Church of San Ildefonso, Toledo

The Convento de la Madre de Dios (Convent of the Mother of God) is a Dominican convent located in the city of Toledo (Castile-La Mancha, Spain). It was founded at the end of the 15th century as a nunnery by Leonor and María de Silva, daughters of the Count of Cifuentes. It was a cloistered monastery, a Guardia Civil barracks, and finally a university campus after its acquisition by the University of Castilla-La Mancha to expand the facilities of the Faculty of Juridical and Social Sciences.

The Iglesia de San Román is a church in Toledo (Castile-La Mancha, Spain). The church was built in the Mudéjar style in the 13th century. On this site there was an old Visigothic structure and probably an ancient Roman building. The building is protected by a heritage listing. It currently houses a Visigothic museum, the "Museum of the Councils and Visigothic Culture" (the councils in question are the Councils of Toledo, the earliest of which assembled in 400).

The church of San Marcos in Toledo (Castile-La Mancha, Spain) is a Mozarabic parish church, was formerly the church of a convent of the Trinitarios Calzados order. It was rebuilt in the 17th century. It is in Spanish Baroque style in its interior and Toledan Mudéjar to the outside. The works began in 1628, according to traces of Jorge Manuel Theotocópuli, at that time, the Cathedral, the Alcázar and the City Hall of Toledo's main master. There is a portico or antechamber outside the church itself, at the foot of the gospel wall, with the only access from the outside and the belfry. This last, all in brick, is a work of 1622, designed and executed by Francisco de Espinosa, master of works and municipal alarife. The aforementioned access, from the outside, is carried out through a portal-altarpiece in stone, made around 1620. It has a Neoclassical main stone portal, from which the figurative sculpture is lost, with a Mudéjar bulrush like the rest of the church. It also has a simple Chapel of the Virgin Mary. In the late 20th century it was modified and extended by the architect Ignacio Mendaro Corsini to house the Toledo Municipal Archive and the Arts Centre of San Marcos, opening up the remains of the old convent.

The Convento de San Pedro Mártir (English: Convent of Saint Peter Martyr) is a convent located in Toledo, Spain. The Dominican convent was moved in 1407 from its location outside the walls to the houses donated by Doña Guiomar de Meneses. through its successive extensions and modifications, became one of the richest and most important convents of the city. The convent, of enormous dimensions, is organized around three courtyards: The one closest to the entrance is called Real; the smallest is called the Silencio, and the one of the Naranjos or the Procesiones is located on the side of the epistle of the church.

The Palacio Arzobispal de Toledo or Archbishop's Palace of Toledo is a palace located in front of the Cathedral and next to the City Hall in the city of Toledo, region of Castile-La Mancha, Spain. It was built on land donated to the church by Jose Manuel Thotocopuli, son of El Greco. The palace was constructed over centuries. Cardinal Tavera charged Alonso de Covarrubias with building an arch connecting to the cathedral as well as the main facade. In the 17th century a partial attempt was made to give uniformity to the facade. Of interest are the portals, including the main one facing to the Plaza del Ayuntamiento. The flanking wings have composite brick and stone, but the center is smooth stone with a triangular tympanum. The small iron upper balcony is flanked with nymphs holding a cardinal's coat of arms. The tympanum is decorated with the Habsburg double eagle, decorated in Mannerist style with coupled columns. The interior chapel was built in the Baroque style.

The Convent of the Calced Augustinians (Spanish: Convento de las Agustinas Calzadas) is an Augustinian convent located in Toledo, Spain. The word calzadas translates to "calced" (or shod) in English, referring to the fact that the community wore shoes, rather than going barefoot as other (stricter) religious orders did.

The Iglesia de El Salvador is a church in Toledo, Spain completed in 1159. Although the church is small, it is an exceptional building, because it was the site of 4 successive constructions, one on other and so on. It's a 12th-century church built on an 11th-century Taifa mosque, which was an expansion of a 9th-century Umayyad mosque and in turn on a Visigothic religious building.

The Cave of Hercules (Spanish: Cueva de Hércules) is a subterranean vaulted space dating back to Roman times located in the alley of San Ginés (Spanish: Callejón San Ginés) in the city of Toledo, Spain. The cave is under a building located where the Church of San Ginés, Toledo stood until 1841.

The Agustinas Ermitañas Convento Santa Úrsula is an Augustinian convent located in the city of Toledo, in Castile-La Mancha, Spain. It was founded in 1259. The church dates back to 1360 and retains some of the original Mudéjar architecture. It has a reredos made in 1535 by Alonso Berruguete.

The Convento de Santa Clara la Real is a convent of the Poor Clares located in the city of Toledo, Castile-La Mancha, Spain. The present convent was founded in the middle of the 14th century by Toledan noblewoman María Meléndez, and is located near other monasteries of note, such as the monastery of Santo Domingo el Real and the Convent of Capuchins of Toledo.

The Convento de la Purísima Concepción, also called Convento de Capuchinas, is a convent located in the city of Toledo, in Castile-La Mancha, Spain. The buildings are late 17th century although the institution developed from an earlier Augustinian community. The chapel was completed by 1671, the year in which it was consecrated; and by 1677, the year when the convent's patron Cardinal Don Pascual de Aragón died, the works of the conventual dependencies were practically finished.

The Palacio del Marqués de Malpica (Palace of the Marquis of Malpica) is a building in the city of Toledo, Castile-La Mancha, Spain. It's located at the Plaza de Santa Clara and next to the monastery of the same name. It is of Renaissance style and belonged to the Marquis of Malpica y Valdepusa.