Teatro Valle

Palazzo Lante, also known as either Palazzo Medici Lante or Medici Lante della Rovere, is a Renaissance-style aristocratic palace located on Piazza Dei Caprettari #72, near the church of Sant'Eustachio in the rione named after the church in central Rome, Italy. Presently the palace houses both the offices of the national Institute of Nuclear Physics and the Institute of Culture Pantheon.

Sant'Ivo alla Sapienza (lit. 'Saint Ivo at the Sapienza (University of Rome)') is a Roman Catholic church in Rome. Built in 1642–1660 by the architect Francesco Borromini, the church is widely regarded a masterpiece of Roman Baroque architecture. The church is at the rear of a courtyard at 40, Corso del Rinascimento; the complex is now used by the State Archives of Rome.

Sant'Eustachio [santeuˈstaːkjo] is the 8th rione of Rome, identified by the initials R. VIII. It is named after the eponymous church and is located within the Municipio I. Its coat of arms depicts the head of a stag with a cross between the antlers, symbol of Saint Eustace: the figure is golden on a red background.

Santa Maria in Monterone is a Roman Catholic church in Rome, Italy. Its suffix originates from the Sienese Monteroni family, whose patronage rebuilt the church and built a small hospice next to it for pilgrims from Siena. It is located on Via Santa Maria in Monterone in the Sant'Eustachio rione. Next to the church is a Redemptorist monastery, whose clergy manage the church.

The Fontana dei Libri (Fountain of the Books) is a fountain in Rome, Italy. It is located on the site of the Palazzo della Sapienza, where the Roman State Archives are. The fountain is known for its unique design.

The Palazzo Vidoni-Caffarelli is a palace at the intersections of Via del Sudario, Piazza Vidoni, and Corso Vittorio Emanuele in the rione Sant’Eustachio in Rome.

Sant'Eustachio [santeuˈstaːkjo] is a Roman Catholic titular church and minor basilica in Rome, named for the martyr Saint Eustace. It is located on Via di Sant'Eustachio in the rione Sant'Eustachio, a block west of the Pantheon and via della Rotonda, and a block east of Sant'Ivo alla Sapienza and the Via della Dogana Vecchia.

The Baths of Nero (Thermae Neronis) or Baths of Alexander (Thermae Alexandrinae) were a complex of ancient Roman baths on the Campus Martius in Rome, built by Nero in either 62 or 64 and rebuilt by Alexander Severus in 227 or 229. It stood between the Pantheon and the Stadium of Domitian and were listed among the most notable buildings in the city by Roman authors and became a much-frequented venue. These thermae were the second large public baths built in Rome, after the Baths of Agrippa, and it was probably the first "imperial-type" complex of baths, with a monumental scale and symmetrical, axially-planned design. While in the sixteenth century the foundations of the caldarium were still visible, nothing else of the structure remains above ground except some fragments of walls incorporated into the structure of Palazzo Madama.

Santi Benedetto e Scolastica is a church in Rome on the Via di Torre Argentina, although its postal address is Vicolo Sinibaldi 1.

The Historiated Palazzo Massimo is a palace in Rome that today forms a single body with the Palazzo Massimo alle Colonne and the Palazzo Massimo detto di Pirro, but overlooks the Piazza dei Massimi behind it.

Abbot Luigi (Romanesco: Abbate Luiggi; Italian: Abate Luigi) is one of the talking statues of Rome. Like the other five "talking statues", pasquinades - irreverent satires poking fun at public figures - were posted beside Abate Luigi in the 14th and 15th centuries. The statue is a late Roman sculpture of a standing man in a toga, probably a senior magistrate. It was found during the excavations for the foundations of the Palazzo Vidoni-Caffarelli, near the Theatre of Pompey. After being moved to various locations in Rome, the statue has been situated in the piazza Vidoni since 1924, near its place of discovery, on a side wall of the Basilica di Sant'Andrea della Valle. Its head has been removed in jest several times. The original identity of the person depicted has not been determined, and it was named after a clergyman from the nearby chiesa del Sudario. An inscription on its plinth testifies to Abate Luigi's loquacity:

Santa Chiara is a church in the rione Pigna, formerly the Campus Martius area of Rome dedicated to Saint Clare of Assisi. It is located at the corner of via Santa Chiara and via di Torre Argentina (where this street becomes via della Rotonda). It is about a block south of the Pantheon, at the piazza Santa Chiara. It was founded by Saint Charles Borromeo, who built a Franciscan convent (now used by the Pontifical French Seminary) and the church within the ruins of the Baths of Agrippa in 1592. It was restored in 1627, but at some later point the roof collapsed and it was abandoned. In 1883, the Congregation of the Holy Spirit acquired the property, and rebuilt the church, giving it a new facade designed by Luca Carimini in 1888. On the lower of the two levels, the main door is framed by two columns holding a semicircular tympanum with a decorated lunette. To the sides are niches with triangular tympanums, surmounted by circular windows. On the upper level there are seven windows surmounted by busts of saints. Below the windows is the Latin inscription: "DEO OPTIMO MAXIMO IN HONOREM IMMACVLATI CORDIS MARIAE ET CLARAE VIRGINIS". The triangular tympanum crowning the façade has a relief by Domenico Bartolini. Inside the church there is a single aisle. There are frescoes and paintings by the painter Virgilio Monti (1852-1942), the official painter to the Roman Church appointed by Pope Leo XIII. The church is still served by the Congregation of the Holy Spirit. The high altar has an altarpiece depicting the Holy Family, by Virgilio Monti.