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Doyle's Cafe

1882 establishments in Massachusetts2019 disestablishments in MassachusettsBoston building and structure stubsDefunct restaurants in BostonFormer pubs
Jamaica Plain, BostonPub stubsRestaurants established in 1882Restaurants in BostonUnited States restaurant stubs
Doyle's Cafe, Jamaica Plain MA
Doyle's Cafe, Jamaica Plain MA

Doyle's Cafe was a pub located on Washington Street in the Jamaica Plain neighborhood of Boston, Massachusetts, United States. Doyle's Cafe was established in 1882 and is located near the Samuel Adams brewery. Its close proximity to the brewery afforded Doyle's the unique opportunity to serve new or experimental Samuel Adams beers. It is also where Samuel Adams Boston Lager was first put on tap. Throughout its history, Doyle's was known as a favorite watering hole for both local and national politicians. On St. Patrick's Day in 1988, Senator Ted Kennedy helped dedicate a new room at the location to his maternal grandfather, John F. Fitzgerald.Boston musician Rick Berlin was a long-time employee at Doyle's Cafe. Given its historic look, atmosphere and popularity in the LGBTQ community the Irish pub has been used in several Hollywood movies and television series. Shots of the exterior of the building were used in the television series Boston Public. The pub also appeared in films such as 21, Patriots Day, Celtic Pride, Mystic River, and The Brink's Job. A local bartender who appeared in the film eventually moved to California to pursue acting.Doyle's permanently closed at midnight on October 26, 2019. However, in October 2021, a development project to revive Doyle's was approved.

Excerpt from the Wikipedia article Doyle's Cafe (License: CC BY-SA 3.0, Authors, Images).

Doyle's Cafe
Washington Street, Boston Roxbury

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Latitude Longitude
N 42.3065 ° E -71.1073 °
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Washington Street 3484
02130 Boston, Roxbury
Massachusetts, United States
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Doyle's Cafe, Jamaica Plain MA
Doyle's Cafe, Jamaica Plain MA
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Bad Girrls Studios

Bad Girrls Studios was a popular Boston gallery and performance space from 1994 to 2006 initially located at 59 Amory Street and later moved to 209 Green Street in Jamaica Plain. Founded by School of the Museum of Fine Arts student Jessica Brand, the artist-run studio hosted numerous artistic and community events. Bad Girrls Studios operated under the slogan "Art is Not A Luxury." Bad Girrls Studios supported female artists in particular, and art that addressed the politics of sexuality and pushed boundaries of sexual orientation and gender identity. Bad Girrls Studios and Eventworks co-sponsored a 1999 production held at Massachusetts College of Art & Design featuring Karen Finley, an American performance artist, musician and poet famous for her works confronting the degradation of women and sexual violence. Opening acts for Karen Finley's performance "Shut up and Love me" included movement artist Emily Dotton and female musical duo Bitch and Animal. Other noteworthy events and exhibits included "Naughty Girrls Nite @ Bad Girrls Studios", produced by studio member Rebecca Goldberg, which drew over 50 women artists and performers from New York and New England; "Love, Sex and Disappointment", an annual Valentine's Day spoken word event; and the "Post-Apocalyptic Carnival" an audience immersed installation performance series representing the art, culture and food of an imaginary future world re-emerging after an apocalyptic event. Several of the studio members were part of the Art School Cheerleaders troop. This performance art group, which began at the School of the Museum of Fine Arts, used Cheerleading as a medium for satirical commentary about the art world and to advocate for arts funding. Bad Girrls Studios hosted workshops and organized community gatherings to discuss the arts. Inspired by Jessica Brand's participation in the National Association of Artists' Organizations' (NAAO) "Co-Generate Project" (1999-2000), a think tank style leadership and development research initiative for arts professionals under the age of thirty (funded by the National Endowment for the Arts & Rockefeller Foundation), Bad Girrls Studios hosted a gathering of emerging Boston-based arts professionals and organizers working in dance, writing, theatre, music and visual art. The group engaged in dialogue and documented their perspectives of art's relationship to current social concerns, the 'alternative arts' model, empowering artist's access to visibility, and the future of art aesthetics. In 1999, the studio opened its doors to local Boston youth as part of an after-school arts drop-in center in which children engaged in imaginative drawing and painting. Jessica Brand derived her inspiration to establish the non-profit artist run gallery from the passion and work produced by her aunt Alida Walsh (1933-2000), a New York City artist, educator and activist who worked in film, sculpture, and multi-media most active in the 1960s and 1970s. Bad Girrls Studios was also influenced by an important performance art space in Boston during that time, Mobius Artists Group, that brought cutting-edge performance artists to Boston through an international exchange program. Mobius had been founded by another member of the School of the Museum of Fine Arts community, instructor Marilyn Arsem. Some notable artists as well as studio members working in visual, media & performance art included Justin Lieberman, Dana Moser, Jeff Warmouth, Yoriko Shiraishi, Joan Pamboukes, Sister Spit, Jake the Puppet Master, Duncan Wilder Johnson, Dame Darcey and the Cha Cha Caberet. Bad Girrls Studios invited touring and local musical acts to produce events of musical genres ranging from jazz, opera, sound art, alternative rock, blue-grass, roots, mamba, punk rock and hardcore. Some notable musicians that performed at Bad Girrls Studios include: Saturnalia String Trio, Daniel Carter, Nmperign, Miracle Orchestra, Mamashoe, Babaloo, Marc Chillemi, Jossie Perez, Kaffe Mathews, Bonfire Madigan, Jessica Ryan, Mr. Airplane Man, Lars Vegas and Lightning Bolt. Other important arts-focused organizations located in Boston's Jamaica Plain's neighborhood during the 1990s include the Jamaica Plain Firehouse Arts Center, The Footlight Club, The Elliot School of Fire & Applied Arts, The Boston Photo Collaborative, Spontaneous Celebrations, Jamaica Plain Arts Council, and Green Street Gallery.

