Loggia del Mercato Nuovo

The Palazzo Bartolini-Torrigiani is a palace located between Via Porta Rossa and Via delle Terme, in the city block just west of Piazza Santa Trinita that includes the Palazzo Bartolini Salimbeni, in the center of the city of Florence, region of Tuscany, Italy. This portion of the block includes the medieval Torre dei Monaldi, also known as della Rognosa, rising along Via Porta Rossa. Buildings here had been present since the 13th century, owned by the Spini and Scali families. By 1369, the property around the tower, named for the Monaldi family, became property of Costanza del Mula Soldanieri, wife of Neri di Lapo, nel 1369. An inn, known as the Albergho di Porta Rossa or Locanda del Cammello was located here in 1386. In 1477, Bartolomeo Bartolini bought these buildings, including the tower. The Bartolini had owned property in this sector since 1348. They progressively extended their holdings till by the 16th century they owned nearly the entire city block. The best known construction for the family here was the palace on Piazza Santa Trinita.By the mid-16th century, the property here was sold to the Dati, then in 1559 to the Torrigiani, whose descendants still own the property, now occupied by the Hotel Porta Rossa. The building has undergone various refurbishments and reconstructions over the centuries.

Donatello's Saint Mark (1411–1413) is a marble statue that stands approximately seven feet and nine inches high and is displayed in the museum of the Orsanmichele church, Florence. It originally was displayed in an exterior niche of the church, where a copy now stands. Donatello was commissioned by the linen weavers' guild to complete three pieces for the project. St. Mark was the first of his contributions. The niche itself was not of Donatello's hand, but created most probably by two stone carvers named Perfetto di Giovanni and Albizzo di Pietro.

Santa Maria Sopra Porta is a small, former Roman Catholic church, built in rustic stone Romanesque style, located on Via Pellicceria, Florence, region of Tuscany, Italy. It now houses the library of the Palazzo di Parte Guelfa.

The Palazzo di Parte Guelfa (also called Palagio di Parte Guelfa) is a historical building in Florence, central Italy. During the Middle Ages, it was the headquarters of the Guelph party in the city (Parte Guelfa).

Orsanmichele's St. James the Major Tabernacle located on the southern façade of Orsanmichele, in Florence, is the tabernacle of The Guild of Furriers and Skinners (L’ Arte de Vaiai e Pellicciai). The statue of St. James the Major (c. 1420), by Niccolò di Piero Lamberti, once occupied the niche but is now housed in the Museum of Orsanmichele.

The Palazzo delle Assicurazioni Generali is a building in the Piazza della Signoria in Florence, Italy. Originally the Palazzo Fenzi, built for the Fenzi banking family and designed in the Neo-Renaissance style by Giuseppe Martelli and is one of the very few purpose built commercial buildings in the centre of the city though it housed on the upper floors reception rooms for the Fenzi family. The site was formerly occupied by the "Pisan Loggia" and the "Chiese de Santa Cecilia" While the architecture of the palazzo is undoubtedly inspired by that of the Palazzo Medici Riccardi, also in Florence, the Palazzo delle Assicurazioni Generali was never intended to be a private house but the local headquarters of the General Insurance Company which was founded in Trieste in 1831. There are other Palazzi delle Assicurazioni Generali in other Italian cities most notably Rome and Milan. During the latter half of the 19th century the Assicurazioni Generali (commonly known as "Generali") were expanding not only in Italy but also throughout Europe. The Assicurazioni Generali generally employed retrospective architectural style to reflect the surroundings of their offices in Rome the palazzo imitates the Palazzo Venezia which it faces, while in Milan the Palazzo delle Assicurazioni Generali is in a form of 19th century Baroque known as Beaux Arts. The Florence Palazzo delle Assicurazioni unsuccessfully vies for dominance in the piazza with the more historical and architecturally important Palazzo Signoria, today known as the Palazzo Vecchio. In spite of its height and size the architecture of the Palazzo delle Assicurazioni Generali harmonises with that of the surrounding buildings, and does not appear as a new imposter in the piazza. However, this is not a view shared by all, one source describes those buildings of Piazza della Signoria occupied by banks and Insurance companies as "seeming to belong to some cold northern climate rather than to the city that gave birth to the colour and vitality of the Renaissance" Part of the ground floor is home to one of Florence's more fashionable and historical cafés – "Rivoire", founded in 1872.

