St. Philip's Church (Charleston, South Carolina)

The Alexander Peronneau Tenements is a pre-Revolutionary house in Charleston, South Carolina. Originally a double-house with two staircases, the building was later converted into two separate residences. The house is constructed of Bermuda stone, a non-indigenous material that would have arrived as ballast in ships. The fact that the house is built directly even with the ground is a sign of its early construction date; later houses were typically elevated at least slightly to avoid dampness.

The Powder Magazine is a gunpowder magazine and museum at 79 Cumberland Street in Charleston, South Carolina, USA. Completed in 1713, it is the oldest surviving public building in the former Province of Carolina. It was used as a gunpowder store through the American Revolutionary War, and later saw other uses. The Powder Magazine was declared a National Historic Landmark in 1989. It has been operated as a museum by the National Society of the Colonial Dames of America since the early 1900s. It was designated a National Historic Landmark in 1972.

The Dock Street Theatre is a theater in the historic French Quarter neighborhood of downtown Charleston, South Carolina.

The Nicholas Trott House was built of English brick by 1719. The two-story brick building at 83 Cumberland Street is said to be the oldest brick house in Charleston, South Carolina.The house is named for its first owner, Nicholas Trott, who arrived in Charleston from Bermuda where his cousin (also named Nicholas Trott) served as governor. Trott was the first attorney general for the Carolina province and served as the chief justice from 1713 to 1719. Among the trials he presided over was the trial of Stede Bonnet, a notorious pirate.

The French Quarter is a historic district and a section of downtown Charleston, South Carolina, United States, that is listed on the National Register of Historic Places.

The Old Slave Mart is a building located at 6 Chalmers Street in Charleston, South Carolina that once housed an antebellum-period slave-auction gallery. Constructed in 1859, the building is believed to be the last extant slave auction facility in South Carolina. In 1975, the Old Slave Mart was added to the National Register of Historic Places for its role in Charleston's African American history. Today, the building houses the Old Slave Mart Museum.The Old Slave Mart was originally part of a slave market known as Ryan's Slave Mart, which covered a large enclosed lot between Chalmers and Queen Streets. Charleston City Councilman Thomas Ryan established the private auction facility in 1856 after a citywide ban on public slave auctions. Slave auctions were held at the site until approximately 1863; in 1865, the Union Army occupied Charleston and closed Ryan's Mart. The Old Slave Mart Museum has operated on and off since 1938.

Pink House is a historic house and art gallery at 17 Chalmers Street in Charleston, South Carolina that is one of the oldest buildings in South Carolina and is the second oldest residence in Charleston after the Colonel William Rhett House. The house was built between 1694 and 1712 of pinkish Bermuda stone by John Breton in the city's French Quarter. The date of the building has been the subject of dispute. Two local historians fixed the date as 1712, but a construction date as late as 1745 has been suggested. Pink is today thought of as the traditional colour for Bermudian homes (excepting the slate roofs, which are whitewashed), which have been built almost exclusively from the soft white native limestone (limestone broken down into sand due to natural forces and blown during interglacials into dunes, which re-fused into sandstone) since the 17th Century due to stormy weather and the need to conserve Bermuda cedar forests for shipbuilding (see Architecture of Bermuda). The norm before the Twentieth Century had actually been to whitewash both walls and roofs, and this whitewash would fade and discolour to a pinkish hue if not replaced often enough. Bermuda's links with Charleston and the southern colonies (now states of the United States) were foundational, with the archipelago having been settled in 1609-1612 (the Spanish name for the previously unoccupied archipelago derived from the surname of mariner Juan de Bermudez and was officially replaced in 1612 with Virgineola, which was soon changed to The Somers Isles in commemoration of Admiral Sir George Somers, but the Spanish name has resisted replacement) by the Virginia Company as an extension of Jamestown, Virginia, with both Charleston and the Province of Carolina having been settled from Bermuda in 1670 by settlers under William Sayle, and with most of the 10,000 emigrants from Bermuda between settlement and the gaining of independence by the United States having settled in the South. The ties with Virginia and South Carolina were especially close, and Bermuda's wealthy merchant families had established branches in Charleston and other important Southern Atlantic ports to control trade through those cities and otherwise play important roles (examples including two of the sons of prominent Bermudian Colonel Henry Tucker (1713–1787), St. George Tucker (1752-1827), and Thomas Tudor Tucker (1745-1828)). Denmark Vesey also came to Charleston from Bermuda. Less wealthy Bermudians settled sometimes together, founding towns, and there are now many locations in the South that have been named after the islands of Bermuda. The close ties of blood and trade between Bermuda and the South meant most white Bermudians, at least, had strong sympathies with the South and Bermuda's proximity to Charleston made it the ideal location from which to smuggle European manufactured weapons into Charleston and cotton out via Confederate blockade runners during the American Civil War. Also during that war, First Sergeant Robert John Simmons was a Bermudian who served in the 54th Massachusetts Volunteer Infantry Regiment, who died in Charleston in August 1863 as a result of wounds received in the Battle of Fort Wagner. The tile gambrel roof dates to the eighteenth century. The building was a tavern in the 1750s. James Gordon was the owner of the house by the 1780s. The artist Alice R. Huger Smith used the house as a studio in the early twentieth century. In the 1930s the house was restored by Mr. and Mrs. Victor Morawetz. Currently, the house features an art gallery.

