Bar Miller

Bracetti Plaza, or Mariana Bracetti Plaza, is a public housing development built and maintained by the New York City Housing Authority in Alphabet City, a section of the East Village neighborhood of Manhattan. The development is named after Mariana Bracetti (1825-1903), a legendary Puerto Rican woman who was known as the "Arms of Gold", and who was the first to craft the Boriquas Latin Cross, Puerto Rico's first flag. The flag was designed by Dr. Ramon Emeterio Betances, and is still a symbol of the Puerto Rican independence movement.Bracetti Plaza is a seven-story building on grounds measuring 1.02 acres (4,100 m2), at 251 East 3rd Street, or 290 East 4th Street. The development has 108 apartments housing approximately 312 people. Its neighborhood, the East Village, was formerly included in the Lower East Side, and is still considered the Lower East Side by some, but now the border is generally drawn at Houston Street. The block it sits in is bordered by Avenue B to the west, Avenue C to the east, East 3rd Street to the south, and East 4th Street to the north.Bracetti Plaza was completed on May 31, 1974. It is serviced by the New York City Police Department's Ninth Precinct, and is governed by Manhattan Community Board 3. As of 2010, no one is serving as the Resident Association President for Bracetti Plaza. If someone were, he or she would be a member of the Manhattan South District Citywide Council of Presidents.

St. Brigid's Roman Catholic Church, also known as St. Brigid's or Famine Church, is a church located at 123 Avenue B, on the southeast corner of East 8th Street, along the eastern edge of Tompkins Square Park in the Alphabet City section of the East Village of Manhattan, New York City. Associated with the church is a parish school, Saint Brigid School, consisting of grades Pre-K through 8, which has been in existence since 1856. Like the neighborhood it serves, Saint Brigid's Church has had a colorful and tumultuous history since its beginnings in 1848. In 2013, St. Emeric Church on Avenue D was closed and the parish merged with St. Brigid. It is now called St. Brigid-St. Emeric Church.

Jardin de la Esperanza or Esperanza Garden was a community garden started in 1978 by Alecia Torres, a resident of New York City's Lower East Side, who began clearing rubble and trash out of an empty lot on East 7th Street, close to Ave C. The garden, later on, became a community space for growing medicinal plants, tending chickens, and a safe space for children to play.

The Tompkins Square Lodging House for Boys and Industrial School is a High Victorian Gothic building that opened on April 21, 1887, also known as the Eleventh Ward Lodging House.

Tuome is a restaurant in New York City. The restaurant has received a Michelin star.

Carmen Pabón del Amanecer Jardín, also known as Carmen's Garden and El Bello Amanecer Boriqueño Garden, is a 4,635-square-foot (430.6 m2) community garden at 117 Avenue C, in the East Village of Manhattan, New York City. Carmen Pabón del Amanecer Jardín is named after Carmen Pabon, a Lower East Side poet and gardener who died in 2016 at the age of 95.

The Old Reliable Theatre Tavern (or The O.R.) was located at 213 E. 3rd Street in the Alphabet City neighborhood of New York City's Lower East Side, and played a vital part of the early Off-Off-Broadway scene. The Old Reliable presented plays by Guy Gauthier, Ilsa Gilbert, William M. Hoffman, Michael McGrinder, Stanley Nelson, Jeannine O'Reilly, Robert Patrick, Joseph Renard, Donald Kvares and Thomas Terefenko.The Old Reliable was initially a working-class Polish bar, until late 1963 when the owner sought to turn it into a "Village bar", with the advice of a passing hipster. The neighborhood around the Old Reliable was dangerous during its heyday; popular actor/director Neil Flanagan quipped, "It's easy to find. Just turn left at the burning automobile." Playwright Jeannine O'Reilly said, "It's no wonder we get such good audiences. Everyone's afraid to come here alone." Robert Patrick described the neighborhood as "downtown Lebanon". There was for a period of time a Second Avenue bar called Downtown Beirut.

Slugs' Saloon was a jazz club at 242 East 3rd Street, between Avenue B and C in Manhattan's East Village, operating from the mid-1960s to 1972. The location, in what was then a run-down part of New York City, first hosted a Ukrainian restaurant and bar, and later a bar that served as a meeting point for drug dealers. In 1964, Robert Schoenholt and Jerry Schultz opened it as a club and initially called it "Slugs' Saloon", the "slugs" being a reference to the "three-centered beings" and "terrestrial three-brained beings" mentioned in the book Beelzebub's Tales to His Grandson by George Gurdjieff. Due to New York City regulations, the word "saloon" had to be dropped from the name. The venue was called "Slugs' in the Far East", due to its easterly location in the East Village. The interior of the club was longer than it was wide and the bandstand all the way in the back. It could fit 75 people but often held twice that. The bar was on the left side as one entered the venue. The wooden sign that hung outside the venue was carved by James Jackson. During the mid-1960s it slowly started attracting regular jazz performances, developing a reputation as a musician's bar. In this period it became closely associated with free-jazz musician Sun Ra: from March 1966 through late 1967, Sun Ra and his Arkestra (billed as "Sun Ra and His Astro-Infinity Music") played regular gigs every Monday, and continued to play the venue irregularly thereafter. By the late 1960s the club had grown a vibrant scene in its out-of-the-way location, with performances from prominent jazz musicians including Sonny Rollins, Albert Ayler and Ornette Coleman, among many others. Some of these performances were recorded, often surreptitiously, and appear on officially released or on bootleg albums. Audiences included a number of well-known artists and musicians, ranging from Larry Rivers to Paul H. Brown to Bob Thompson and Salvador Dalí. The venue saw the death of Lee Morgan on February 19, 1972, when he was shot at the bar by his common-law wife Helen Moore. The general demise of the neighborhood and his hard lifestyle as a club owner led Jerry Schulz to leave, and the club shut down in late 1972.

Little Germany, known in German as Kleindeutschland and Deutschländle and called Dutchtown by contemporary non-Germans, was a German immigrant neighborhood on the Lower East Side and East Village neighborhoods of Manhattan in New York City. The demography of the neighborhood began to change in the late 19th century, as non-German immigrants settled in the area. A steady decline of Germans among the population was accelerated in 1904, when the General Slocum disaster decimated the social core of the population with the loss of more than 1,000 lives.

The Nuyorican (Puerto Rican New Yorkers) Poets Cafe is a nonprofit organization in Alphabet City, on the Lower East Side of Manhattan. It is a bastion of the Nuyorican art movement in New York City, and has become a forum for poetry, music, hip hop, video, visual arts, comedy, and theater. Several events during the PEN World Voices festival are hosted at the cafe.The Café is meant to be a shooting-off point from which Nuyorican artists, poets, and playwrights take shared themes and messages of community, understanding, and the breaking down of arbitrary separators of color, among others, and spread them outside the environment of the Café.

Christodora House is a historic building located at 143 Avenue B in the East Village/Alphabet City neighborhoods of Manhattan, New York City. It was designed by architect Henry C. Pelton (architect of Riverside Church) in the American Perpendicular Style and constructed in 1928 as a settlement house for low-income and immigrant residents, providing food, shelter, and educational and health services.

La Plaza Cultural de Armando Perez (also known as La Plaza Cultural) is a community garden and public green space in the East Village neighborhood of Manhattan, New York City. Serving as a community garden, park, playground, wildlife refuge, urban farm, community composting site, and performance venue, La Plaza Cultural is also utilized by local day-care centers, after-school programs and a growing number of parents with small children. The garden has been known to grow a number of various edible plants including fruits, vegetable, and herbs. The lot is approximately 0.64 acres and consists of at least 11 members.