Domino Sugar Refinery

A Subtlety (also known as the Marvelous Sugar Baby and subtitled an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant) is a 2014 piece of installation art by American artist Kara Walker. A Subtlety was dominated by its central piece, a white sculpture depicting a woman with African features in the shape of a sphinx, but also included fifteen other sculptures. These fifteen "attendants" to the sphinx were enlarged versions of contemporary blackamoors produced in China. The piece was installed in the Domino Sugar Refinery in the Williamsburg neighborhood of Brooklyn from May through July 2014. Although thematically consistent with Walker's earlier work, its scope and presentation were departures from her oeuvre. The project was commissioned by Creative Time and underwritten by New York-based real estate development company Two Trees, and was built with donated materials. The exhibition sparked conversations about the show's audience, the gentrification of Brooklyn, and the work's themes of race, sexuality, oppression, labor, and the ephemeral.

Domino Park is a 5-acre (2.0 ha) public park in the Williamsburg neighborhood of Brooklyn, New York City. It spans a quarter mile along the East River near the Williamsburg Bridge, at the Domino Sugar Refinery site. Along the five-block riverside walk, various salvaged factory equipment is displayed, including four syrup collection tanks, that pay tribute to the history of the Domino Sugar Refinery.The park was designed by James Corner Field Operations, which also designed the High Line, over the course of six years. Opened to the public in 2018, it is owned and operated by Two Trees Management, which spent roughly $50 million to construct it.

285 KENT was an "underground," all ages concert venue located at 269-289 Kent Avenue, in Williamsburg, Brooklyn. The venue was founded and operated by Todd Patrick aka "Todd P", beginning in 2010, ultimately closing in 2014 to much fanfare and media coverage. The venue was initially booked and exclusively managed by Patrick, later in partnership with Ric Leichtung, who created the event promotion entity AdHoc.fm, an offshoot of a music journalism website of the same name, to book the venue.285 KENT operated under the DIY ethos and hosted acclaimed concerts and events spanning indie, punk, hip hop, electronic music, and other genres. The venue strictly hosted only all ages events at affordable ticket prices. 285 KENT held a standing-room only capacity of approximately 400 persons.During its relatively brief tenure, Patrick and Leichtung sought to book 285 KENT to expand the community for DIY events beyond its traditional privileged, white, and straight audience; by seeking performances and partnerships with artists and event organizers representing LBGTQ+ communities and people of color. The venue hosted influential events such as the queer youth club night series "TOP 8," multiple performances by Chicago Footwork pioneer DJ Rashad, Blood Orange, Mykki Blanco, Grimes; and secret shows by artists such as hip hop collective Odd Future, queer R&B artist Frank Ocean, Harlem rapper A$AP Rocky, and others. Previous to the opening of 285 KENT, the same unit housed the earlier creative spaces Bohemian Grove, a short-lived underground venue for electronic music events (operated by John Barclay who would later open the boutique Bushwick electronic music venue Bossa Nova Social Club); and Paris London West Nile, a live/work loft and avant music and performance arts venue occupied communally by several artists and musicians.The Paris London West Nile collective became the first to lease the unit shortly after its creation through partitioning of a larger warehouse, via association with artist and composer Zeljko McMullen, who worked as an artist's assistant to the musician Lou Reed. Reed and McMullen initially scouted the location and negotiated a lease to house a work studio for Reed, with McMullen taking the lease after Reed declined to occupy the space.The larger warehouse 285 KENT occupied also housed the creative arts venues Death By Audio, Glasslands Gallery, Ran Tea House, Windmill Studios, the Muse, IndieScreen, and the Glasshouse Gallery, among others. The building's community of creative venue spaces were displaced in 2014 and 2015 by Vice Media, who acquired a lease on the majority of the building to house their headquarters. The building was constructed originally as a satellite structure to the historic Domino Sugar Refinery complex, located directly across Kent Avenue to the West.

The Williamsburg Biannualis an artist space in Brooklyn, New York, located at 333 Kent Avenue in the Williamsburg neighborhood. The purpose built arts center is an adaptive reuse and expansion of a 10,000sf brick warehouse built in the 1920s, that once functioned as a bakery and as the studio of Italian artist Cosimo Cavallaro. It organizes two exhibitions per year. All programs and exhibitions are free.

Aska is a two Michelin-starred, Scandinavian restaurant in Williamsburg, Brooklyn, founded by Swedish chef Fredrik Berselius. The name Aska means "ashes" in Swedish.

Broadway Ferry was a station on the demolished section of the BMT Jamaica Line in Brooklyn, New York City. This station opened on July 14, 1888, to serve the Broadway Ferry, and closed due in part to the mainline BMT Jamaica Line providing direct service to Manhattan via the Williamsburg Bridge after 1908. The station finally closed on July 3, 1916, but the segment of the line remained dormant throughout the 1920s and 1930s.This elevated station had two tracks and one island platform. A double crossover was located to the east of the station.

Broadway Ferry was a ferry landing in Williamsburg, Brooklyn, New York City, United States at the foot of Broadway. Boats connected it to the Grand Street Ferry, East 23rd Street Ferry, and James Slip landings in Manhattan. In Brooklyn, the Broadway El ended at the ferry.

River Ring is a mixed-use development planned for the Williamsburg neighborhood of Brooklyn in New York City. Two Trees, the project's developer, commissioned a design from BIG and James Corner Field Operations.

South Eighth Street, also known as South Seventh Street on early timetables, was a train station along the Bushwick Branch of the Long Island Rail Road.

Spectacle Theater is a collectively run, independent movie theater that operates out of a small space in Williamsburg, Brooklyn in New York, United States.

Smith & Gray Company Building was an edifice which was erected in Brooklyn, New York in 1888. Designed by architect Peter J. Lauritzen, the building was eight stories tall. It was situated on an odd shaped lot at the intersection of Fulton Street and Nevins Street and Flatbush Avenue. It burned almost entirely in the early part of 1892. The establishment was distinguished by a pair of towers, more than 210 feet high, with a large clock which was illuminated at night. During the fire the clock tower fell down to Fulton Street, destroying the elevated station there. The Brooklyn Eagle said the tower was the "standard of its time" for the area it was in. Rebuilding began by Smith & Gray in 1893. Part of a three-story structure at the angled corner was planned to rise to ten stories. In several years a seventeen-story structure, a 225 foot high tower, accompanied the new edifice. It faced Nevins Street with an 18-foot-wide clock. In February 2005 only seven floors of the seventeen story tower remained.

Nitehawk Cinema is a dine-in independent movie theater in Brooklyn, New York City. It operates two locations, in the neighborhoods of Williamsburg and Park Slope. The theater, which offers a menu of food and drinks that can be ordered and consumed while patrons view films, was the first liquor licensed movie theater in the state of New York, and the first movie theater in New York City to offer table service.