Hanging Sword Alley

Ye Olde Cheshire Cheese is a Grade II listed public house at 145 Fleet Street, on Wine Office Court, City of London. Rebuilt shortly after the Great Fire of 1666, the pub is known for its literary associations, with its regular patrons having included Charles Dickens, G.K. Chesterton and Mark Twain. The pub is on the Campaign for Real Ale's National Inventory of Historic Pub Interiors.

The Daily Telegraph Building, also known as Peterborough House, is an Art Deco office building with Egyptian decorations and a monumental colonnade façade, located at 135–141 Fleet Street, London.The building was designed by Charles Ernest Elcock, after consulting with Thomas S. Tait, and opened in 1928. It was originally the headquarters of the British newspaper The Daily Telegraph, before the company moved out in the 1980s following the Wapping dispute, and it is now occupied by the investment bank Goldman Sachs.The building is eight storeys tall and seven windows wide, and made of Portland stone. There is a large clock hanging above the street level. The building has been Grade II listed since 1983.In early June 2019, speculations arose about the company WeWork intending to lease the building owned by the Qatari Royal family, after Goldman Sachs shall move out from it, within the end of the year.

The Tipperary is a Grade II listed public house at 66 Fleet Street, Holborn, London.It was built in about 1667, but has been altered since.

The Whitefriars Theatre was a theatre in Jacobean London, in existence from 1608 to the 1620s — about which only limited and sometimes contradictory information survives.

Salisbury Square is a square in London EC4.

The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue like the Blackfriars Theatre, it was a successor to the earlier Whitefriars Theatre (which had been just on the other side of Water Lane) and the short-lived Porter's Hall Theatre, and catered to an upscale and elite audience—in contrast to the open-air theatres like the Globe, Fortune, and Red Bull theatres that served a mass audience (especially in the latter two cases). Little is known about the actual form and shape of the Salisbury Court Theatre. Yet since it was on a plot of land 42 feet (13 meters) wide, it may have resembled, to some greater or lesser degree, the plan for a small theatre drawn by Inigo Jones in the later Jacobean or Caroline era, which adheres to a very similar scale.The Salisbury Court was built at a cost of £1,000 by Richard Gunnell, a veteran actor and the manager of the Fortune, and William Blagrave, deputy to Sir Henry Herbert, Master of the Revels. At some point in the middle of the 1630s, control of the theatre passed to the "dictatorial management" of Richard Heton, who was in charge by October 1635. (Gunnell died in late 1634 or early 1635, while Blagrave would die in 1636.) During the 1630s, the theatre was occupied at various times by the King's Revels Men (1630–31 and 1633–36), by Prince Charles's Men (1631–33), and by Queen Henrietta's Men (1637–42); for a time it was a major locus of dramatic activity, a main rival to the theatrical establishment run by Christopher Beeston at the Cockpit and Red Bull theatres. [See: Richard Brome.] Salisbury Court was the last theatre to be built before the closing of the theatres in 1642, during the Puritan era. After the theatres were closed, Salisbury Court was sometimes used for other purposes — and sometimes, as through much of 1647, it was used for theatrical performances in contravention of the local authorities. (The players played when they could get away with doing so—which was not always: the London authorities raided the Salisbury Court on 6 October 1647, breaking up a performance of A King and No King by Beaumont and Fletcher.) On 1 January 1649, the London authorities raided all four of the London theatres simultaneously; the actors at the Salisbury Court Theatre and the Cockpit Theatre were arrested, as was a "rope-dancer" or trapeze artist performing at the Fortune Theatre—but the actors at the Red Bull Theatre managed to escape. In March 1649, the authorities destroyed the interior of the Salisbury Court theatre, and the Fortune and the Cockpit too, making them useless for public performances. After years of being banned in the Interregnum, theatre was again permitted on the Restoration of Charles II in 1660, with the grant of two Letters patent to two companies to perform "legitimate drama" in London. The Salisbury Court Theatre was refurbished by William Beeston and used for a time by the Duke's Company, patronised by the Duke of York (later James II), from November 1660 to June 1661, when they moved to the nearby Lisle's Tennis Court next to Lincoln's Inn Fields, which they found a better venue. George Jolly's troupe also played there for a time. Samuel Pepys records visiting it several times in his diary for early 1661 (often calling it the Whitefriars Theatre). Pepys' famous Diary provides information on the plays acted at the Salisbury Court Theatre immediately after the theatres re-opened. He saw Fletcher's The Mad Lover on 9 February 1661; Middleton and Rowley's The Changeling on 23 February (Thomas Betterton played De Flores); Massinger's The Bondman on 1 March (Betterton again); Fletcher and Massinger's The Spanish Curate on 16 March; Heywood's Love's Mistress on 2 March; and Fletcher's Rule a Wife and Have a Wife on 1 April. (All dates new style.) The building burned down in the Great Fire of London in 1666. It was replaced in 1671 by the Dorset Garden Theatre, which was built slightly further south to a design by Christopher Wren. The theatre is commemorated by a plaque on the Dorset Rise (east) side of the corporate building on the south side of Salisbury Square.

