Equitable Life Building (Manhattan)

The Equitable Building is an office skyscraper located at 120 Broadway between Pine and Cedar Streets in the Financial District of Lower Manhattan in New York City. The skyscraper was designed by Ernest R. Graham in the neoclassical style, with Peirce Anderson as the architect-in-charge. It is 555 feet (169 m) tall, with 38 stories and 1.2 million square feet (110,000 m2) of floor space. The building's articulation consists of three horizontal sections similar to the components of a column, namely a base, shaft, and capital. The Equitable Building replaced the Equitable Life Building, the previous headquarters of the Equitable Life Insurance Company, which burned down in 1912. Work on the Equitable Building started in 1913 and was completed in 1915. Upon opening, it was the largest office building in the world by floor area. The Equitable Building hosted a variety of tenants and, by the 1920s, was the most valuable building in New York City. The Equitable Life Insurance Company, the building's namesake, occupied a small portion of the building until it moved out during 1960. The owner as of 2022, Silverstein Properties, purchased the Equitable Building in 1980 and renovated it multiple times. Upon its completion, the Equitable Building was controversial because of its lack of setbacks, which in turn does not allow sunlight to reach the surrounding ground. This contributed to the adoption of the first modern building and zoning restrictions on vertical structures in Manhattan, the 1916 Zoning Resolution. The building was designated a National Historic Landmark in 1978 and was designated a city landmark by the New York City Landmarks Preservation Commission in 1996. It is also a contributing property to the Wall Street Historic District, a NRHP district created in 2007.

The Hanover Bank Building or Hanover National Bank Building was an early skyscraper at the southwest corner of Pine Street and Nassau Street in Lower Manhattan, New York City. It was built in 1901-1903 and demolished in 1931.

The New York Law Institute is the oldest circulating law library in New York City and is open to Institute members and to scholars of history and the law.

140 Broadway (formerly known as the Marine Midland Building or the HSBC Bank Building) is a 51-story International Style office building on the east side of Broadway between Cedar and Liberty streets in the Financial District of Manhattan in New York City. The building was designed by Gordon Bunshaft, of the firm Skidmore, Owings & Merrill, and consists of a mostly smooth black facade on a trapezoidal plot. It is approximately 688 feet (210 m) tall, with approximately 1.17 million rentable square feet (109,000 m2). It is known for the distinctive sculpture at its entrance, Isamu Noguchi's Cube. The developer Erwin S. Wolfson acquired the site in several stages between 1952 and 1961. Initial plans called for a 36-story monolith, but when Wolfson died, the architects modified their plans to a 51-story tower, which occupied only two-fifths of the block and conformed to the 1961 Zoning Resolution. The building was erected between late 1964 and 1967 and was originally known for its main tenant, the Marine Midland Corporation (later part of HSBC). Several early tenants were affiliated with the financial industry, including banking and accounting firms. In 1998, the building was sold to Silverstein Properties, which undertook a major renovation. The primary tenant of the building since 2002 is Brown Brothers Harriman, filling a vacancy left after HSBC relocated in 2001. The building has been owned by Union Investment since 2004, and the New York City Landmarks Preservation Commission designated the building as a city landmark in 2013. Reviews of the building among architecture critics have been largely positive, with several praising the structure's smooth black facade.

The American Surety Building (also known as the Bank of Tokyo Building or 100 Broadway) is an office building and early skyscraper at Pine Street and Broadway in the Financial District of Manhattan in New York City, across from Trinity Church. The building, designed in a Neo-Renaissance style by Bruce Price with a later expansion by Herman Lee Meader, is 388 feet (118 m) tall, with either 23 or 26 stories. It was one of Manhattan's first buildings with steel framing and curtain wall construction. The American Surety Building contains a facade of Maine granite. Its articulation consists of three horizontal sections similar to the components of a column, namely a base, shaft, and capital, making the American Surety Building one of the earliest New York City skyscrapers to feature such a layout. The facade contains several ornamental features, including sculptural elements designed by J. Massey Rhind. In addition, the American Surety Building uses an interior skeleton of structural steel, as well as a cantilevered steel structure for its foundations. The building was erected between 1894 and 1896 as a 21-story structure, which was the second tallest building in New York City when completed. Between 1920 and 1922, an annex was built to designs by Meader, increasing the floor area and adding two stories to the building. A later tenant, the Bank of Tokyo, hired Kajima International to restore the lower 13 stories between 1973 and 1975. The American Surety Building was made a New York City designated landmark in 1995.

