Wien (river)

Urania is a public educational institute and observatory in Vienna, Austria. Urania Observatory (German: Urania Sternwarte) was built in 1909 according to the plans of Art Nouveau style architect Max Fabiani (a student of Otto Wagner) at the outlet of the Wien River and was opened in 1910 by Franz Joseph I of Austria as an educational facility with a public observatory. It was named after the Muse Urania who represents Astronomy. During World War II, the Urania was severely damaged and the dome with the observatory was destroyed. After its reconstruction, it was reopened in 1957. The observatory itself has been continually improved technically over the years. Though it now serves different functions, the Urania continues to be a public observatory. Presently the Urania also has seminar rooms in which wide-ranging classes and lectures are given, a movie theater that screens at the annual Viennale movie festival and a puppet theater created originally by actor Hans Kraus. The Urania moreover contains a memorial room for the Kindertransport organized by the Dutch resistance fighter and humanitarian Mrs Gertruida Wijsmuller-Meijer, who early December 1938 managed to rescue the first 600 Jewish children from Vienna after direct negotiations in Vienna with Adolf Eichmann. It also hosts a restaurant, and is the oldest public observatory in Austria. The highly awarded Austrian writer Carl Julius Haidvogel once worked there as an editor.

The Uniqa Tower (owner's spelling: UNIQA Tower) is an office building on the Danube Canal in Leopoldstadt, the 2nd district of Vienna. The building received the European Union Green Building label. It is the first building in Austria and one of the first buildings in Europe to bear the label.

The Leopoldstädter Tempel was the largest synagogue of Vienna, in the district (Bezirk) of Leopoldstadt. It was also known as the Israelitische Bethaus in der Wiener Vorstadt Leopoldstadt. It was built in 1858 in a Moorish Revival style by the architect Ludwig Förster. The tripartite facade of the Leopoldstädter, with its tall central section flanked by lower wings on each side, became the model for numerous Moorish Revival synagogues, including the Choral Temple in Bucharest, which has an almost identical main facade, the Zagreb Synagogue, the Spanish Synagogue in Prague, the Tempel Synagogue in Kraków and the Grand Synagogue of Edirne. This temple was destroyed during the Kristallnacht on November 10, 1938. A memorial plaque on the site reads in German (and Hebrew): Hier befand sich der Leopoldstädter Tempel, der im Jahre 1858 nach Plänen von Architekt Leopold Förster im maurischen Stil errichtet und am 10. November 1938 in der sogenannten "Reichskristallnacht" von den nationalsozialistischen Barbaren bis auf die Grundmauern zerstört wurde. translated as: Here stood the Leopoldstädter Temple, built in 1858 in the Moorish style according to the plans of architect Leopold Förster, all but the foundation of which was completely destroyed by National Socialist barbarians on the so-called "Night of Broken Glass" on 10 November 1938.

Asgardia, also known as the Space Kingdom of Asgardia and Asgardia the Space Nation, is a micronation formed by a group of people who have launched a satellite into Earth orbit. They refer to themselves as "Asgardians" and they have given their satellite the name "Asgardia-1". They have declared sovereignty over the space occupied by and contained within Asgardia -1. The Asgardians have adopted a constitution and they intend to access outer space free of the control of existing nations and establish a permanent settlement on the Moon by 2043.Igor Ashurbeyli, the founder of the Asgardia Independent Research Center, proposed the establishment of Asgardia on 12 October 2016. The Constitution of the Space Kingdom of Asgardia was adopted on 18 June 2017 and it became effective on 9 September 2017. Asgardia's administrative center is located in Vienna, Austria.The Cygnus spacecraft that carried Asgardia-1 into space released Asgardia-1 and two other satellites on 12 November 2017. The Space Kingdom of Asgardia has claimed that it is now "the first nation to have all of its territory in space." Legal scholars doubt that Asgardia-1 can be regarded as a sovereign territory and Asgardia has not yet attained the goal of being recognised as a nation state.

The Theater in der Leopoldstadt (also: Leopoldstädter Theater) was an opera house in the Leopoldstadt district of Vienna, founded in 1781 by Karl von Marinelli, following the Schauspielfreiheit (ending of the court's monopoly on entertainment) by Joseph II in 1776. The 19th-century summer stage called the Thaliatheater was also managed by the Leopoldstadt. In its early years, the theatre staged Singspiele and Possen mit Gesang, notably by the theatre's Kapellmeister Wenzel Müller and his assistant Ferdinand Kauer. The dramatist Ferdinand Raimund worked with the theatre in the 1820s. The theatre was eventually demolished and rebuilt in 1847, under the name of the Carltheater.

