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San Giacomo Scossacavalli

Buildings and structures demolished in 1937Churches of Rome (rione Borgo)Demolished buildings and structures in RomeDestroyed Roman Catholic churches in RomeRenaissance architecture in Rome
S. Giacomo in Scossacavalli Plate 120 Giuseppe Vasi
S. Giacomo in Scossacavalli Plate 120 Giuseppe Vasi

San Giacomo Scossacavalli (San Giacomo a Scossacavalli) was a church in Rome important for historical and artistic reasons. The church, facing the Piazza Scossacavalli, was built during the early Middle Ages and since the early 16th century hosted a confraternity which commissioned Renaissance architect Antonio da Sangallo the Younger to build a new shrine. This was richly decorated with frescoes, painted (among others) by mannerist artist Giovanni Battista Ricci and his students. The church was demolished in 1937, when Via della Conciliazione (the avenue leading to St. Peter's Basilica) was built and the piazza and central part of the Borgo rione were demolished. Many decorative elements still exist, since they were preserved from demolition.

Excerpt from the Wikipedia article San Giacomo Scossacavalli (License: CC BY-SA 3.0, Authors, Images).

San Giacomo Scossacavalli
Via della Conciliazione, Rome Municipio Roma I

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Geographical coordinates (GPS)

Latitude Longitude
N 41.902361111111 ° E 12.461527777778 °
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Via della Conciliazione

Via della Conciliazione
Rome, Municipio Roma I
Lazio, Italy
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S. Giacomo in Scossacavalli Plate 120 Giuseppe Vasi
S. Giacomo in Scossacavalli Plate 120 Giuseppe Vasi
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Palazzo Torlonia
Palazzo Torlonia

Palazzo Torlonia (also known as the Palazzo Giraud, Giraud-Torlonia or Castellesi) is a 16th-century Renaissance town house in Via della Conciliazione, Rome, Italy. Built for Cardinal Adriano Castellesi da Corneto from 1496, the architect was Andrea Bregno, although others have attributed the design to Bramante.The style of architecture was influenced by that of the papal chancery, the Palazzo della Cancelleria, one of Rome's first Renaissance palaces, which had been completed a few years earlier. The palazzo's arcaded inner courtyard has been attributed to Raphael.In 1504, before its completion, the Cardinal (who had fallen from papal favor) presented the palazzo to King Henry VII of England. The English king Henry VIII later handed it to Lorenzo Campeggio, England's last Cardinal Protector. He lived in the unfinished palazzo from 1519 to 1524. Following England's split from the Church of Rome, it remained in possession of the Campeggio family until 1609. From 1609 until 1635, it was owned by the Borghese family. In 1760, it was purchased by the French Giraud banking family. In 1820, it was purchased by the Torlonia family, whose name it retains along with the family's coat of arms above its great portal.Today, the palace faces the wide boulevard named Via della Conciliazione, however, this is the result of 20th century monumental Fascist concept intended to provide an imposing approach to St Peter's Basilica. Originally, the palazzo formed the north side of a small square, the Piazza Scossacavalli, and is today (with the Palazzo dei Penitenzieri) one of the two surviving buildings of it, and the only historic palace in Borgo which has remained untouched during the works for the construction of Via della Conciliazione. Palazzo Torlonia, together with the Church of Santa Maria in Transpontina and Palazzo Latmiral (a 19th-century building placed between them), are out of axis with the new avenue, their alignment coinciding with that of the destroyed Borgo Nuovo road. As of 2015, the palazzo remains the property of the Torlonia family.

Palazzo Caprini
Palazzo Caprini

Palazzo Caprini was a Renaissance palazzo in Rome, Italy, in the Borgo rione between Piazza Scossacavalli and via Alessandrina (also named Borgo Nuovo). It was designed by Donato Bramante around 1510, or a few years before. It was also known as Palazzo di Raffaello, or Raphael's House, since the artist had bought it in 1517 and lived there until his death three years later, although by then he was planning a much larger new palazzo elsewhere. In the late 16th century the building, already decayed and crumbling, underwent a total renovation and constituted the core of the much larger Palazzo dei Convertendi, and its garden house was destroyed in 1848. The appearance of the main facade is known from an etching by Antoine Lafréry and a partial sketch attributed to Andrea Palladio.The palace had a façade with five bays and two levels, with rustication (using stucco) on the lower floor which, as often in Rome, was let out to shops. The upper floor had windows divided by double Doric columns, surmounted by a complete entablature. It was highly influential, providing a standard model for the integration of the rusticated ground floor with arched openings, characteristic of 15th-century Florentine palaces alla antica such as the Pitti Palace, with the classical orders. The decorative inclusion of large rusticated voussoirs and keystone instead of a lintel over the flat top of the lower rectangular openings in the end shop fronts was also a device with a long future. The apparent strength of a blind arched arcade with emphatic voussoirs on the rusticated ground storey gave reassuring support to the upper storey's paired Doric columns standing on rusticated piers, set against a smooth wall. The many buildings providing variations of the design include Somerset House in London.