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Bucharest Court of Appeal

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Bucharest Palace of Justice (Justizpalast) no filter (29340923631)
Bucharest Palace of Justice (Justizpalast) no filter (29340923631)

The Bucharest Court of Appeal (Romanian: Curtea de Apel București) in Bucharest, Romania is one of the 16 appellate courts of Romania. It is located in the Palace of Justice, overlooking the Dâmbovița river in central Bucharest.As of 2011, the court had 178 judges, 192 clerks and 49 salaried employees.

Excerpt from the Wikipedia article Bucharest Court of Appeal (License: CC BY-SA 3.0, Authors, Images).

Bucharest Court of Appeal
Splaiul Independenței, Bucharest Centrul Civic (Sector 4)

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N 44.4288 ° E 26.099 °
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Palatul de Justiție

Splaiul Independenței 5
050091 Bucharest, Centrul Civic (Sector 4)
Romania
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Bucharest Palace of Justice (Justizpalast) no filter (29340923631)
Bucharest Palace of Justice (Justizpalast) no filter (29340923631)
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St. Demetrius–Poștă Church
St. Demetrius–Poștă Church

St. Demetrius–Poștă Church (Romanian: Biserica Sfântul Dimitrie–Poștă) is a Romanian Orthodox church located at 2 Poștei Street in the Lipscani district of Bucharest, Romania. It is dedicated to Demetrius of Thessaloniki. A church existed on the site around 1500. Probably destroyed after the Battle of Călugăreni in 1595 and rebuilt after 1600, the subsequent church is mentioned in a document of 1680. Before 1690, the church was rebuilt by Badea Bălǎceanu, the brother-in-law of Șerban Cantacuzino. Made of wood, it did not last long. It was rebuilt in stone in 1741-1746, was in poor shape in 1797, severely damaged by the 1802 earthquake and burned in 1804.The current structure was begun in 1819 by Buzău Bishop Constantin Filitti, continued by his successor Gherasim Rătescu and completed in 1843 by still another bishop, Chesarie Căpățână. Unusually for the period, contracts from 1819 between Filitti and an architect, a carpenter and three painters survive. The 1847 Great Fire of Bucharest destroyed the roof and paintings; repairs carried out in 1852 included a new roof, reinforced walls and new paintings by Carol Szathmari. By 1912, the church was again in ruins and proposed for demolition. It was saved and renovated by Ioan C. Filitti, a great-nephew of the bishop, with funds offered by Mayor Dimitrie Dobrescu. Reopening in 1930, it was further repaired in 1964-1966, 1986 (following the 1977 earthquake), 1995 and after 2002.The cross-shaped church is 25.2 meters long by 9.5 meters wide, rising to a height of 13.9 meters. The narthex is small, the altar elongated. The Christ Pantocrator dome rises above the apses; it has eight sides on a square base. The roof is covered in tin. The facades are ornamented in Greek Revival style, while the pediment is in profile. The side pilasters are Doric, beneath a continuous floral decoration. The western side has six very tall Ionic columns, above which are medallions of the Twelve Apostles. Above the 1852 pisanie is a recessed icon of the patron saint, flanked by rectangular frames with Saints Peter and Paul. The interior painting is in realist style and does not respect the Byzantine canons. The Baroque iconostasis was carved at Buzău.The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs. Its nickname comes from the nearby Post Office Palace. It is also known as the “Church of Oath Taking” (Biserica de Jurământ), due to the solemn oaths people would swear near the altar.

St. Elijah–Rahova Church
St. Elijah–Rahova Church

The St. Elijah–Rahova Church (Romanian: Biserica Sfântul Ilie–Rahova) is a Romanian Orthodox church located at 79 Constantin Silvestru Street in Bucharest, Romania. It is dedicated to the Prophet Elijah. The church was built on the site of an earlier church, called Gorgănel, that had been founded in 1706 by Safta, the daughter of Constantin Brâncoveanu, and destroyed during the 1802 earthquake. Vornic Fotache Știrbey led an initiative to rebuild the church, which after his 1828 death was taken up by Neofit, the Bishop of Râmnic, and Ban George Filipescu. The land, inherited by Iancu Bălcescu (uncle of Nicolae), was sold in 1835 to Clucer Bobescu. The new church was built in 1837-1838. The main restoration took place in 1874, with a consolidation being undertaken after the 1940 earthquake. The arches were tied with metal cables, while the dome was encircled by iron girds, saving it from demolition, a fate that befell many damaged domes.The interior was painted by Gheorghe Tattarescu in 1874; he signed on the nave wall, at the feet of his patron, Saint George. His work was restored in 1950 and again in the 1990s; the stained glass dates to 1993. The funerary stones of ktetor Știrbey and his wife Ralița are found on the right side of the entrance. The grave of the Urlățenii boyars is on the left. The grave of Scarlat Urlățeanu, who supervised the construction, was once located near the entrance on the exterior; the headstone is now at Antim Monastery. In 1895, a group of buildings, some on the site of the old cells, was erected around the church; these came to house stores, guest rooms and apartments. Executed in an eclectic style, with elements of Beaux-Arts, they enclosed a courtyard of 35 by 40 meters, with rich vegetation. In 1984, during the systematization drive of dictator Nicolae Ceaușescu, the buildings were demolished. The church itself was only spared through protests by the priest and his parishioners. It was nevertheless moved 49 meters, and is now situated behind apartment blocks. It was renovated after the Romanian Revolution and rededicated in 1994.The church features a rectangular plan, measuring 27.4 meters long and 12 meters wide. It has a semicircular altar apse and two domes. The larger, circular one is above the nave, while the square bell tower sits on the narthex. The style is Neoclassical, while the low, ample main dome recalls Greek basilicas. The facades have pilasters resting on a stone base, holding up a slassical cornice. The western facade ends in a pediment. Entry is through an open vestibule supported by two slender columns. This was added later and is out of harmony with the massive structure. The altar window has a richly carved original frame. This has its origins in Moldavia, but also has Gothic accents, and is similar to a frame introduced by Vasile Lupu at the Stelea Monsstery church he founded in Târgoviște. Artisans enriched the design with older local motifs: lone buds that, unusually, encircle the cylindrical shapes on the upper end; or the Brâncovenesc accents of the egg-and-darts enclosed by Acanthus mollis leaves.The church is listed as a historic monument by Romania's Ministry of Culture and Religious Affairs.