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Dorobanți

Districts of Bucharest
Bucharest Quarter Dorobanti
Bucharest Quarter Dorobanti

Dorobanți is a neighborhood in Sector 1, Bucharest. The neighborhood is dominated by red brick buildings and glass buildings. Main intersections/squares are Perla, Dorobanți Square, Lahovari, Charles de Gaulle and Quito Square. Main streets are Calea Dorobanților, Iancu de Hunedoara Avenue, Lascăr Catargiu Boulevard and a small part of Ștefan cel Mare Boulevard. The district features many embassy buildings, and local cafés are regarded as meeting places of Bucharest's nouveau riche.

Excerpt from the Wikipedia article Dorobanți (License: CC BY-SA 3.0, Authors, Images).

Dorobanți
Calea Dorobanților, Bucharest Dorobanți (Sector 1)

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Geographical coordinates (GPS)

Latitude Longitude
N 44.459178 ° E 26.094997 °
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Address

Petrom

Calea Dorobanților
010583 Bucharest, Dorobanți (Sector 1)
Romania
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Bucharest Quarter Dorobanti
Bucharest Quarter Dorobanti
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Nearby Places

Zambaccian Museum
Zambaccian Museum

The Zambaccian Museum in Bucharest, Romania is a museum in the former home of Krikor Zambaccian (1889 –1962), a businessman and art collector. The museum was founded in the Dorobanți neighbourhood in 1947, closed by the Ceauşescu regime in 1977, and re-opened in 1992. It is now a branch of The National Museum of Art of Romania. Its collection includes works by Romanian artists—including a masterful portrait of Zambaccian himself by Corneliu Baba—and works by several French impressionists. It is located not far from Piaţa Dorobanţilor on a street now renamed after Zambaccian. At the time the museum was founded, the act of donation stated that it must be housed in Zambaccian's former home. However, after the 1977 Bucharest earthquake (which did no detectable damage to the museum building), the Romanian government created the Museum of Art Collections, consolidating many of the city's smaller museums (and a good number of expropriated private collections). The Zambaccian collection still resided at the Museum of Art Collections at the time of the Romanian Revolution of 1989; it was returned to its historic location in 1992. Artists in the collection include Romanians Ion Andreescu, Corneliu Baba, Apcar Baltazar, Henri Catargi, Alexandru Ciucurencu, Horia Damian, Nicolae Dărăscu, Lucian Grigorescu, Nicolae Grigorescu, Iosif Iser, Ştefan Luchian, Samuel Mutzner, Alexandru Padina, Theodor Pallady, Gheorghe Petrașcu, Vasile Popescu, Camil Ressu, and Nicolae Tonitza, and French artists Pierre Bonnard, Paul Cézanne—the museum has the only Cézanne in Romania—, Jean-Baptiste-Camille Corot, Eugène Delacroix, André Derain, Raoul Dufy, Albert Marquet, Henri Matisse, Camille Pissarro, Pierre-Auguste Renoir, and Maurice Utrillo, as well as pieces by two other artists who worked in France, the Spaniard Pablo Picasso and the Englishman Alfred Sisley. The courtyard features a large sculpture by Romanian sculptor Oscar Han; other sculptors with works in the collection are Constantin Brâncuși, Cornel Medrea, Miliţa Pătraşcu, Dimitrie Paciurea, and Frederic Storck; Storck's own former home, also in the north end of Bucharest, is also now a museum.

French Church (Bucharest)
French Church (Bucharest)

The French Church of the Sacred Heart (Romanian: Biserica Franceză "Sacré-Cœur") is a Roman Catholic parish church located at 3 Gheorghe Demetriade Street, Bucharest, Romania. It is classified as a historic monument by the Ministry of Culture and Religious Affairs.In the spring of 1906, Monsignor Vladimir Ghika, working with Sister Elisabeta Pucci, whom he had called from Thessaloniki, began work on a building for the Daughters of Charity of Saint Vincent de Paul on land donated by Maria Pâcleanu. In 1922, work began on the Saint Vincent de Paul Sanatorium, inside of which there was a chapel where masses were held until 1930. Additionally, there was a chapel in Pâcleanu's adjacent residence. In 1930, next to the sanatorium's eastern wall, the Daughters of Charity built the parish church, with the altar facing north.On November 12, 1946, the C. I. Parhon Endocrinology Institute was established in the building of the sanatorium. Thus, the area retained a charitable focus, but the church was closed in 1957, a decade into the Communist regime; all charitable activity "by superiors for the poor, orphans and the sick" had been outlawed. On rare occasions, services were held for foreign delegations passing through the country. On December 1, 1991, following the collapse of Communism, the church was reopened and the parish re-established. In 2004, fifty years after he died a political prisoner in Jilava prison, a statue depicting Ghika was placed on a square near the church. As of 2009, the parish has nearly 2000 members, and services are regularly held in Romanian, French, English, Latin and Arabic.The church is in the style of a basilica, with three naves preceded by a small vestibule. The central nave is 6 m wide and has a slightly vaulted ceiling. The others are lower, have flat ceilings, are 3 m wide and are each separated by four square-shaped pillars with Byzantine-style capitals. An extension of the central nave, marked by an arch, features the apse, which has stained-glass windows and a horizontal ceiling. The choir is above the entry into the nave, and there is a small organ to the right of the entrance. Light comes in through large, rectangular windows adorned in stained glass with floral Art Nouveau motifs. The walls and ceilings are painted without decoration. Fourteen bas-relief panels on the walls depict the Stations of the Cross.The exterior is painted simply, in white. The roof has two slopes and is covered in terracotta tiles. Above the roof, behind the entrance facade, there is a small tower with square sides. This has four small, open three-lobed arches, and sharp-angled pediments on each side. On top is a cross and a Gallic rooster. The vestibule is lower, also has a two-sloped roof, and a rounded door. It is located on the southern side before the main facade and provides entry into the church. On either side are two niches surrounded by multiple arches in relief.