The Accademia delle Arti del Disegno ("Academy of the Arts of Drawing") is an academy of artists in Florence, Italy. Founded as Accademia e Compagnia delle Arti del Disegno ("Academy and Company of the Arts of Drawing") on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari, it was made up of two parts: the Company was a kind of guild for all working artists, while the Academy was for more eminent artistic personalities of Cosimo's court, and supervised artistic production in Tuscany. Artists including Michelangelo Buonarroti, Lazzaro Donati, Francesco da Sangallo, Agnolo Bronzino, Benvenuto Cellini, Giorgio Vasari, Bartolomeo Ammannati, and Giambologna were members. Most members of the Accademia were male; Artemisia Gentileschi was the first woman to be admitted. Its declared purposes are the promotion and diffusion of the arts, and the protection and conservation of cultural heritage worldwide. It organises conferences, concerts, book presentations and exhibitions, and elects noted artists from all over the world to honorary membership.

The Palazzo dell'Arte dei Beccai or Residenza dell'Arte dei Beccai is a fourteenth-century building in Florence, Italy. It faces the Orsanmichele, once a grain market, later the church of the guilds of Florence. It has had many occupants, including the Arte dei Beccai or guild of butchers from which its name derives. Since 1974 it has housed the Accademia Fiorentina delle Arti del Disegno, an academy of the arts.

St. John the Baptist (1412–1416) is a bronze statue by Lorenzo Ghiberti located in one of the 14 niches of the Orsanmichele in Florence, Italy. The statue of the Saint was commissioned by the cloth merchant's guild, the Arte di Calimala. The artist's use of unnaturalistic but elegant curves in the hair and drapery of the saint show the influence of the International Gothic style prevalent in Italy at the time the work was created. The work was successfully cast in a single piece, making it the first bronze statue of its size to be cast in a single piece for at least several hundred years in Italy.

Orsanmichele (pronounced [orsammiˈkɛːle]; "Kitchen Garden of St. Michael", from the Tuscan contraction of the Italian word orto) is a church in the Italian city of Florence. The building was constructed on the site of the kitchen garden of the monastery of San Michele which no longer exists. Located on the Via Calzaiuoli in Florence, the church was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante, and Benci di Cione. Between 1380 and 1404, it was converted into a church used as the chapel of Florence's powerful craft and trade guilds. On the ground floor of the square building are the 13th-century arches that originally formed the loggia of the grain market. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. Late in the 14th century, the guilds were charged by the city to commission statues of their patron saints to embellish the facades of the church. The sculptures seen today are copies, the originals having been removed to museums (see below).

Caffè Giubbe Rosse is a historical literary café in Piazza della Repubblica, Florence. When opened in 1896, the cafè was actually called "Fratelli Reininghaus". It was named "Giubbe Rosse" (Red jackets or coats) in 1910, after the red jackets which waiters used to wear every day.The restaurant-café has a long-standing reputation as the resort of literati and intellectuals. Alberto Viviani defined the Giubbe Rosse as "fucina di sogni e di passioni" ("a forge of dreams and passions"). The Giubbe Rosse was the place where the Futurist movement blossomed, struggled and expanded; it played a very important role in the history of Italian culture as a workshop of ideas, projects, and passions. "We want to celebrate love of danger, of constant energy, and courage. We want to encourage going in aggressive new directions, feverish sleeplessness, running, deathly leaps, slaps and blows".Poets such as Ardengo Soffici, Giovanni Papini, Eugenio Montale, Filippo Tommaso Marinetti, Giuseppe Prezzolini and many others met and wrote in this literary café an important venue of Italian literature in the beginning of the 20th century. Important magazines such as Solaria and Lacerba originated here from the writers who frequented the café.In 2019, a second important movement, the Empathism, (in Italian: Scuola Empatica / Empatismo) was launched in this prestigious cultural hub by Menotti Lerro, Antonello Pelliccia and others.This cozy literary café, founded by two Germans, the Reininghaus brothers, in 1896, at the moment (since 2021) is permanently closed for financial problems.

Christ and St. Thomas (1467–1483) is a bronze statue by Andrea del Verrocchio made for one of the 14 niches on the exterior walls of the Orsanmichele in Florence, Italy, where it is now replaced by a cast and the original moved inside the building, which is now a museum. It shows the Incredulity of Thomas, frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced (John 20:24–29). The surrounding marble niche was designed by Donatello for his St Louis of Toulouse (1413), but the statue was moved to Santa Croce when the niche was sold to the Tribunale di Mercanzia (merchant's guild), who commissioned the Verrochio work.