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Great Turnstile

Footpaths in LondonHolbornStreets in the London Borough of CamdenUse British English from March 2018
Great Turnstile and Penderel's Oak
Great Turnstile and Penderel's Oak

Great Turnstile, Little Turnstile and New Turnstile are alleys between High Holborn and Lincoln's Inn Fields in London. They originally had turnstiles to prevent cattle from straying. They later became busy lanes and were built up with shops and housing. Numerous businesses were established there including booksellers, publishers and makers of scientific instruments.

Excerpt from the Wikipedia article Great Turnstile (License: CC BY-SA 3.0, Authors, Images).

Great Turnstile
High Holborn, London Holborn (London Borough of Camden)

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Geographical coordinates (GPS)

Latitude Longitude
N 51.518 ° E -0.11578 °
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High Holborn 280
WC1V 6EA London, Holborn (London Borough of Camden)
England, United Kingdom
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Great Turnstile and Penderel's Oak
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Stone Buildings
Stone Buildings

Stone Buildings, Lincoln's Inn were constructed from 1774 to 1780. The architect was Sir Robert Taylor. Stone Buildings is a Grade I listed building. Stone Buildings appear in Anthony Trollope's novel The Prime Minister.Stone Buildings are so-called from the material with which they are constructed. They were constructed in accordance with an ultimately unrealised plan to rebuild Lincoln's Inn entirely in stone. Their construction was the initial step in that plan.The working drawings were made by a young man called Leach, then a clerk in Taylor's office, who later became Master of the Rolls. Leach's drawings are preserved in the Library of Lincoln's Inn. Pitt's chambers appear to have been in Stone Buildings from December 1779. Canning's father was "for some time with a Serjeant Walker who then resided in Stone Buildings". The South end was added from 1844 to 1845 under the direction of Philip Hardwick.Stone Buildings are situated parallel with the west side of Chancery Lane, and the western range of buildings faces the gardens of Lincoln's Inn and the square, with an oblong court between the two buildings. The Chancery Lane side is very plain, but the garden front consists of a rustic basement, with arcades and windows, at the north end of which is a wing consisting of six Corinthian pillars, which support an entablature and pediment. The cornice of the wing is continued through the whole length of the front, which terminates in a balustrade, but the two ranges of windows are entirely plain. The northern entrance is by handsome iron gates in Chancery Lane. The structure is not in keeping with the architecture of the other buildings; but, when viewed through the foliage of the garden, it has a very pleasing effect.On 23 December 1790, by the violence of the wind at noon, the copper covering of the roof of the new buildings was blown off in one sheet, and hung over the front like a large carpet or mainsail. The noise occasioned by this accident made the neighbourhood conclude the building was falling down. Some of the plates composing this covering were torn off and carried into a yard in Holborn.Sir Charles Wetherell had chambers in Stone Buildings. The Duke of Wellington took shelter there when he was attacked by a mob on 18 June 1832.The Registers' and Accountant-General's Offices were at 8, 9 and 11 Stone Buildings.The buildings are faced with Portland stone.The buildings that comprise Stone Buildings are numbered from 1 to 11. 1 and 11 Stone Buildings are opposite separate sides of 76B Chancery Lane. 7 and 8 Stone Buildings are opposite 10 to 12 Old Square.

