Royal College of Physicians and Surgeons of Glasgow

Blythswood Square is the Georgian square on Blythswood Hill in the heart of the City of Glasgow, Scotland. The square is part of the 'Magnificent New Town of Blythswood' built in the 1800s on the rising empty ground west of a very new Buchanan Street. These open grounds were part of the vast Lands of Blythswood stretching to the River Kelvin acquired by the Douglas-Campbell family in the 17th century. The Blythswood district became a Conservation Area in 1970, because of its important architectural and historic buildings. The square is one of the largest residential developments on Blythswood Hill on over 35 acres (14 ha) of ground.

King Tut's Wah Wah Hut, also known as King Tut's, is a live music venue and bar on St. Vincent Street, Glasgow, Scotland. It is owned and managed by Glasgow-based gig promoters DF Concerts. The Glasgow live music venue takes its name from a club in New York that hosted music, comedy and performing arts events in the 1980s.

Molotow, also known as Molotow Club or Molotow Music Club is one of the most famous and popular live music venues in Germany. It is located on the Reeperbahn, in St. Pauli, Hamburg.

St. Vincent Street Church is a Presbyterian church on St. Vincent Street in Glasgow, Scotland. It was designed by Alexander Thomson (also known as "Greek" Thomson) and built from 1857 to 1859 for the former United Presbyterian Church of Scotland. Elements (probably the tower) are by Thomson's young assistant, the church architect Robert Gordon Wilson, who was a member of the UP church.It is a Category A listed building. The church building is owned by Glasgow City Council, but is currently used by a congregation of the Free Church of Scotland: Glasgow City Free Church. In 1998 the building was listed in the 1998 World Monuments Watch by the World Monuments Fund, and again in 2004 and 2006. The Fund helped restore the tower, with support from American Express.

The Royal Glasgow Institute of the Fine Arts (RGI) is an independent organisation in Glasgow, founded in 1861, which promotes contemporary art and artists in Scotland. The institute organizes the largest and most prestigious annual art exhibition in Scotland - open to all artists. The RGI also owns and runs the Kelly Gallery. Situated on Douglas Street in Glasgow City Centre, the Kelly Gallery hosts a running programme of exhibitions and events. The award of RGI is made to artists for artistic merit and their dedication to the institute. There is a corpus of fifty such awards. Any vacancy is filled through persons being proposed, demonstrating work, and being elected at a specially convened meeting of RGIs.

Glasgow Art Club is a club for artists and lay members with an interest in the arts, that has become over the generations "a meeting place for artists, business leaders and academics". Each year it has a range of exhibitions open to the public for their enjoyment; and, subject to club events, a number of its rooms are available as venues for social occasions.

Blythswood Hill, crowned by Blythswood Square, is the wealthiest part of central Glasgow, Scotland. It extends from the west edge of Buchanan Street to Gordon Street and Bothwell Street, Charing Cross, Sauchiehall Street and Garnethill. Developed from 1800 onwards, its Georgian and Victorian architecture is a Conservation Area. It started as the "Magnificent New Town of Blythswood" becoming a part of the city-centre's business and social life.After the Reformation the vast Lands of Blythswood were owned by the Glasgow merchant family Elphinstone; one descendant George Elphinstone became an MP of the Scots Parliament. Through his daughter it changed to the Douglas-Campbell family during the 17th century. Archibald Campbell, whose son became Lord Blythswood, setting about feuing the lands to developers.Sitting on the western side of Buchanan Street, and starting at West Nile Street, rising to Sauchiehall Street and Blythswood Square it proceeds to the Charing Cross area . To its north is Garnet Hill. Blythswood Hill contains the area from Renfrew Street, Sauchiehall Street and Bath Street south to Bothwell Street and Waterloo Street.The first new street to be opened up for housing was Sauchiehall Street, followed by Bath Street in 1802, by textile manufacturer and merchant William Harley (1767-1830). He also formed his indoor public baths, pioneered the first hygienic dairy in Europe, and a bakery at the eastern end of Bath Street. His planned Blythswood Square sits partly on his extensive pleasure grounds, viewing tower, orchards and bowling green which he opened for the public, next to his house of Willow Bank. Harley also owned much of the hill to the north which he named Garnethill in honour of Professor Thomas Garnett.Blythswood developed due to the mercantile expansion of the city in the late 18th and early 19th centuries, housing the city's wealthy cotton merchants, chemical manufacturers and shipping magnates in Georgian townhouses and Victorian terraces. The whole area is on a grid-iron layout which started first around George Square in the 1790s, adopted by Glasgow Town Council, and continued for urban development west over Blythswood, and south over the Clyde to Tradeston, Laurieston, and Hutchesontown. The grid-iron system was later adopted in 1830 by New York, followed later by Chicago, and other cities in America.Blythswood Square was the home of Madeleine Smith, a daughter of architect James Smith, who in 1857 was tried in the High Court for the murder by arsenic poisoning of her lover Pierre Emile L'Angelier. Although the case was not proven, to the delight of the public, the story scandalised Scottish society, and is recounted in Jack House's 1961 book Square Mile of Murder.Residential use is returning to parts of Blythswood Hill, while remaining mainly offices, hotels, shops, restaurants and art organisations. The former Royal Scottish Automobile Club building at 8-13 Blythswood Square has been converted to form the Blythswood Square Hote. Glasgow Art Club continues in its duo of townhouses in Bath Street.St. Vincent Street is the longest street and contains the largest number of buildings across the Hill, starting at the south west corner of George Square next to Buchanan Street. Rising westward it passes the summit and descends further west to its junction with Argyle Street at Finnieston, where now stands the city's first statue to architect Charles Rennie Mackintosh.

