Heyward-Washington House

The Charleston, South Carolina, studio of sculptor Clark Mills (December 13, 1810 – January 12, 1883), was his first—he worked there from 1837 to 1848, when he moved to Washington, DC. The Charleston studio was designated as a National Historic Landmark in 1965. Before it became Mills' studio, the building, located at 51 Broad Street, Charleston originally served as a tenement house, and now houses professional offices. In 1848, Mills moved his studio and residence from Charleston to Washington, D.C., when he won a major contract to cast the equestrian bronze statue of Andrew Jackson—now in Lafayette Square, Washington, D.C., which made his name and foundry famous. With the success of the 1852 Andrew Jackson sculpture, Mills studio was awarded other major contracts, created in Clark Mills Studio and Foundry in Bladensburg Road, Maryland, eight miles from the Capital in Washington.

Cabbage Row is a set of pre-Revolutionary buildings at 89 and 91 Church Street in Charleston, South Carolina. The buildings are most notable for having been the inspiration for "Catfish Row" in the DuBose Heyward novel Porgy and later the opera Porgy and Bess by Gershwin. DuBose Heyward had lived nearby on Church Street.The buildings were perhaps operated as counting houses when they were built, but after the earthquake of 1886, their condition deteriorated until they were a well-known "resort for sailors." The property was bought by landscape architect Loutrel Briggs in February 1928. Mr. Briggs intended to restore the buildings as residences suitable for artists. The property sold next to Charles H. Gibbs and his business partners in 1955.

The Isaac Holmes Tenement is a pre-Revolutionary house in Charleston, South Carolina. In 1721, Isaac Holmes acquired the parcel upon which 107 Church Street was built. It appears that he built a house on the land, but whatever structure he had built was lost in a fire in 1740 that wiped out many buildings in the area.The current house was likely built soon after that fire. The house has Georgian interiors similar to those found in the George Eveleigh House and Thomas Rose House.When Isaac Holmes prepared his will in 1754, the house was being occupied by a family of no apparent relation to Isaac Holmes.

The James Vanderhorst House is a pre-revolutionary house in Charleston, South Carolina. It is notable for its connection to American artist Alfred Hutty.Hutty restored and occupied the house starting in about 1928; he had moved to Charleston to become the first director of the Carolina Art School. He used the house as his residence, and he restored a separate kitchen house and servants' quarters in the rear of the property as his art studio. Hutty and his wife sold the property in 1951.As part of his work on the main house, Hutty relocated the entrance to the house to the west (garden) side of the house. The balcony which he installed on the west side was originally installed on Sheppard's Tavern at the northeast corner of Broad and Church Streets; the balcony was saved when the tavern was demolished to make way for a bank building.

The Elizabeth O'Neill Verner House is a pre-Revolutionary house that was built by a Huguenot barrel maker. The house was built in 1718. Later, the house was used as a "sweet shoppe." In the 20th century, American artist Elizabeth O'Neill Verner kept her art studio in the house.

The William Vanderhorst House was used as the first post office in Charleston, South Carolina before 1753. Eleazer Philips was the first postmaster of Charleston to have a dedicated office for the handling of the mail, and he used 54 Tradd Street for that purpose. Earlier postmasters handled the mail in their own houses. The house was used as a post office until after 1791 when Peter Bacot relocated the operation to 84 Broad Street.The house was built by William Vanderhorst about 1740 on property inherited by his wife from her grandfather.

The Thomas Dale House is an early 18th century house in Charleston, South Carolina. The house appears to have been built between 1716 and 1733; Miles Brewton referred to the existing house in a deed of December 1733 when he conveyed the house to his daughter, Mrs. Mary Brewton Dale. Mr. Brewton's son-in-law, Thomas Dale, was a doctor who also translated books, wrote literary pieces, and even served as an assistant justice despite being a "person[] entirely ignorant of the law."The house originally was three stories, but the top level was removed during a later remodeling. A half-story was returned to the house later still.

Citizens and Southern National Bank of South Carolina is a building on 50 Broad St., Charleston, South Carolina. It was named to the National Register of Historic Places in 1971.