Sir John Soane's Museum
Sir John Soane's Museum

Sir John Soane's Museum is a house museum, located next to Lincoln's Inn Fields in Holborn, London, which was formerly the home of neo-classical architect, John Soane. It holds many drawings and architectural models of Soane's projects, and a large collection of paintings, sculptures, drawings and antiquities that he acquired over many years. The museum was established during Soane's own lifetime by a Private Act of Parliament in 1833, which took effect on his death in 1837. Soane engaged in this lengthy parliamentary campaign in order to disinherit his son, whom he disliked intensely. The act stipulated that on Soane's death his house and collections would pass into the care of a Board of Trustees, acting on behalf of the nation, and that they would be preserved as nearly as possible exactly in the state they were at his death. The museum's trustees remained completely independent, relying only on Soane's original endowment, until 1947. Since then, the museum has received an annual Grant-in-Aid from the British Government via the Department for Digital, Culture, Media and Sport. From 1988 onwards, a programme of restoration was carried out, with spaces such as the Drawing Rooms, Picture Room, Study and Dressing Room, Picture Room Recess and others, restored to their original colour schemes, and in most cases having their original sequences of objects reinstated. Soane's three courtyards were also restored with his pasticcio (a column of architectural fragments) being reinstated in the Monument Court at the heart of the Museum. In 1997 the trustees purchased the main house at No. 14 with the help of the Heritage Lottery Fund. The house was restored and has enabled the Museum to expand its educational activities, to re-locate its Research Library, and create a Robert Adam Study Centre where Soane's collection of 9,000 Robert Adam drawings is housed. Some of Soane's paintings include works by Canaletto, Hogarth, three works by his friend J. M. W. Turner, Thomas Lawrence, Antoine Watteau, Joshua Reynolds, Augustus Wall Callcott, Henry Fuseli, William Hamilton and 15 drawings by Giovanni Battista Piranesi, many of which are framed and displayed in the museum. There are over 30,000 architectural drawings in the collection. Owing to the narrow passages in the house, all decked with Soane's extensive collections, only 90 visitors are allowed in the museum at any given time, and a formation of queue outside for entry is not unusual. Labels are few and lighting is discreet; there is no information desk or café. In the year ending March 2019, the museum received 131,459 visitors.

Center for Transnational Legal Studies
Center for Transnational Legal Studies

The Center for Transnational Legal Studies (CTLS) is a global educational center for the study of transnational law. The Center was founded in London in October 2008 as an initiative by Georgetown University Law Center, providing educational services and student resources. It was constituted as a joint venture between several leading law schools from around the world, each contributing faculty and students to the center. The Center's founding partner institutions are Georgetown University Law Center, City University of Hong Kong, King's College London, National University of Singapore, ESADE, Fribourg University, Hebrew University of Jerusalem, and the University of Torino. The Center also has several affiliate institutions, including Bucerius Law School.The CTLS facilities are located in London at Bush House, North West Wing, Aldwych, on King's College London's Strand Campus. Students and faculty have access to King's College Law Library amongst other King's College London facilities. The Center's curriculum was developed by an Academic Council of faculty from all of the founding law schools and all courses address topics in transnational or comparative law, legal theory or legal practice. designed for students intent on transnational careers.Academics from the CTLS have also offered public lectures on international legal topics, and in addition to the Center's main academic term program, offers administrative support for the Georgetown Law summer program in London.

Novelty Automation
Novelty Automation

Novelty Automation is an amusement arcade of satirical game machines in Holborn, London. The machines are constructed by cartoonist and engineer Tim Hunkin, often by hand, and the arcade includes an expressive photo booth, an interactive divorce and a "small hadron collider". The arcade also includes three of Hunkin's machines which were once on display at Cabaret Mechanical Theatre's Covent Garden exhibition: The Frisker, Test Your Nerve and The Chiropodist.Opened in February 2015, Novelty Automation is Tim Hunkin's second arcade, the first being The Under The Pier Show in Southwold where he first decided to ‘re-invent’ amusement arcadesand allowed a hobby to take over his lifeNovelty Automation is Hunkin's paean to the local history of popular entertainment in London, a place he has said he has an almost "missionary zeal" for. Hunkin has professed his sadness for the commercialisation of the city and he believes people appreciate Novelty Automation's political incorrectness and it being an antidote to the corporatisation of fun.Discussing the venue's Housing Ladder slot machine, in which a player walks the treadmill steps of a physical ladder in order to move an automated figure towards a model house, Hunkin has said "I don’t think political art has an enormous effect, but in the short term it is satisfying to reinforce people’s disrespect of the villains." Hunkin spoke more on the subject at a talk he gave at Novelty Automation in November 2016 arguing that reinforcing people's disrespect for its targets is the primary purpose of satirical art, "but in the long term it can also contribute to change: there comes a point where the villains can no longer laugh it off". Hunkin's machines at Novelty Automation have a technological style that blends old school electromagnetic approaches to movement - motors, pulleys and gears – with some aspects of more modern technology, used for video, sound and programming. Hunkin believes he is exploring a "limitless territory" and that modern world is too focused on “amazing software and simple physical interfaces… very few machines are the other way round".