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Astor Library Building

1850s architecture in the United States1853 establishments in New York (state)1967 establishments in New York CityLibraries on the National Register of Historic Places in ManhattanLibrary buildings completed in 1853
New York City Designated Landmarks in ManhattanNew York State Register of Historic Places in New York CountyNoHo, ManhattanTheatres completed in 1967Theatres on the National Register of Historic Places in ManhattanUse American English from April 2026Use mdy dates from May 2026
The Public Theater (48072652481)
The Public Theater (48072652481)

The Astor Library Building (also known as the Public Theater Building and Joseph Papp Public Theater) is a theater and former library building at 425 Lafayette Street in the NoHo neighborhood of Manhattan in New York City, New York, US. It was built in three stages between 1854 and 1881 for the Astor Library and, since 1967, has housed the Public Theater. The building was one of the first properties designated as a city landmark by the New York City Landmarks Preservation Commission in 1965. It is also listed on the National Register of Historic Places. The library was built by William B. Astor, son of the library's founder, John Jacob Astor. The original structure was constructed to designs by Alexander Saeltzer, while subsequent additions by Griffith Thomas (in 1856–1859) and Thomas Stent (in 1880–1881) followed Saeltzer's original design. The building is made of brick and stone and is mostly three stories high, except for the central section, which rises four stories. Inside were features such as a staircase leading to a double-height reading room. The modern-day building has six stages for the Public Theater, which reuse some of the original interiors, including the reading room and lobby. Work on the building commenced in 1850. The original portion of the building opened for limited use on January 9, 1854, and was opened to general use on February 1, 1854. Partly due to the presence of the Astor Library, bookbinding and publishing firms such as The De Vinne Press and J.J. Little & Co. settled around Lafayette Place. The Astor Library later became part of the New York Public Library, which abandoned the building in 1911, when the books were moved to the newly constructed New York Public Library Main Branch by Bryant Park. In 1920, the Hebrew Immigrant Aid Society purchased it. By 1965 it was in disuse and faced demolition. The Public Theater (then known as the New York Shakespeare Festival) persuaded the city to purchase it for use as a theater, and it was converted for theater use by Giorgio Cavaglieri, reopening in October 1967. The building was renovated in the early 2010s.

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Astor Library Building

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N 40.728888888889 ° E -73.991944444444 °
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The Public Theater (48072652481)
The Public Theater (48072652481)
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Indochine (restaurant)

Indochine is a French-Vietnamese restaurant founded in the 1980s in New York City by restaurateur Brian McNally (who had previously co-founded The Odeon with his brother Keith McNally) and music producer John Loeffler. Opened “among the auto body shops of gritty Lafayette Street” it sits in a historic row of buildings across from the Public Theater known as La Grange Terrace, which was, at times, the home of Vanderbilts, Astors, Julia Gardiner Tyler (wife of President Tyler), and Warren Delano Jr. (grandfather of FDR). Opening in 1984 with a dinner honoring artist Julian Schnabel, Indochine quickly became a popular gathering place for members of what is referred to as the East Village art scene, which included Jean-Michel Basquiat, Kenny Scharf, and Andy Warhol. In 1992, McNally sold the business to Jean-Marc Houmard — who had started at the restaurant as a waiter in 1986 — along with partners Michael Callahan and chef Huy Chi Le. The restaurant retained much of its original design, including the signature palm leaf motif and low lighting, as well as its unique menu, considered by many as an early example of the fusion cuisine trend in the United States. Critical reception has varied over time. A 1984 review in The New York Times which described it as offering “some invigorating food from Southeast Asia.” In a follow-up piece, they remarked that the "still-trendy-after-all-these-years” restaurant served "vivid and authentic" spring rolls; another review by The Infatuation called the same signature rolls "entirely generic." However, in 2004 Times critic Frank Bruni remarked that “food was beside the point,” calling Indochine “the epitome of cool” and the living idea of a restaurant as a "badge of knowingness and belonging.” In 2009, marking its 25th anniversary, Rizzoli published Indochine: Stories, Shaken and Stirred, a photo book featuring archival images of high-profile guests in the restaurant over the years, such as Madonna, Kate Moss, Grace Jones, Marc Jacobs, Bruce Weber, and Valentino with many of the photos taken by Patrick McMullan, Roxanne Lowit, and Patrick Demarchelier, published alongside stories by writers such as Salman Rushdie, Anthony Haden-Guest, and Moby, and artworks by Francesco Clemente, Helmut Lang, Ruben Toledo, Tom Sachs, and more. Around this time, Vogue editor-in-chief Anna Wintour described Indochine as “virtually unique in New York – and pretty much everywhere else, for that matter.”

The Village Voice
The Village Voice

The Village Voice is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the Voice began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the Voice reappeared in print as a quarterly in April 2021.Over its 63 years of publication, The Village Voice received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. The Village Voice hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, The Village Voice changed ownership and severed all ties with former parent company Voice Media Group (VMG). The Voice announced on August 22, 2017, that it would cease publication of its print edition and convert to a fully digital venture, on a date to be announced. The final printed edition, featuring a 1965 photo of Bob Dylan on the cover, was distributed on September 21, 2017. After halting print publication in 2017, the Voice provided daily coverage through its website until August 31, 2018, when it announced it was ceasing production of new editorial content. The Voice continues to have an active website, which features archival material related to current events. On December 23, 2020, editor R.C. Baker announced that the paper would resume publishing new articles both online and in a quarterly print edition. In January 2021, new original stories began being published again on the website. A spring print edition was released in April 2021.