The Confederate Home is a retirement home located in an early 19th-century building at 60 Broad Street in Charleston, South Carolina. The building started as a double tenement in about 1800, built for master builder Gilbert Chalmers. From 1834 to 1867, it was operated as the Carolina Hotel by Angus Stewart. In 1867, sisters Mary Amarinthia Snowden and Isabell S. Snowden established the Home for the Mothers, Widows, and Daughters of Confederate Soldiers (the Confederate Home) and operated their housing program at the house. The Confederate Home bought the property outright in May 1874. Two stores operated on the Broad Street frontage. Educational and residential facilities were located behind.When the building was damaged by the 1886 Charleston earthquake, it was restored with Victorian details, including a mansard roof and dormers.

St. Michael's Churchyard, adjacent to historic St. Michael's Episcopal Church on the corner of Meeting and Broad Streets, in Charleston, South Carolina is the final resting place of some famous historical figures, including two signers of the Constitution of the United States. The church was established in 1751 as the second Anglican parish in Charleston, South Carolina. Interred in St. Michael's Churchyard are: Charles Cotesworth Pinckney (1746–1825) Colonel in the Continental Army, member of the U.S. Constitutional Convention and signer of the U.S. Constitution, U.S. Minister to France, Federalist candidate for Vice President, and later candidate for President of the United States in 1804 and 1808 John Rutledge (1739–1800) Governor of South Carolina, 1779, member of the U.S. Constitutional Convention and signer of the U.S. Constitution, Chief Justice of U.S. Supreme Court Robert Young Hayne (1791–1839) Senator, Governor of South Carolina, and mayor of Charleston Arthur Peronneau Hayne (c. 1789–1867) U.S. Senator from South Carolina William Dickinson Martin (1789–1833) U.S. Congressman from South Carolina Mordecai Gist (1742–1792) American Revolutionary War general Thomas M. Wagner, Civil War Lieutenant Colonel and namesake for Battery Wagner. Henrietta Johnston and her second husbandAcross the street is St. Michael's Church Cemetery. Interred here is Francis Kinloch (1755–1826) a delegate to Second Continental Congress from South Carolina. J. A. W. Iusti, Frederick Julius Ortmann, and Christopher Werner were three German born forgers of wrought iron in Charleston. Iusti's creation of the St. Michael's Cemetery Gate "Sword Gate" is one of the two most notable iron gates in Charleston, the other being the "Sword Gate" by Werner.

The Capers-Motte House is a pre-Revolutionary house at 69 Church Street in Charleston, South Carolina. The house was likely built before 1745 by Richard Capers. Later, the house purchased and became the home of Colonel Jacob Motte, who served as the treasurer of the colony for 27 years until his death in 1770. His son, also named Jacob Motte, married Rebecca Brewton, daughter of goldsmith Robert Brewton and sister of Miles Brewton, a wealthy slave trader.In 1778, Colonel James Parsons occupied the house; he was a member of the Continental Congress and had been offered the vice-presidency of South Carolina before the formation of the United States. From 1800 to 1811, O'Brien Smith, a member of Congress, owned the house. At his death, he left the house to his widow. Later it was owned by his sister Honora Smith Pyne. Mrs. William Mason Smith bought the house in 1869. Her granddaughter, American artist Alice Ravenel Huger Smith, lived in the house in the 20th century.After the house was bought in 1969 by Anthony Cecil and his wife, they had it restored to its Georgian and Adam period appearance, with later changes removed.The house follows a traditional double-house format with four principal rooms on each floor, and a centrally located stair hall. An unusual feature is that the third-floor windows are the same height as those on the first two floors; the expected design would have had smaller windows on the third floor.

The Daniel Ravenel House has remained in the same family longer than any other house in Charleston, South Carolina. The property itself was first owned by the current owner's family when Isaac Mazyck acquired the land, probably in about 1710; he definitely owned the parcel by 1719. When he died in 1735, his daughter inherited the house, and it became her home along with her husband, Daniel Ravenel. When the original house burned in 1796, the current Charleston single house was constructed. The Ravenel family has occupied the house since 1796. More than ten generations of the Ravenels have occupied the house, all of them but one named Daniel Ravenel.