City of London Academy Highbury Grove

Club Fandango is a live music promotions company based in Highbury, London. It was started in 2001, by Simon Williams and Andy MacLeod. The former runs Fierce Panda records, the latter the Pointy Records label. Williams and MacLeod had previously promoted nights such as Club Spangle!, NME "On" nights, Club Pointy and Club Panda. Initially promoting every Tuesday night at the Dublin Castle, Camden, Club Fandango soon expanded to regularly put on gigs in other north London venues such as Camden Barfly. On certain nights, Club Fandango teamed up with Rock Sound magazine, the BMI and digital music station BBC 6 Music. There are additional Club Fandango nights in Barnsley, Birmingham, Eastbourne, Glasgow and Manchester. The first band to headline Club Fandango was Norwich band KaitO. Fandango has promoted many then up-and-coming bands such as The Killers, Arctic Monkeys, Keane, Death Cab For Cutie, Kaiser Chiefs, Bloc Party, Razorlight, and The Polyphonic Spree. In November 2005, Club Fandango released its first record on the new Label Fandango independent record label - a limited edition run of 500 7" vinyl singles by Welsh band The Hot Puppies. In 2008 the label released tracks by Tim Ten Yen. The brand used The Bull and Gate from July 2010 until the pub closed as a live venue in 2013.

Highbury is a district in North London and part of the London Borough of Islington in Greater London and in the historic county of Middlesex that was owned by Ranulf brother of Ilger and included all the areas north and east of Canonbury and Holloway Roads. The manor house was situated by what is now the east side of Hornsey Road near the junction with Seven Sisters Road. After the manor decayed, a new manor house was built in 1271 (see below) to the south-east; to differentiate it from the original manor and because it was on a hill, it was called Highbury, from which the area takes its name. The site for Highbury Manor was possibly used by a Roman garrison as a summer camp. During the construction of a new Highbury House in 1781, tiles were found that could have been Roman or Norman; however, these have been lost.

Christ Church Highbury is an Anglican church in Islington, north London, next to Highbury Fields.

John Spencer Square is a neo-Georgian residential garden square in the heart of the Canonbury conservation area in Islington, London, England.It is named after Sir John Spencer, a wealthy city merchant and Lord Mayor of London in 1594, who lived in nearby Canonbury House.

Highbury Fields is an open space in Highbury, in the London Borough of Islington. At 11.75 hectares (29 acres), it is the largest open space in the borough.It extends north from Highbury Corner almost as far as Highbury Barn. As well as parkland, Highbury Fields contains recreational facilities including tennis courts and Highbury Pool, which reopened after refurbishment in January 2007. The park is a popular thoroughfare for people walking to the nearby Emirates Stadium.

Highbury Fields School (formerly Highbury Hill High School) is a community secondary school for girls and coeducational sixth form, located next to Highbury Fields in the Highbury area of the London Borough of Islington, England.The School has specialisms in Science and Mathematics, and is also a Leading Edge Partnership school.Highbury Fields School offers GCSEs as programmes of study for pupils. Students in the sixth form have the option to study from a range of A Levels which are provided as part of the Islington Sixth Form Consortium (iC6).

Canonbury railway station serves the districts of Canonbury and Highbury within the London Borough of Islington in north London. It is on London Overground's North London Line and East London Line. The station and all trains serving it are operated by London Overground, and the station is in Travelcard Zone 2. This location of the station is close to the boundary with the London Borough of Hackney.

Canonbury Tower is a Tudor tower in Canonbury, and is the oldest building in Islington, North London. It is the most substantial remaining part of what used to be Canonbury House, erected for the Canons of St Bartholomew's Priory between 1509 and 1532. The tower has been occupied by many historical figures, including Sir Francis Bacon and Oliver Goldsmith. It is a Grade II* listed building, and is located in Canonbury Place, 100 metres (330 ft) east of Canonbury Square.

The Hen and Chickens Theatre is a fringe venue for theatre and comedy situated above a pub at Highbury in the London Borough of Islington. The theatre management was awarded to actress Felicity Wren in 1999.

