Royal Pavilion Tavern

Steine House is the former residence of Maria Fitzherbert, first wife of the Prince Regent, in the centre of Brighton, part of the English city of Brighton and Hove. The building is now owned and used by Brighton YMCA, the largest supported housing provider in Brighton and Hove. Brighton YMCA houses and resettles 311 homeless people of all ages, providing the best opportunities to empower clients to reach their full potential and achieve their aspirations. Designed in 1804 by William Porden, who was the architect of many buildings on the Prince's Royal Pavilion estate and notably of the Royal Pavilion gardens, it was used by Fitzherbert until her death 33 years later. Porden's designs of Steine House were exhibited at the Royal Academy at the time, together with the designs of the Royal Pavilion. In 1870, Brighton YMCA was founded and started to provide accommodation from Steine House for single people such as servicemen and apprentices. In 1884, Brighton YMCA bought the building outright and continue to use it to this day. An accidental fire in 2009 caused extensive damage, but Steine House was renovated and its purpose, to house formerly homeless people, maintained. Since 2012, the organisation's Registered Office is at Steine House, whilst a separate part of the building offers self-contained housing to 12 clients with support needs. Alterations to the building have reduced its architectural importance, but Steine House has been listed at Grade II by English Heritage for its historical connections.

Brighton Museum & Art Gallery is a municipally-owned public museum and art gallery in the city of Brighton and Hove in the South East of England. It is part of the "Royal Pavilion & Museums, Brighton and Hove". It is free for local residents but charges £6.20 per non-resident.

Marlborough House is a mansion at 54, Old Steine, Brighton on the south coast of England. It is a Grade I listed building. Initially it was built for Samuel Shergold in the 1760s. After being sold on by both Shergold and its second owner, the Duke of Marlborough, in 1786 it was bought by William Gerard Hamilton and altered to a neoclassical design by Robert Adam. After being owned by the Brighton School Board and Brighton and Hove City Council, it was sold to a local businessman in 1999. Since then, the building has stood empty and original features have been destroyed, leading to several courtcases.

2–3 Pavilion Buildings in Brighton is a former office building which has been converted into a bar. It was constructed in 1934 as the new head office of the Brighton & Hove Herald, a "leading provincial weekly" newspaper serving the borough and seaside resort of Brighton and its neighbour Hove in southeast England. The Neo-Georgian offices were built to the design of prolific local architect John Leopold Denman and feature decorative carvings by Joseph Cribb. After production of the Herald ceased in the 1970s, the building was used by an insurance company and then as a bar. A firm of insolvency practitioners also occupies part of the premises. Vestigial remains of the neighbouring Royal Pavilion's guest bedrooms were incorporated into the building's rear elevation. The building is on Brighton and Hove City Council's Local List of Heritage Assets and is in a conservation area.

The Old Steine () is a thoroughfare in central Brighton, East Sussex, and is the southern terminus of the A23. The southern end leads to Marine Parade, the Brighton seafront and the Palace Pier. The Old Steine is also the site of a number of City Centre bus stops for Brighton buses. The Royal Pavilion is located immediately to the north of the Old Steine.

The Old Steine Gardens in Brighton, Brighton and Hove, East Sussex, England, adjacent to the Old Steine thoroughfare, are the site of several monuments of national historic significance.

9 Pool Valley is a late 18th-century house and shop in the centre of Brighton, part of the English city of Brighton and Hove. Built as a bakery and shop for a local family, with two floors of living accommodation above, it later passed to another Brighton family who kept up the baking tradition until the mid-20th century. Since then it has had various commercial uses. Described as "one of the most famous surviving early buildings" in Brighton and "a charming relic", the exterior is clad in distinctive black glazed mathematical tiles. English Heritage has listed it at Grade II* for its architectural and historical importance.

Princes House (formerly Norwich Union House) is an office and residential building in the centre of Brighton, part of the English coastal city of Brighton and Hove. The prominently sited building, an example of Harry Stuart Goodhart-Rendel's "inimitable response to Modernism", was purpose-built as the headquarters of the Brighton & Sussex Building Society, forerunner of the Alliance & Leicester. The office was later used by Norwich Union, another financial institution, and now houses a restaurant and flats. The steel-framed structure is clad in red bricks with inlaid mosaicwork, forming a carefully detailed façade, and the corner elevation has an arrangement of brickwork and windows which suggests "the pleated folds of a curtain". The building is listed at Grade II for its architectural and historical importance.

Brighton and Hove City Centre is the commercial and cultural centre of the city of Brighton. Geographically, the so-called city centre is located in an easterly part of the Brighton and Hove urban conurbation.

The ABC Cinema (originally the Savoy Cinema Theatre) is a former cinema in Brighton, part of the English seaside city of Brighton and Hove. It also operated under the Cannon and Virgin brands briefly in the 1980s and 1990s. It was built in 1930, initially for Savoy Cinemas; but when that group became part of the new Associated British Cinemas (ABC) circuit later that year, it was redesigned by ABC's own architect William R. Glen and became the group's first major cinema. It was also the second largest ABC ever built, and the largest cinema in Brighton based on seating capacity. Prominently sited, with a tall, curving entrance façade on East Street in The Lanes and another entrance on the Grand Junction Road facing the seafront and Palace Pier, it was one of Brighton's most important cinemas for much of the 20th century and was chosen as the venue for the world premiere of Brighton Rock in 1948. After closure in January 2000 the building was split up; part is now a casino, another section is a bar, and a restaurant formerly occupied another section. The building is on Brighton and Hove City Council's local list of heritage assets.

Quadrophenia Alley is located between number 10 and 11 East Street Brighton and was the location for a scene in the 1979 film Quadrophenia. The Alley has become a shrine to the Mod movement, and people come from all over the world to find this alleyway. The cult film was set in Brighton in 1964, the period of the Mods and Rockers. In May 1964, masses of Mods and Rockers descended from London onto Brighton Beach, resulting in a mass fight that shocked the nation. It ended with people throwing bins, deckchairs, and stones. Several people were jailed after the incident; many were arrested and put in cells under Brighton Town Hall, now the Old Police Cells Museum. This riot was the inspiration for Quadrophenia, starring Phil Daniels, Leslie Ash and Sting, depicting the clash, and much of it was filmed on location in the city. The narrow and easily overlooked Quadrophenia Alley was the setting of an escape from the police and a romantic encounter in the film. Quadrophenia Alley, as it has become known, featured during a key scene in the film. People actually come from all over the world to find this alleyway, where two lovers escape the police and fall through a doorway into a yard. The alley has become a real shrine to Mods. The Alley is often covered in Mod-related graffiti and has become one of the most visited tourist attractions in the town.

The Chapel Royal is an 18th-century place of worship in the centre of Brighton, part of the English city of Brighton and Hove. Built as a chapel of ease, it became one of Brighton's most important churches, gaining its own parish and becoming closely associated with the Prince Regent and fashionable Regency-era society. It remains an active church.