Large Standing Woman I

Arch Falls is an outdoor 1981 bronze sculpture by American artist Bryan Hunt, installed at the Lillie and Hugh Roy Cullen Sculpture Garden in the Museum of Fine Arts, Houston in Texas. The sculpture rests on a limestone base. It was gifted by the Charles Engelhard Foundation.

Big Twist is an outdoor 1978 bronze sculpture by American artist Bryan Hunt, installed at the Museum of Fine Arts, Houston's Lillie and Hugh Roy Cullen Sculpture Garden, in the U.S. state of Texas.

Recuerdo de Machu Picchu 3 (Las terrazas) (English: Memory of Machu Picchu 3 (The Terraces)), is an outdoor 1984 oxidized iron sculpture by Colombian artist Eduardo Ramírez Villamizar, installed at the Museum of Fine Arts, Houston's Lillie and Hugh Roy Cullen Sculpture Garden, in the U.S. state of Texas. The sculpture was purchased by the museum with funds provided by the Caribbean Art Fund and the Caroline Wiess Law Accessions Endowment Fund. It measures 55 1/8 x 114 3/16 x 41 5/16 inches.

Two Circle Sentinel is an outdoor 1961 stainless steel sculpture by David Smith, installed at the Museum of Fine Arts, Houston's Lillie and Hugh Roy Cullen Sculpture Garden in the U.S. state of Texas. It was purchased using monetary contributions provided by the Brown Foundation Accessions Endowment Fund in memory of Alice Pratt Brown.

The Lillie and Hugh Roy Cullen Sculpture Garden is a sculpture garden located at the Museum of Fine Arts, Houston (MFAH) in Houston, Texas, United States. Designed by artist and landscape architect Isamu Noguchi, the garden consists of 25 works of the MFAH, including sculptures by Henri Matisse, Alexander Calder, David Smith, Frank Stella, and Louise Bourgeois. There are also sculptures created specifically for the site, including Ellsworth Kelly's Houston Triptych and Tony Cragg's New Forms. The garden also features works by local Texas artists, including Joseph Havel's Exhaling Pearls, Jim Love's Can Johnny Come Out and Play?, and Linda Ridgway's The Dance.

The Pilgrim (Il pellegrino) is a bronze sculpture by Marino Marini. Cast in 1939, it is in The Lillie and Hugh Roy Cullen Sculpture Garden, Museum of Fine Arts, Houston.This work is an early example of the artist's development of his horse and rider theme.

Quarantania I is an outdoor sculpture by Louise Bourgeois, installed at the Museum of Fine Arts, Houston's Lillie and Hugh Roy Cullen Sculpture Garden in the U.S. state of Texas. The bronze sculpture was designed during 1947–1953/1981 and cast in 1984.

Flora, Nude (French: La Flore, nue) is a sculpture by French artist Aristide Maillol.

Exhaling Pearls is an outdoor 1993 bronze sculpture by postmodernist American artist Joseph Havel, installed at the Museum of Fine Arts, Houston's Lillie and Hugh Roy Cullen Sculpture Garden, in the U.S. state of Texas. The sculpture is cast from a rope and two paper lanterns. The museum, who purchased the work with donations from the Nona and Richard Barrett, the Caroline Wiess Law Accessions Endowment Fund, Max and Isabell Smith Herzstein, Isabel B. Wilson, and friends of Havel, has called the work an "improbable hybrid", "[rising] up in a playfully gallant affirmation of life and creation".

Gymnast II is an outdoor 1985 bronze sculpture by William Tucker, installed in Houston's Lillie and Hugh Roy Cullen Sculpture Garden, in the U.S. state of Texas.

The Large Horse (French: Le Grand cheval) is a 1914-31 bronze sculpture by French artist Raymond Duchamp-Villon, installed at the Museum of Fine Arts, Houston's (MFAH) Lillie and Hugh Roy Cullen Sculpture Garden in Houston, Texas, in the United States.

Houston Triptych is an outdoor 1986 bronze sculpture by American artist Ellsworth Kelly, installed at the Museum of Fine Arts, Houston's Lillie and Hugh Roy Cullen Sculpture Garden, in the U.S. state of Texas. It was commissioned by the museum and donated by the Brown Foundation, Inc. and Mr. and Mrs. M. S. Stude in honor of Mr. and Mrs. George R. Brown. Artnet's Phyllis Tuchman described the work as "three black geometric shapes mounted on a tall concrete wall" and said, "After the rain, the metal is dark and foreboding. In sunlight, shadows cast on the wall where the elements reach 12 inches into space practically mimic ivy vines."