Algerian Coffee Stores

The Admiral Duncan is a public house in Old Compton Street, Soho in central London that is well known as one of Soho's oldest gay pubs. In 1999, the pub was bombed by neo-Nazi David Copeland, resulting in three people being killed and 83 being injured.

Heavenly Recordings is a London-based independent record label founded by Jeff Barrett in 1990. Heavenly released the first albums from Saint Etienne, Beth Orton and Doves, and early singles by Manic Street Preachers. Current Heavenly artists include Stealing Sheep, Mattiel, The Orielles, Confidence Man, audiobooks, Pip Blom, H. Hawkline, King Gizzard & the Lizard Wizard, Gwenno Saunders, Amber Arcades, Working Men's Club, Katy J Pearson and CHAI. Heavenly won Independent Label of the Year at the 2015 Music Week Awards. Other achievements include a Mercury Prize nomination for Saint Etienne's debut album Foxbase Alpha and three Number 1 albums with Doves. It is considered a key British indie record label, alongside Factory, Creation, Rough Trade, Mute, Ninja Tune and Domino.

The Colony Room Club was a private members' drinking club at 41 Dean Street, Soho, London. It was founded and presided over by Muriel Belcher from its inception in 1948 until her death in 1979. The artist Francis Bacon was a founder and lifelong member, and the club attracted a mixture of Soho's low-lifes and its alcoholic, artistic elite, including George Melly, Jeffrey Bernard and Lucian Freud. Visiting non-members included many names from aristocratic, political and artistic circles, including Princess Margaret, William Burroughs, David Bowie and Henri Cartier-Bresson. The club attracted the Young British Artists in the 1990s.

56 Dean Street, based in Dean Street in London's Soho district, is the city's largest sexual health clinic. Part of the Chelsea and Westminster Hospital NHS Foundation Trust, it also has a second branch, Dean Street Express, at 34 Dean Street, which offers a fast-turnaround testing service. As of 2017, the clinic was the largest HIV clinic in Europe. In addition to its specialism in HIV infection and other sexually transmitted diseases, it also offers general sexual health care services, including contraception. The clinic also runs TransPlus - the UK’s first integrated NHS gender dysphoria, sexual health and HIV service. 56 Dean Street is recognised internationally for its innovation, particularly in regard to its engagement of London's higher-risk communities as well as HIV epidemic management. HIV combination prevention is the multi-factoral approach to addressing the HIV epidemic. It includes; engagement of high risk communities in regular HIV testing condom awareness and use easy access to HIV-PEP (Post-Exposure Prophylaxis) quick-start HIV treatment; once diagnosed HIV positive, patients are prescribed HIV ART (Anti-Retroviral Therapy) within days after diagnosis, quickening their journey to an uninfectious status, to reduce the number of infectious people within communities, and slowing the spread of infection in communities. This is called Treatment as Prevention PrEP, which can protect HIV negative people from HIV infection. The clinic has made the provision of pre-exposure prophylaxis (PrEP) a priority. Behavioral advice, support and psychosocial interventions (eg, chemsex support, sexual wellbeing information education, support community awareness of all the above.with the result that new HIV infection rates in London have dropped dramatically since the introduction of these interventions.

The French House is a pub and dining room at 49 Dean Street, Soho, London. It was previously known as the York Minster, but was informally called "the French pub" or "the French house" by its regulars. It sells more Ricard than anywhere else in Britain, and only serves beer in half-pints except on 1 April, when a recent custom has been that Suggs serves the first pint of the day.

Comptons of Soho is a gay pub in London. Situated at 51–53 Old Compton Street in the heart of Soho's 'Gay village', Comptons has been an integral part of London's gay scene since June 1986.

Saint Anne's Church serves in the Church of England the Soho section of London. It was consecrated on 21 March 1686 by Bishop Henry Compton as the parish church of the new civil and ecclesiastical parish of St Anne, created from part of the parish of St Martin in the Fields. The church is under the Deanery of Westminster (St Margaret) in the Diocese of London. Parts of its churchyard around its west including tower are now the public park of St Anne's Gardens, accessed from the Shaftesbury Avenue end of Wardour Street. The church is accessed via a gate at that end of Dean Street. The parish, having spawned new churches to Saints Thomas and Peter in the era of compulsory church attendance, reconsolidated on Saint Anne's in 1945.

St Anne's Churchyard, also known as St Anne's Gardens, is a public park on Wardour Street in Soho, London. Formerly the churchyard of St Anne's, Soho, it was closed to burials in 1853. It rises 6 ft above the pavement, because of the 13,000 burials within it. It was laid out as a garden by the landscape gardener Fanny Wilkinson on behalf of the Metropolitan Public Gardens Association in 1891. It was opened to the public by Lady Hobhouse in 1892. The London plane trees remain a notable feature of the garden. It is managed by Westminster City Council and has received the Green Flag Award.War memorials to WWI and WWII are located in the churchyard on the wall of the church tower. The WWII memorial was only installed in 2012. There are a small number of memorials remaining within the churchyard, including the German adventurer Theodore von Neuhoff, who was briefly King of Corsica in 1736, and the essayist William Hazlitt, whose gravestone was restored in 2003.The gardens contain a memorial to the victims of the 1999 Admiral Duncan pub bombing. There are three art installations, all of which serve practical purposes: "Wall of Light" (an illuminated security fence), "Art Loo" (a WC with art displays) and "Table" (a monumentally-sized picnic table).

