theatre Concert Hall. The Second Stage has been completed and a gala concert celebrating the opening, and featuring performers Plácido Domingo, Rene Pape and Anna Netrebko, was presented on 2 May 2013. The concert also celebrated the sixtieth birthday of musical director Valery Gergiev. The post-modernist French architect Dominique Perrault won a much-publicised contest for his design for a new home for the theatre, which is to be located adjacent to the current building. At the same time, the historic original structure had been due to undergo a complete renovation and this was planned to begin in the Autumn 2006. After seeing projected costs rise to $244 million (U.S.) from $100 million, the Russian government announced in November 2008 that it was killing the Perrault plan. The Russian Prime Minister Vladimir Putin overruled both Valery Gergiev (the artistic director of the Mariinsky Theatre) and the Minister for Culture, announcing in early June 2009 that there would be a new competition to solicit proposals. A total of 15 proposals were received, a list which was then shortened to five. "We wanted to give the impression that although we were in a tense situation and we didn't want to delay forever ... no one felt like it was the best way to simply sit down quietly and say, 'You are a great architect; just come and do it,'" Mr. Gergiev explained.With a budget of €295-million (about US $452-million), all of which will be paid by the Russian government with a completion date of no later than December 2011, the Canadian firm, Diamond and Schmitt Architects, prevailed over four other finalists, one of which came from Germany and three from Russia. The building has been hyped as "Russia's most important building project in 70 years". As noted by Mr. Diamond, (it is) "the first major opera house to be built in Russia since the Czars."

Nicholas Palace
Nicholas Palace

Nicholas Palace (Russian: Николаевский дворец, Nikolayevsky dvorets) was one of several St Petersburg palaces designed by Andreas Stackensneider (1802–65) for the children of Nicholas I of Russia. The palace of Grand Duke Nikolai Nikolaievich of Russia forms part of a sprawling complex incorporating a palatial church, a manege, and several outbuildings separated from Labour Square by a cast-iron fence. In 1894 the edifice reverted to the crown and was transformed into the Kseniinsky Institute for Noble Young Ladies (Russian: Ксенинский институт благородных девиц, Kseninskii institut blagorodnykh devits). It was described by E. M. Almedingen in her memoirs:At certain functions in the great paneled white hall it was easy to imagine yourself plunged into the court life of the late eighteenth century. ... The palace, for all its enormous size, was beautiful. The sweep of that regal, gray marble staircase, curving off to the right and the left, must have been an architectural marvel. We played in halls, their high ceilings supported by Corinthian pillars, their walls covered with most exquisite paneling. We read and studied in rooms with lovely mirrors, framed in the scrolled and carven fantasies of great artists. We slept in dormitories, their walls covered by delicate frescoes. ... The exquisite staircase... swept down to a hall where a gigantic Cerberus of a porter, magnificent in scarlet and gold, stood on duty. The great front doors, splendid with carved wood and panes of cut glass, were nearly always closed. The Bolsheviks renamed it Palace of Labour (Russian: Дворец труда, Dvorets truda) and handed it over to the trade unions, who destroyed some parts of the original eclectic interiors in order to adapt the palace for their own headquarters. As of 2004, the trade unions are leasing a large part of the edifice to commercial enterprises as offices.