The Carltheater was a theatre in Vienna. It was in the suburbs in Leopoldstadt at Praterstraße 31 (at that time called Jägerzeile). It was the successor to the Leopoldstädter Theater. After a series of financial difficulties, that theater had been sold in 1838 to the director, Carl Carl, who continued to run it in parallel to his Theater an der Wien until 1845. Two years later, the building was partially demolished and rebuilt following the plans of architects August Sicard von Sicardsburg and Eduard van der Nüll, who would later design the Vienna State Opera. The theatre was opened under the name Carltheater in the same year, 1847. Many Alt-Wiener Volkstheater pieces by Johann Nepomuk Nestroy premiered here; between 1854 and 1860, Nestroy was the director of the theatre. In subsequent years, many well-known Viennese playwrights wrote pieces for the Carltheater and reinforced its reputation as the favoured opera house for Viennese folk-pieces and operettas. After a rapid changeover of directors in the 20th century, the theatre became unprofitable, and was finally closed in 1929. In 1944, the auditorium of the theatre was almost entirely destroyed in a bomb attack. The artistically valuable facade was, however, still remarkably intact after the war. In 1951 it was demolished, with neighbouring building which had not been damaged in the war. Nowadays, the site is host to the "Galaxy"-building. A few years ago there was a plaque in Praterstraße, marking the former location of the theatre, but this is gone too now.

The Hetztheater was an exhibition place for animal fighting in Vienna that existed from 1755 to 1796. It was a circular structure based on the amphitheaters of ancient Rome used for gladiatorial combat and animal baiting. Similar structures existed in the Baroque period in Berlin (the Hetzgarten), Nuremberg (Fechthaus) and in Königsberg.

Nestroyplatz is a station on U1 of the Vienna U-Bahn. It is located at Nestroyplatz Square, in the Leopoldstadt District. It opened in 1979.

The Türkischer Tempel (English: Turkish Temple) was a synagogue in Vienna. It was built specifically for a community of Sephardi Jews, who originally came from Turkey. The synagogue was built in a Turkish, almost Islamic style, with a dome. The building was destroyed during the Reichskristallnacht in 1938.

The Austrian Postal Savings Bank building (German language: Österreichische Postsparkasse) is a famous building in Vienna, designed and built by the architect Otto Wagner. The building is regarded as an important work of Vienna Secession, branch of Art Nouveau. It was constructed between 1904 and 1906 using then completely new reinforced concrete, and was opened on 17 December 1906. Extension was added between 1910 and 1912. The building houses the headquarters of the BAWAG P.S.K. bank, formerly the Österreichische Postsparkasse (P.S.K.) bank before its merger with BAWAG in 2005. It is located at Georg-Coch-Platz 2, in the first district Innere Stadt, next to the Ringstraße boulevard.

The Bürgertheater was a theatre in Vienna. The Wiener Bürgertheater was erected in 1905 in the Third District (3 Bezirk), at Vordere Zollamtsstraße 13. It was designed by the architects Franz von Krauss and Josef Tölk. The official opening took place on December 7, 1905, with the performance of Der alte Herr (The Old Man), by Beatrice Dvorsky with the mayor of Vienna, Karl Lueger, attending. The first director was actor and author Oskar Fronz, who managed the theatre until his death in 1925. The venue was unsuccessful in its early years until Fronz adapted the Bürgertheater for operetta performances in 1910 and Edmund Eysler became the house composer. From 1926, Revue-operettas were common, particularly those featuring Karl Farkas and his partner, Fritz Grünbaum. The theatre closed in the early years of World War II, but reopened under the direction of Robert Valberg in 1942. In September 1945, Franz Stoss was named director, and the Bürgertheater became a satellite theatre of the Theater in der Josefstadt. In 1953, Stoss was followed by Harald Röbbeling who renamed the Bürgertheater Broadwaybühne (Broadway-stage) in an attempt to give it a new direction. This was unsuccessful causing huge financial losses that forced the theatre to close. The building was subsequently used for, among other purposes, the transmission hub for the American occupying force and a sales exhibition which was previously housed at the Vienna Stock Exchange. During the 1959-61 great death of the theatres in Vienna - in which the Wiener Stadttheater (in Laudongasse) and the "Scala", the former Johann Strauss Theater, were also affected - the Bürgertheater was demolished in 1960. The headquarters of the Viennese Zentralsparkasse was erected on the site, with a bridge over the adjoining slip road, designed by Arthur Perotti and Anton Potyka.

Umar Defeats a Dragon is a page from a Mughal Illuminated manuscript illustrating an episode from the Hamzanama. The page size is 55 x 70 cm. It is in the collection of the Museum of Applied Arts, Vienna, Vienna. The manuscript is credited to Daswanth. The illuminated manuscript shows Umar fighting a dragon from the Hamzanama manuscript, from the Mughal dynasty.