The Gargoyle was a private members' club on the upper floors of 69 Dean Street, Soho, London, at the corner with Meard Street. It was founded on 16 January 1925 by the aristocratic socialite David Tennant, son of the Scottish 1st Baron Glenconner. David was the brother of Stephen Tennant who was called "the brightest" of the "Bright Young People" and of Edward Tennant, the poet who was killed in action in World War I.

The Batcave was a weekly club-night launched at 69 Dean Street in central London in 1982. It is considered to be the birthplace of the Southern English goth subculture. It lent its name to the term Batcaver, used to describe fans of the original gothic rock music, who would adorn themselves in Batwing coffin necklaces to distinguish themselves from other goth clubs. The original Batcave ran for five months every Wednesday from 21 July 1982 at the Gargoyle Club in Soho, moving out when the upper floors were sold off that December. Originally specialising in new wave and glam rock, it later focused on gothic rock. Olli Wisdom, the lead singer in the house band Specimen, ran the night with Specimen's guitarist Jon Klein as art director, and initially with the assistance of production manager Hugh Jones. Famous regulars at the Batcave who came for meeting friends and having a drink, included musicians and singers such as Nick Cave, Robert Smith of the Cure, Siouxsie Sioux, Steven Severin, the members of Bauhaus, Marc Almond and the members of Foetus. The novelist Rupert Thomson included an account of a Batcave club night in his 2010 memoir This Party's Got to Stop. An array of bands would play live, alongside 4-hour sets from their resident DJ Hamish MacDonald, and when the club-night transferred to the former Subway club at 28 Leicester Square in February 1983, a guest DJ presided upstairs with a US Army jeep parked by the bar. (The Batcave decamped later that year to Fooberts and in 1984 to Gossip's, both in Soho). The bands involved included electronic leading act Alien Sex Fiend, the host's band Specimen who took influence from 1970s glam rock, Hamish's band Sexbeat, and Sex Gang Children, who would go on to prove influential in the gothic rock, dark cabaret and deathrock movements. At the Gargoyle, the Batcave also showed 8mm films in its old theatre and occasionally featured unusual cabaret such as Mr Swing the Fakir and mud-wrestling. Olli Wisdom told The Face: “We don’t suck our cheeks, we have fun.” In an interview for Mick Mercer's Gothic Rock, Jonny (Slut) Melton said of the Batcave: "It was a light bulb for all the freaks and people like myself who were from the sticks and wanted a bit more from life. Freaks, weirdos, sexual deviants ... There's people around who'll always be attracted by something shiny, glittering, exciting. At the time the Batcave wasn't a doomy, Gothy, droney grungey sort of place ... It was more Gotham City than Aleister Crowley." As the terms "new punks" and "goth" became interchangeable, much of the image and fashion adopted by the subculture can be traced back to the bands that played at the Batcave. In 1983, a vinyl record entitled The Batcave: Young Limbs And Numb Hymns was released on the London Records label. The compilation included Specimen ("Dead Mans Autochop"), Sexbeat ("Sexbeat"), Test Dept. ("Shockwork"), Patti Palladin ("The Nuns New Clothes"), James T. Pursey ("Eyes Shine Killidiscope"), Meat of Youth ("Meat of Youth"), Brilliant ("Coming Up for the Downstroke"), Alien Sex Fiend ("R.I.P."), and The Venomettes ("The Dance of Death"). The inside notes: "Look past the slow black rain of a chill night in Soho; Ignore the lures of a thousand neon fire-flies, fall deft to the sighs of street corner sirens — come walk with me between heaven and hell. Here there is a club lost in its own feverish limbo, where sin becomes salvation and only the dark angels tread. For here is a BATCAVE. This screaming legend of blasphemy, Lechery, and Blood persists in the face of adversity. For some the Batcave has become an icon, but for those that know it is an iconoclast, it is the avenging spirit of nightlife's badlands — its shadow looms large over London's demi-Monde: It is a challenge to the false Idol. It Will Endure." In terms of contemporary club culture, the Batcave has to be seen as the root of indie dance music. Its two rules: 'No Funk, No Disco' set it apart from the norm of club music in the early-80s. It was the first club specifically geared to provide a dance floor for punk, rock, rockabilly, glam, reggae, garage and psychedelia. Within months, the DJ setlist was being quoted in The Face and Sounds, and the club began setting a soundtrack for the mid-1980s. In 2008, Specimen played live at a 25th Anniversary Batcave party hosted by Club Antichrist in London. The show was recorded as a live album, Specimen Alive at the Batcave and released on Eyeswideshut/Metropolis Records. In 2009, Specimen's Jonny Slut and Jon Klein appeared at New York's Fashion Institute of Technology following the exhibition 'Gothic Dark Glamour', which featured Jon Klein's 1983 'Pigeon Shit' DIY stage outfit alongside high fashion designers such as Christian Dior and Alexander McQueen. The Fashion Symposium acknowledged the Batcave as a major influence on prevailing high fashion.

The Soho Society is a community association for the London district of Soho. It was founded in 1970 by local residents such as Bryan Burroughs and had over 1000 members. It campaigned against the domination of the area by sex shops and was successful in gaining the status of conservation area for the district. In 1978, it supported independent candidates for Westminster City Council to challenge the Conservative party's control of the council, as they were thought to be encouraging and exploiting the sex industry.The society is a registered charity and a recognised amenity society for the City of Westminster. In 1976, it established the Soho Housing Association to manage 400 flats for residents of the area.

The 2i's Coffee Bar was a coffeehouse at 59 Old Compton Street in Soho, London, that was open from 1956 to 1970. It played a formative role in the emergence of Britain's skiffle and rock and roll music culture in the late 1950s, and several major stars including Tommy Steele and Cliff Richard were first discovered performing there.