The Circular Congregational Church is a historic church building at 150 Meeting Street in Charleston, South Carolina, used by a congregation established in 1681. Its parish house, the Parish House of the Circular Congregational Church, is a highly significant Greek Revival architectural work by Robert Mills and is recognized as a U.S. National Historic Landmark.

McCrady's Tavern and Long Room is a historic tavern complex located in downtown Charleston, South Carolina. Constructed in several phases in the second half of the 18th century, the tavern was a hub of social life in Charleston in the years following the American Revolution. The tavern's Long Room, completed in 1788, was used for theatrical performances and banquets for the city's elite and is the last of its kind in Charleston. McCrady's was added to the National Register of Historic Places in 1982 for its architectural and political significance.Edward McCrady (d. 1794), a Charleston barber/vintner/tavern owner and Revolutionary War veteran, purchased the tavern in 1778 and expanded the tavern, and constructed the Long Room over the next decade. In 1791, the Society of the Cincinnati hosted a banquet in the Long Room for President George Washington, who was visiting the city. The building operated as a tavern and banquet hall throughout much of the first half of the 19th century and later served as a warehouse and print shop. The building was restored to its late-18th-century appearance in the 1980s, and currently houses McCrady's Restaurant.

The Farmers' and Exchange Bank is a historic commercial building in Charleston, South Carolina. Built in 1853–54, it is an architecturally distinctive building, with Moorish Revival features rarely seen in the United States. The building is recognizable for its use of muqarnas—characteristic of Persian and North African architecture—as well as its large arched windows and striking red sandstone facade. It was declared a National Historic Landmark in 1973.

The City Market is a historic market complex in downtown Charleston, South Carolina. Established in the 1790s, the market stretches for four city blocks from the architecturally-significant Market Hall, which faces Meeting Street, through a continuous series of one-story market sheds, the last of which terminates at East Bay Street. The market should not be confused with the Old Slave Mart (now a museum) where slaves were sold, as slaves were never sold in the City Market (this is a common misconception). The City Market Hall has been described as a building of the "highest architectural design quality." The entire complex was listed on the National Register of Historic Places as Market Hall and Sheds and was further designated a National Historic Landmark.Initially known as the Centre Market, Charleston's City Market was developed as a replacement for the city's Beef Market building (on the site of Charleston's City Hall, 100 Broad Street), which burned in 1796. Market Hall, designed by Charleston architect Edward B. White, was added in the early 1840s. Throughout the 19th century, the market provided a convenient place for area farms and plantations to sell beef and produce, and also acted as a place for locals to gather and socialize. Today, the City Market's vendors sell souvenirs and other items ranging from jewelry to Gullah sweetgrass baskets. Since 1899, the City Market has housed Charleston's Confederate Museum.

The Confederate Home is a retirement home located in an early 19th-century building at 60 Broad Street in Charleston, South Carolina. The building started as a double tenement in about 1800, built for master builder Gilbert Chalmers. From 1834 to 1867, it was operated as the Carolina Hotel by Angus Stewart. In 1867, sisters Mary Amarinthia Snowden and Isabell S. Snowden established the Home for the Mothers, Widows, and Daughters of Confederate Soldiers (the Confederate Home) and operated their housing program at the house. The Confederate Home bought the property outright in May 1874. Two stores operated on the Broad Street frontage. Educational and residential facilities were located behind.When the building was damaged by the 1886 Charleston earthquake, it was restored with Victorian details, including a mansard roof and dormers.