Pavillon de Marsan

Hôtel Regina is a grand hotel in Paris that opened in 1900. It is in the Place des Pyramides, across the Rue de Rivoli from the Jardin des Tuileries and an entrance to the Louvre. In the square in front of it is a gilded statue of Joan of Arc on horseback.

The Théâtre des Tuileries was a theatre in the former Tuileries Palace in Paris. It was also known as the Salle des Machines, because of its elaborate stage machinery, designed by the Italian theatre architects Gaspare Vigarani and his two sons, Carlo and Lodovico. Constructed in 1659–1661, it was originally intended for spectacular productions mounted by the court of the young Louis XIV, but in 1763 the theatre was greatly reduced in size and used in turn by the Paris Opera (up to 1770), the Comédie-Française (from 1770 to 1782), and the Théâtre de Monsieur (from January to December 1789). In 1808 Napoleon had a new theatre/ballroom built to the designs of the architects Percier and Fontaine. The Tuileries Palace and the theatre were destroyed by fire on 24 May 1871, during the Paris Commune.

Place des Pyramides is a public square in the 1st arrondissement of Paris, France. It is located in the middle of the Rue de Rivoli, at its intersection with the Rue des Pyramides and Avenue du General Lemonnier, at the eastern end of the Tuileries Garden. The square was named for the street, Rue des Pyramides, and the street was named for the Battle of the Pyramids, a Napoleonic victory achieved in Egypt in 1798.

Jeanne d'Arc is an 1874 French gilded bronze equestrian sculpture of Joan of Arc by Emmanuel Frémiet. The outdoor statue is prominently displayed in the Place des Pyramides in Paris.

The Musée de la mode et du textile (Museum of Fashion and Textiles) was a museum located in the Louvre at, 107, rue de Rivoli, in the 1st arrondissement of Paris, France. It is now a department of the Musée des Arts Décoratifs, Paris. Works from the former museum are regularly displayed in temporary exhibitions.

Les Arts décoratifs is a private, non-profit organization which manages museums of decorative arts located in Paris, France. The first museum dates to 1882, when collectors with an interest in the applied arts formed the initial organization. For many years it was known as the Union centrale des arts décoratifs (UCAD), but in December 2004 it was renamed “Les Arts décoratifs”. Pamela Golbin is the chief curator of fashion and textiles at Les Arts décoratifs.

The Musée de la Publicité was a museum of advertising history located in the Louvre's Rohan and Marsan wings, 1st arrondissement of Paris, at 107, rue de Rivoli, Paris, France. The museum first opened in 1978 as the Musée de l’Affiche, and is now a department of the Musée des Arts Décoratifs, Paris. Works from the former museum are regularly displayed in temporary exhibitions.

The insurrection of 10 August 1792 was a defining event of the French Revolution, when armed revolutionaries in Paris, increasingly in conflict with the French monarchy, stormed the Tuileries Palace. The conflict led France to abolish the monarchy and establish a republic. Conflict between King Louis XVI and the country's new revolutionary Legislative Assembly increased through the spring and summer of 1792 as Louis vetoed radical measures voted upon by the Assembly. Tensions accelerated dramatically on 1 August when news reached Paris that the commander of the allied Prussian and Austrian armies had issued the Brunswick Manifesto, threatening "unforgettable vengeance" on Paris should harm be done to the French royal family. On 10 August, the National Guard of the Paris Commune and fédérés from Marseille and Brittany stormed the King's residence in the Tuileries Palace in Paris, which was defended by the Swiss Guards. Hundreds of Swiss guardsmen and 400 revolutionaries were killed in the battle, and Louis and the royal family took shelter with the Legislative Assembly. The formal end of the monarchy occurred six weeks later on 21 September as one of the first acts of the new National Convention, which established a republic on the next day. The insurrection and its outcomes are most commonly referred to by historians of the Revolution simply as "the 10 August"; other common designations include "the day of the 10 August" (French: journée du 10 août) or "the Second Revolution".

The Tuileries Palace (French: Palais des Tuileries, IPA: [palɛ de tɥilʁi]) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871. Built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. Since the destruction of the Tuileries, the Louvre courtyard has remained open and the site is now the location of the eastern end of the Tuileries Garden, forming an elevated terrace between the Place du Carrousel and the gardens proper.

The rue Saint-Honoré is a street in the 1st arrondissement of Paris, France. It is named after the collegial Saint-Honoré church situated in ancient times within the cloisters of Saint-Honoré. The street, on which are located a number of museums and upscale boutiques, is near the Jardin des Tuileries and the Saint-Honoré market. Like many streets in the heart of Paris, the rue Saint-Honoré, as it is now known, was laid out as early as the Middle Ages or before. The street, at one time, continued beyond the former city walls into what was the faubourg (from Latin foris burgem, an area "outside the city"). This continuation was eventually named the rue du Faubourg Saint-Honoré.

The Place du Carrousel (French pronunciation: ​[plas dy kaʁuzɛl]) is a public square in the 1st arrondissement of Paris, located at the open end of the courtyard of the Louvre Palace, a space occupied, prior to 1883, by the Tuileries Palace. Sitting directly between the museum and the Tuileries Garden, the Place du Carrousel delineates the eastern end of the gardens just as the Place de la Concorde defines its western end. The name "carrousel" refers to a type of military dressage, an equine demonstration now commonly called military drill. The Place du Carrousel was named in 1662, when it was used for such a display by Louis XIV.

La Rivière (The River) is a lead or bronze sculpture by Aristide Maillol.