The Harrow is a pub at 22 Whitefriars Street, London. It is a Grade II listed building, built in the early 18th century, and was originally two houses.

Bouverie Street is a street in the City of London, off Fleet Street, which once was the home of some of Britain's most widely circulated newspapers as well as the Whitefriars Priory. The offices of the News Chronicle, a British daily paper, were based there until it ceased publication on 17 October 1960 after being absorbed into the Daily Mail. The News of the World had its offices at No. 30 until its move to Wapping in the mid-1980s. Bouverie Street was also the location of the offices of Punch magazine until the 1990s, and for some decades of those of Lutterworth Press, one of Britain's oldest independent publishers, celebrated for The Boy's Own Paper and its sister The Girl's Own Paper. The street's name comes from the landlords of the area, the Pleydell-Bouveries, Earls of Radnor.The Planet News Press Photo Agency was based at 8 Bouverie Street until the WWII Blitz forced them to relocate to no. 3 Johnson's Court, just across Fleet Street. The surviving glass plate negative collection is owned by TopFoto.

The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709.

Fuzzy's Grub was a restaurant chain located in London, England. It opened its first Fuzzy's in Fleet Street in 2002 and was set up by Fazila Collins and Georgina Laing, also known by the nicknames Fuzzy and Grub. The chain was primarily a takeaway restaurant specialising in roast dinners, which were served either in box containers or as a sandwich (between thick slices of bread). The roast dinner sandwiches contained everything that was provided in the boxes, including peas and gravy. In 2008, Fuzzy's was in danger of administration. and the chain was dissolved later in 2008.As of December 2017 there is one restaurant using the Fuzzy's Grub name, in Houndsditch, London, England. This restaurant has no connection to the former chain.

The Daily Express Building (120 Fleet Street) is a Grade II* listed building located in Fleet Street in the City of London. It was designed in 1932 by Ellis and Clark to serve as the home of the Daily Express newspaper and is one of the most prominent examples of art-deco / Streamline Moderne architecture in London. The exterior features a black façade with rounded corners in vitrolite and clear glass, with chromium strips. The flamboyant lobby, designed by Robert Atkinson, includes plaster reliefs by Eric Aumonier, silver and gilt decorations, a magnificent silvered pendant lamp and an oval staircase. The furniture inside the building was, for the most part, designed by Betty Joel.The Grade II* listing relates not only to the architectural features but also to the massive reinforced concrete stacked portal frame structure designed by Sir Owen Williams. As part of a redevelopment of the surrounding site the building was entirely refurbished in 2000 by John Robertson Architects. The foyer was recreated largely from photographs and the façade completely upgraded. The concrete portal frame structure was preserved. The lobby of this building was open to the public on London Open House day, over the weekend of 19 and 20 September 2009. Members of the public were allowed to view the lobby, which is normally only accessible to employees of the building and invited guests. The building is currently occupied by Goldman Sachs.

The Press Club was established in 1882 as a London gentlemen's club. For much of its history, it occupied premises in Wine Office Court, near Fleet Street. It still exists today, as a society for journalists, but no longer offers club facilities, which ended with its leaving Wine Office Court in 1986. It was founded with an inaugural dinner at Anderton's Hotel, on Fleet Street, on 22 October 1882, presided over by the prominent journalist and cartoonist George Augustus Sala. The club is a founder member of the European Federation of Press Clubs. It has traditionally been considered much less formal, and even quite raucous, compared to most traditional London gentlemen's clubs – as exemplified by the club being the first to do away with a requirement for gentlemen to wear ties, in the early 1960s.Notable members have included Lord Beaverbrook, John Jacob Astor, 1st Baron Astor of Hever and the showbusiness journalist Peter Dacre.