Basilica of San Domenico, Siena

Fontebranda is one of the medieval fountains of Siena, located in Terzo di Camollia, in the Contrada of Oca, near the Porta of Fontebranda.

The Porta di Fontebranda or Fontebranda Gate is one of the last remaining gates in the medieval walls of Siena. It is located on via di Fontebranda, in Siena, region of Tuscany, Italy.

Santa Maria della Scala (also referred to as the Hospital, Ospedale, and Spedale) is located in Siena, Italy. Now a museum, it was once an important civic hospital dedicated to caring for abandoned children, the poor, the sick, and pilgrims. Revenues were earned partially from bequests and donations from the citizens of Siena, particularly the wealthy. The head of the hospital was the rector who managed the lay brothers responsible for its operation.Santa Maria della Scala was one of Europe's first hospitals and is one of the oldest hospitals still surviving in the world. It played a major cultural role and is considered one of Siena's 3 main artistic hubs.

The Oratory of the Compagnia di Santa Caterina della Notte is a highly decorated prayer hall present in the top floor of the medieval Hospital of Santa Maria della Scala (also referred to as the Hospital, Ospedale, and Spedale) in Siena, region of Tuscany, Italy.

Stadio Artemio Franchi is a multi-purpose stadium in Siena, Italy. It is currently used mostly for football matches and the home of A.C.N. Siena. It was built in 1923 and holds 15,373.It is named after former Italian Football Federation president Artemio Franchi. In summer 2007, A.C. Siena agreed to rename the stadium 'Stadio Artemio Franchi – Montepaschi Arena', to include the name of their main sponsor, Banca Monte dei Paschi di Siena.The stadium hosted its first and so far only international match on 17 October 2010, a 2–0 friendly win for Italy over South Africa.During March 2011, A.C. Siena announced plans to build a new stadium on the southern outskirts of the city at Isola d'Arbia. The new stadium, with a capacity of 20,000, features a revolutionary below-ground design which was honoured with an MIPIM AR Future Projects Award.

The Palazzo Arcivescovile or Archbishop's Palace of Siena is the official residence of the archbishop and the offices of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino. The neo-Gothic architecture building is located adjacent to the Cathedral of Siena.

San Sebastiano in Vallepiatta is an ancient church next to Piazzeta della Selva in Siena, Italy. It is located in the Contrada della Selva. Church construction began in 1492 and completed in 1656, under the patronage of the guild of weavers (Tessitori). The interior is frescoed by 16th century painters, depicting Dream of St Irene by Stefano Volpi, a Glory of St Sebastian and a Virtue and Angels by Sebastiano Folli, a Stories of St Sebastian by Pietro Sorri and Rutilio Manetti. On the main altar there is a Spoliation of Christ by Luigi Ademollo, and a 15th-century Crucifix, which legend holds was donated to the Compagnia di San Giovanni Battista della Morte (Company of St John the Baptist of the Death) by St Bernard himself. Built in the shape of a Greek cross, it has a cupola with a cylindrical tambor. The design is attributed to Francesco di Giorgio Martini. Most of the brick façade has only a sliver of a cornice with architrave in travertine marble, added in 1545–1550. The interior was frescoed in the 16th century by Giovanni Paolo Pisani, Raffaello Vanni, and Astolfo Petrazzi. The main altarpiece is a bas-relief in stucco and terracotta depicting the venerated Madonna della Selva, and is attributed to Francesco di Giorgio Martini.

The Biblioteca Comunale degli Intronati is the public library located at Via della Sapienza #3 of the comune of Siena, in Tuscany, Italy.

Siena Cathedral (Italian: Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. It was the episcopal seat of the Diocese of Siena, and from the 15th century that of the Archdiocese of Siena. It is now the seat of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino. The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed in 1264. The lantern atop the dome was added by Gian Lorenzo Bernini. The bell tower has six bells, where the oldest one was cast in 1149. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius. There are thirty-five statues of prophets and patriarchs grouped around the virgin. The finest Italian artists of that era completed works in the cathedral. These artists were Nicola and Giovanni Pisano, Donatello, Pinturicchio, Lorenzo Ghiberti, and Bernini.

San Pellegrino alla Sapienza o della Sapienza is a Gothic style, Roman Catholic church located at the intersection of via della Sapienza and via delle Terme in Siena, region of Tuscany, Italy. It is located across from the Teatro dei Rozzi.

The Siena Cathedral Pulpit is an octagonal structure in Siena Cathedral sculpted by Nicola Pisano and his assistants Arnolfo di Cambio, Lapo di Ricevuto, and Nicolas' son Giovanni Pisano between the fall of 1265 and the fall of 1268. The pulpit, with its seven narrative panels and nine decorative columns carved out of Carrara marble, showcases Nicola Pisano's talent for integrating classical themes into Christian traditions, making both Nicola Pisano and the Siena pulpit forerunners of the classical revival of the Italian Renaissance.

The Battistero di San Giovanni (Italian: "Baptistry of St. John") is a religious building in Siena, Italy. It is in the square with the same name, near the final spans of the choir of the city's cathedral. It was built between 1316 and 1325 by Camaino di Crescentino, the father of Tino di Camaino. The façade, in Gothic style, is unfinished in the upper part, such as the apse of the cathedral. In the interior, the rectangular hall, divided into a nave and two aisles by two columns, contains a hexagonal baptismal font in bronze, marble and vitreous enamel, realized in 1417-1431 by the main sculptors of the time: Donatello (panel of "Herod's Banquet" and statues of the "Faith" and "Hope"), Lorenzo Ghiberti, Giovanni di Turino, Goro di Neroccio and Jacopo della Quercia (statue of John the Baptist and other figures). The panels represent the Life of John the Baptist, and include: "Annunciation to Zacharias" by Jacopo della Quercia (1428-1429) "Birth of John the Baptist" by Giovanni di Turino (1427) "Baptist Preaching" by Giovanni di Turino (1427) "Baptism of Christ" by Ghiberti (1427) "Arrest of John the Baptist" by Ghiberti and Giuliano di Ser Andrea "The Feast of Herod" by Donatello (1427)These panels are flanked on the corners by six figures, two by Donatello ("Faith" and "Hope") in 1429; three by Giovanni di Turino ("Justice", "Charity" and "Providence", 1431); and the "Fortitude" is by Goro di Ser Neroccio (1431).The marble shrine on the font was designed by Jacopo della Quercia between 1427 and 1429. The five "Prophets" in the niches and the marble statuette of "John the Baptist" at the top are equally by his hand. Two of the bronze angels are by Donatello, three by Giovanni di Turino (the sixth is by an unknown artist). The frescoes are by Vecchietta and his school (1447-1450, Articles of Faith, Prophets and Sibyls), Benvenuto di Giovanni, the school of Jacopo della Quercia e, perhaps, one by Piero Orioli. Vecchietta also painted two scenes on the wall of the apse, representing the Flagellation and the Road to Calvary. Michele di Matteo da Bologna painted in 1477 the frescoes on the vault of the apse.