Mucientes

Fuensaldaña Castle (Spanish: Castillo de Fuensaldaña) is a castle in the Spanish village of Fuensaldaña, situated 6 kilometres from Valladolid, the largest city of Castile and León. Construction on the site began in the 13th century, but the castle did not take its current form until the mid-15th. Captive Moors were used to build it.Alonso Pérez de Vivero, who ordered its construction, was murdered for conspiring against Álvaro de Luna, a favourite of John II of Castile. The Catholic Monarchs of Spain confiscated the castle from the Vivero family due to their opposition in the War of Castilian Succession; it was returned in 1490. The Catholic Monarchs themselves spent their honeymoon in the castle in 1469, and in 1521 the castle was occupied in the Revolt of the Comuneros.In July 1983 Demetrio Madrid, the President of the Junta of Castile and León, chose the castle to be the seat of the Cortes of Castile and León, the regional legislature. In 2007 the legislature moved to a brand new building in the city, in an economic blow to both the castle's owners the Province of Valladolid and the people of the village.Renovations started in 2011 ended in late 2012 when the castle was opened to the public as a tourist site, and venue for weddings, conferences and concerts. By 2015, it was safe for tourists to access the roof of the tower.

Fuensaldaña is a municipality located in the province of Valladolid, Castile and León, Spain. According to the 2004 census (INE), the municipality has a population of 1,149 inhabitants.

Santovenia de Pisuerga is a municipality located in the province of Valladolid, Castile and León, Spain. It has a population of 4,480 inhabitants.

Cristo Rey Polytechnic Institute is a private Catholic primary, secondary, and vocational training college, located in Valladolid, in the Castile and León region of Spain. Founded by the Society of Jesus in 1939 in the wake of the Spanish Civil War, the school began as a technical school, and then grew to include infant, primary, secondary, baccalaureate, PCPI, and CF of middle and superior degree.

The Palacio de la Ribera (also known as "Palace of the Bank") was the summer residence of Philip III in Valladolid. It was built in the 17th century (1602-1605) as part of a process of urban transformation upon the establishment of the Spanish Court in Valladolid between 1601 and 1606. The palace was situated at the Huerta del Rey neighborhood, located across the Parque de las Moreras on the right bank of the Pisuerga river. The palace grounds extended from the Puente Mayor to Ribera de Don Periáñez del Corral and delimited at both sides by the Pisuerga river and the Camino del Monasterio del Prado. The palace was gradually abandoned until it became part of the destroyed cultural heritage of Valladolid in 1761. Some ruins of the building are still preserved.

John the Baptist is a sculpture by the Baroque artist Alonzo Cano, housed in the National Sculpture Museum, Valladolid. The sculpture was made by the artist for the church of San Juan de la Palma, during his Seville period. In 1634 the Parish of Saint John the Baptist commissioned painter Juan del Castillo and retable joiner Miguel Cano, father of Alonso, a retable to include paintings and the central sculpture of Saint John. It was carved by Alonso Cano inspired by Martínez Montañés’ St. John the Baptist from St. Anne's convent (Seville). The sculpture is characterized by its idealized naturalism.

Zaratán is a municipality located in the province of Valladolid, Castile and León, Spain. According to the 2004 census (INE), the municipality had a population of 2,115 inhabitants.

The Palacio de Fabio Nelli is, according to the critics and historians, the Renaissance building of the most important classical period of the city of Valladolid (Castile and León, Spain). According to the architect Antonio Bustamante García, "it's considered this palace the best exponent and work of first row inside the Classicism of the civil architecture of Valladolid". The art critics ensure that had much to do with the result of the work, the good relations and understanding between the sponsor, the banker Fabio Nelli, and the genius and mastery of the author Pedro of Mazuecos El Mozo. Built in a period in which Valladolid became more decadent, its construction lasted some twenty years, succeeding periods of inactivity in the work and a change of architect due to the death of Juan de la Lastra, the original architect. Decorated and finished following Italian classicist style, its facade, playground and stairs are the epitome of this type of architecture in Valladolid. After the death of the banker the Palacio had several uses, until in the 20th century it became headquarters of the Valladolid Museum, an institution destined to collect all the archaeological and artistic remains of the province. The structure is in relatively good condition, awaiting an expansion of the space dedicated to the museum and a restoration of the frontage and the playground of the old palace.

The Church of Saint Mary the Ancient (Spanish: Santa María La Antigua) is a 12th-century church in Valladolid, central Spain. It was declared Bien de Interés Cultural in 1897.

The Iglesia conventual de San Pablo or San Pablo de Valladolid is a church and former convent, of Isabelline style, in the city of Valladolid, in Castile and León, Spain. The church was commissioned by Cardinal Juan de Torquemada between 1445 and 1468. It was subsequently extended and refurbished until 1616. Kings Philip II and Philip IV of Spain were baptized in the church, and it was visited by Napoleon. It is one of the buildings considered most emblematic of the city.

The Museo Nacional de San Gregorio (National Museum of Sculpture) is a museum in Valladolid, Spain, belonging to the Spanish Ministry of Culture. The museum has an extensive collection sculptural ranging from the Middle Ages to the 19th century from Region of Castile's churches that, at 19th-20th c., these were confiscated, and other particular donations, deposits or acquisitions of the state. The museum was founded as the Provincial Museum of Fine Arts on 4 October 1842. It had its first headquarters at the Palacio de Santa Cruz. On 29 April 1933 it was moved to the Colegio de San Gregorio. Other current seats are in the 16th-century Palacio de Villena and Palacio del Conde de Gondomar The museum houses works from the 13th to 19th centuries, executed mostly in the Central Spain, and also in other regions historically connected to Spain (Italy, Flanders, Southern America). Artworks include, among the others, a Raising of the Cross by Francisco del Rincon, I Thirst, and The Way of Calvary Gregorio Fernández, Adoration of the Magi by Alonso Berruguete, Lamentation of Christ by Juan de Juni, Penitent Magdalene by Pedro de Mena or the Holy Sepulchre or passage of the Sleepers Alonso de Rozas. During the Holy Week in Valladolid the museum gives 104 images (distributed in the corresponding pasos) to the processions for the brotherhoods.

The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum. This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century). Among other sections highlights its courtyard and its facade for its refined decoration, elegant proportions and the number of symbologies. It was founded as a teaching institution. Aimed at College of Theology for Dominican friars, it has acquired a doctrinal authority and acted as a spiritual and political hotbed in the Central region of Spain's Renaissance and Baroque periods.