The Estorick Collection of Modern Italian Art is a museum in Canonbury Square in the district of Islington on the northern fringes of central London. It is the United Kingdom's only gallery devoted to modern Italian art and is a registered charity under English law. The Estorick Collection was founded by the American sociologist and writer Eric Estorick (1913–1993), who began to collect art when he moved to England after the Second World War. Estorick and his German-born English wife Salome (1920–1989) discovered Umberto Boccioni’s book Futurist Painting and Sculpture (1914) while they were on their honeymoon in 1947. Before the end of their trip they visited the erstwhile Futurist Mario Sironi in Milan and bought most of the contents of his studio, including hundreds of drawings. They built up the collection mainly between 1953 and 1958. The collection was shown in several temporary exhibitions, including one at the Tate Gallery in London in 1956, and the key works were on long-term loan to the Tate from 1966 to 1975. The Estoricks rejected offers to purchase their collection from the Italian government and museums in the United States and Israel. Six months prior to his death Eric Estorick set up the Eric and Salome Estorick Foundation, to which he donated all his Italian works. The Estorick Collection moved to its current premises in Northampton Lodge, previously the home and office of Sir Basil Spence, the British architect, a converted Grade II-listed Georgian house, in 1998. The project was supported by a grant from the Heritage Lottery Fund. The core of the collection is its Futurist works, but it also includes figurative art and sculpture dating from 1890 to the 1950s. It features paintings by Futurism's main protagonists: Giacomo Balla, Umberto Boccioni, Carlo Carrà, Gino Severini, Luigi Russolo and Ardengo Soffici, and works by Giorgio de Chirico, Amedeo Modigliani, Giorgio Morandi, Mario Sironi and Marino Marini. In addition to the main displays from the permanent collection, the Estorick Collection organises temporary exhibitions.

Highbury Park is a street in Highbury, London, that runs from Blackstock Road in the north to Highbury Grove in the south.

Pathway was a North London 8-track studio at 2a Grosvenor Avenue, Newington Green, founded by producers Peter Ker and Mike Finesilver and later run by Finesilver until the mid-1990s. Among the artists who made their early recordings with producer Nick Lowe at Pathway Studios are The Damned, Madness, Elvis Costello, The Police, Squeeze, Haircut One Hundred, The Count Bishops with Mike Spenser, The Cannibals and John Foxx. At the studio, Dire Straits recorded the demo and single versions of "Sultans of Swing", and the folk singer Ewan MacColl recorded his last album. Peter Ker and Mike Finesilver won a court case for a co-songwriting credit on Arthur Brown's Fire. The Damned recorded their debut single "New Rose" at Pathway in September 1976, produced by Lowe. Sham 69 also recorded their first single "I Don't Wanna" in 1977, produced by John Cale. Pathway was featured in the Madness drama-documentary Take It or Leave It.Tim Crowther described it thus: "The studio was very small, about 8 x 8 metres with a 2 x 2m control booth in the corner and an upright piano next to it. You could just squeeze three people into the control booth! The tape deck was a Brenell 1 inch 8 track. The monitors and desk were custom made, and they had a pair of Auratones as well, fed from Quad power amps. The desk was quite small, pushed hard against the front wall with the custom monitors hung above and the Auratones on the meter bridge. Outboard was very basic: a Bel delay line, an Alesis digital reverb and Drawmer gates, but they had a nice plate reverb in a cupboard in the office upstairs. I can't recall all the mics but they were the industry standard stuff. We got big warm sounding mixes and despite the cramped conditions the mixing process seemed effortless compared to the difficult digital learning curve I have been on in the last two years." Mark Bedford of Madness recalls that "It was a really thin building - you couldn't really call it a house - on Grosvenor Avenue, close to Stoke Newington. The studio and control room were on the ground floor, then these rickety old stairs led to the office up top. The studio had that old-fashioned aerated board with the holes on the walls, so it was very fifties." Lee Thompson of Madness recalls that "It was just down a cobbled back alley. Unassuming, nothing flash, nothing big; just an oversized garage with a couple of speakers and soundproofed rooms. It was very rough and ready."