Adelaide Place Baptist Church is a Scottish Baptist church in a Category B listed building in the Charing Cross area of Glasgow. The name "Adelaide Place" is taken from the former name of this part of Bath Street. The church was founded in 1829 and the present church building dates from 1877. The church played an important place in the history of the Baptist churches in Scotland, and also spearheaded many charitable and social care initiatives.

The Burns Howff was a Rock and Blues music venue in Glasgow. It was located at 56 West Regent Street in the city centre and established a reputation as the launch pad for many Scottish musicians. Burns Howff resident bands included Power, that later changed name to Stone the Crows. This band featured Maggie Bell on vocals, and James Dewar on bass guitar. James Dewar, known as Jimmy Dewar later formed The Robin Trower Band with ex Procol Harum guitarist Robin Trower and drummer Reg Isadore. It was in Burns Howff that Alex Harvey met with the musicians who were to become the Sensational Alex Harvey Band.Other bands who played at Burns Howff included Beggars Opera, Chou Pahrot, and the illustrious 'Foxy', a talented 3-piece featuring Brian Denniston (guitar), Jimmy Johnston (Bass) and Nod Kerr (Drums). The Shard a 5 piece R&B and soul band played frequently at the Howff for about 3 years in the late 60's. Jimmy McLachlan lead guitar, Tommy Graham bass, Bill Samson on Drums, Joe McCann Keyboards and Jim Robertson vocals were the longest serving members of the band. Shortly before the ‘HOWFF’ closed a recording studio was installed called STUDIO In the upstairs lounge. This was a rather modest affair that was housed in what was essentially a walk in cupboard. The studio was popular with local bands, and clients included Johnny and the Self Abusers who were playing regularly at another Glasgow music pub called The Mars Bar, that featured mainly Punk acts. Johnny and the Self Abusers split up and its members went on to form The Cuban Heels and Simple Minds. With the bands playing in the upstairs lounge there was a resident DJ in the bar area from 1973 onwards. This was called The Pony Express where rock music was played to the bar customers and also transmitted into the upstairs lounge while the band had their break. DJ Gordon Elrick also ran theme nights including the popular Tuesday Club where regulars dressed up and mimed to old standards. This made the Howff one of the busiest pubs in the area on a usually quiet Tuesday night. Burns Howff finally closed in 1984.

Sauchiehall Street () is one of the main shopping streets in the city centre of Glasgow, Scotland, along with Buchanan Street and Argyle Street. Although commonly associated with the city centre, Sauchiehall Street is over 1.5 miles (2.4 km) in length. At its central west end is Charing Cross, followed by the Category-A listed crescents and terraces which lead up to Park Circus, finally meeting Argyle Street in the West End in front of Kelvingrove Park and the Kelvingrove Museum, where they merge to form Dumbarton Road, continuing through Partick.

The McLellan Galleries are a major exhibition space in the city of Glasgow, Scotland, situated behind a frontage of shops and offices in Sauchiehall Street.

St Columba's Church is a Church of Scotland Parish church that serves a Gaelic congregation in Glasgow.