Mission Hill School

The Mission Hill School was a small preK–8 public pilot school in the Mission Hill and Jamaica Plain neighborhood of Boston, Massachusetts. Founded in 1997 by Deborah Meier, Elizabeth Knox Taylor, and colleagues, the school was administered by the Boston Public Schools. Meier has publicized the school in many of her works.The Mission Hill School was a member of the Coalition of Essential Schools. The school had a diverse student body of approximately 220 students, with democratic decision-making at the school and classroom levels, a curricular focus on five democratic "Habits of Mind", school-wide thematic units, a strong emphasis on the arts, and graduation from the school upon creating and defending portfolios of student work for a panel of evaluators. Students were admitted to the school based on a lottery, within the choice system of the Boston Public Schools (with consideration given to whether families lived within the "walk zone" and whether a sibling already attended the school, among other factors). Graduates were found to achieve academic success in high school and college at high rates, and the school was studied worldwide for its methodology.In 2002, Meier's book In Schools We Trust included substantial attention to the Mission Hill School. It argued that the current climate of high-stakes testing makes running a school like Mission Hill much more difficult. She also wrote about the school in her books, Will Standards Save Public Education? (2000) Keeping School: Letters to Families from Principals of Two Small Schools (with Ted and Nancy Sizer, 2005), Playing for Keeps: Life and Learning on a Public School Playground (with Beth Taylor and Brenda Engel, 2010), and Teaching in Themes: An Approach to Schoolwide Learning, Creating Community, and Differentiating Instruction (co-edited with Matthew Knoester, Katherine Clunis D'Andrea). The school is also the focus of the book by Matthew Knoester Democratic Education in Practice: Inside the Mission Hill School (2012), as well as the 2014 documentary "Good Morning Mission Hill," directed by Tom and Amy Valens. Mission Hill School published a periodic newsletter for the school community, including reflections by staff, students, and family members; digital copies of some issues of the newsletter are available through the Boston City Archives and the MHS website. The school was controversially moved to a different location within Boston in 2012, despite resistance from the school community.In 2021, the City of Boston settled a lawsuit for over $650,000 with several families regarding unaddressed sexual misconduct against their children from other students. In 2021, BPS removed several administrators and teachers from the school and took over operations after additional allegations. In 2022, following an investigation by law firm Hinckley Allen into allegations of failure to properly address bullying and sexual misconduct between students and neglecting students with disabilities, Boston Public Schools superintendent Brenda Cassellius recommended permanently closing the school at the conclusion of the 2021–2022 academic year. Mayor Michelle Wu and many city officials also voiced their support for closure. Despite organizing efforts by some family members, staff, students, and community members, on May 5, 2022, the Boston School Committee voted 5-0 (with one member abstaining and one member absent) to close the school at the end of the 2021–2022 school year in June 2022. Many Mission Hill School family members, teachers, and students criticized Boston Public Schools' lack of transparency throughout the investigation, falsehoods in the dominant narratives promoted by Boston Public Schools and local media, and the harmful impacts of the decision to close the school. Still other families were in support of the closure.

Loring–Greenough House
Loring–Greenough House

The Loring–Greenough House is the last surviving 18th century residence in Sumner Hill, a historic section of Jamaica Plain, Massachusetts, a neighborhood of Boston. It is located at 12 South Street on Monument Square at the edge of Sumner Hill. It is situated on the border of two National Historic Districts (Sumner Hill and Monument Square). This mid-Georgian mansion was built as a country residence and farmstead in 1760 for wealthy British naval officer Commodore Joshua Loring on the original site of John Polley's estate established in the 1650s. Originally, the Loring–Greenough house was situated on a 60-acre (240,000 m2) estate. Loring, a Loyalist prior to the American Revolution, abandoned the house in 1774, just prior to the conflict, and he fled from Boston in 1776. The house was confiscated by colonial forces and in 1776 served as a headquarters for General Nathanael Greene and, soon after, a hospital for Continental Army soldiers following the Battle of Bunker Hill. In 1780, the house was sold to Isaac Sears, the rebel leader from New York, and was then purchased in 1784 by Ann Doane, a rich widow, who soon after married David Stoddard Greenough. General William Hyslop Sumner married the widow of David Stoddard Greenough II (Maria Doane Greenough) in 1836 and by the late 1850s the process to subdivide the estate and farmland had begun. The Greenough descendants lived here for five generations until 1924. At that time the Jamaica Plain Tuesday Club (until 1993 a ladies'-only club and today a community group) purchased the house, along with almost two acres of landscaped grounds, to preserve it and save it from development. The Loring–Greenough House is a very well preserved structure of almost 4,500 square feet (420 m2), on property that includes sweeping lawns, historic flower beds, handsome trees, and the two-and-one-half-story house itself. The property is fenced and gated; the public is invited to enjoy the grounds during daylight hours, and to attend events inside and outside the House throughout the year. The Tuesday Club has been careful to preserve the house and grounds over many decades. The most recent restoration occurred with a $350,000 grant and included painting and other repairs. The Loring–Greenough property is still owned and operated by the Tuesday Club, which offers tours on Sundays and other programming and events throughout the year. It is listed on the National Register of Historic Places and was designated both a Massachusetts Landmark and a Boston Landmark by the Boston Landmarks Commission in 1999.