House of the Seven Lazy Brothers

The Paula Modersohn-Becker Museum in Bremen, Germany, is the first museum in the world devoted to a female artist. Modersohn-Becker (1876–1907) was one of the most important early Expressionists, and the museum features key works from each of her creative periods.

The Glockenspiel House (German: Haus des Glockenspiels) is a building in Bremen in the north of Germany. With its 30 bells of Meissen porcelain, the carillon (Glockenspiel) chimes three times a day while wooden panels depicting pioneering seafarers and aviators appear on a rotating mechanism inside the tower.

The Ludwig Roselius Museum (German: Museum im Roselius-Haus) on Böttcherstraße in the old town of Bremen, Germany, houses the private collection of the successful coffee merchant Ludwig Roselius (1874–1943). Artefacts from the Middle Ages to the Baroque period are on display. The house itself which was completed in 1588 has a history going back to the 14th century.

St Petrus House (German: Haus St. Petrus) is a historic building in Bremen, Germany. With features of North-German Gothic architecture including an arcade, it was built in 1927 by the prosperous coffee merchant Ludwig Roselius as part of his development of Böttcherstraße. Today its newly refurbished dining rooms are part of the Atlantic Grand Hotel. Since 1973, St Petrus House has been a listed building.

Böttcherstraße is a street in the historic centre of Bremen, Germany. Only about 100 m (330 ft) long, it is famous for its unusual architecture and ranks among the city's main cultural landmarks and visitor attractions. Most of its buildings were erected between 1922 and 1931, primarily as a result of the initiative of Ludwig Roselius, a Bremen-based coffee-trader, who charged Bernhard Hoetger with the artistic supervision over the project. The street and its buildings are a rare example of an architectural ensemble belonging to a variant of the expressionist style. Several of the houses can be classed as Brick Expressionism. Since 1973, the ensemble has been protected by the Monument Protection Act.

Spitzen Gebel (literally: "pointed gable") is a historic building in the centre of Bremen, Germany, located at No. 1, Hinter dem Schütting. Its origins date to the year 1400, but it was rebuilt in the Gothic style in 1590 with additions in 1610. Since 1973, it has been a listed building.

The Schütting, situated on the Marktplatz (market square) in Bremen, initially served the city's merchants and tradesmen as a guild house. In 1849, it became Bremen's chamber of commerce. Since 1973, it has been under monument protection. It lies on the south site of the Bremen marketplaces directly across from the town hall.

The Kontorhaus am Markt in Bremen is a historical building in the city centre of Bremen. Today, it is used as a shopping mall. It is situated at the Bremer Marktplatz between three streets: Langenstrasse 2/8, Stintbruecke 1 and Bredenstrasse 13.

Haus der Stadtsparkasse (Stadtsparkasse Building) is a Rococo landmark on the "Marktplatz" (Market Square) in Bremen, Germany. It was completed in the 1950s combining the historic front gable from another site with the more recent architecture of the remainder of the building.

The Atlantis House (German: Haus Atlantis) on Böttcherstraße in the old town of Bremen in the north of Germany is an interesting example of German architecture in the interwar period. Designed by Bernhard Hoetger, it was completed in 1931. After suffering serious war damage, it was rebuilt in 1965 with a new facade designed by Ewald Mataré.

The Bremer Marktplatz (Bremen Market Square) is a square situated in the centre of the Hanseatic City of Bremen. One of the oldest public squares in the city, it covers an area of 3,484 m2 (37,500 sq ft). It is no longer used as a market place except for the Christmas market and the annual Freimarkt Fair at the end of October.

The Raths-Apotheke (literally: Council Apothecary) is a listed building on the Market Square (Marktplatz) in Bremen, Germany. After suffering war damage, the building was restored with two gables in the Neobaroque style in 1958, re-establishing the square's sequence of gabled buildings dating from the 1820s.