Joie de Vivre (English: Joy of Life) is an outdoor sculpture by Mark di Suvero, located at Zuccotti Park in the Financial District of Lower Manhattan, New York City. The 70-foot sculpture, composed of "open-ended tetrahedrons", was installed by the intersection of Broadway and Cedar Street in June 2006 and was previously located at the Holland Tunnel rotary (also named St. John's Park).In October 2011, during Occupy Wall Street, a man climbed Joie de Vivre, where he remained for several hours until he was escorted down by police.

The Gillender Building was an early skyscraper in the Financial District of Manhattan in New York City. It stood on the northwest corner of Wall Street and Nassau Street, on a narrow strip of land measuring 26 by 73 feet (7.9 m × 22.3 m). At the time of its completion in 1897, the Gillender Building was, depending on ranking methods, the fourth- or eighth-tallest structure in New York City. The Gillender Building was designed by Charles I. Berg and Edward H. Clark, and rose 273 feet (83 m) with 20 stories, comprising 17 floors in the main bulk and three floors in a cupola. The building contained a fully wind-braced steel frame with masonry infill, and included twelve columns atop three caisson foundations. Upon completion, it was praised as an engineering novelty. The Gillender Building attracted attention for its visible disproportion of height and footprint, which commanded a relatively low rentable area of only about 30,000 square feet (2,800 m2) across the entire building. The Gillender Building was occupied by financial firms through its uneventful 13-year existence and was perceived as economically obsolete from the start. In 1909, financial institutions began rapidly expanding their properties within the Financial District, and that December, the building was sold to Bankers Trust for a then-record price of $822 per square foot ($8,850/m2). The Gillender Building was demolished between April and June 1910 to make way for Bankers Trust's 39-story tower at 14 Wall Street, and much of the material from the building was saved. At the time, the Gillender Building was the tallest building ever demolished voluntarily.

14 Wall Street, originally the Bankers Trust Company Building, is a skyscraper at the intersection of Wall Street and Nassau Street in the Financial District of Manhattan in New York City. The building is 540 feet (160 m) tall, with 32 usable floors. It is composed of the original 540-foot tower at the southeastern corner of the site, as well as a shorter annex wrapping around the original tower. The original tower was erected on the site of the Stevens Building at 12–14 Wall Street and the Gillender Building at 16 Wall Street. It was built in 1910–1912 and was designed by Trowbridge & Livingston in the neoclassical style as the headquarters for Bankers Trust. An 25-story addition with Art Deco detailing, designed by Shreve, Lamb & Harmon, was constructed in 1931–1933 to replace three other structures. After new buildings for Bankers Trust were erected in 1962 and 1974, the company moved employees away from 14 Wall Street, and eventually sold the building in 1987. 14 Wall Street's tower incorporates a seven-story pyramidal roof inspired by the Mausoleum at Halicarnassus. The interior of the building contained numerous amenities that were considered state-of-the-art at the time of its construction; the first three floors were used as Bankers Trust's headquarters, while the rest were rented to tenants. A notable building in Manhattan's skyline in the early 20th century, the building was featured prominently in Bankers Trust's early imagery. The building was designated a New York City landmark in 1997. It is also a contributing property to the Wall Street Historic District, a National Register of Historic Places district created in 2007.

The City Hotel (1794–1849) stood at 123 Broadway, occupying the whole block bounded by Cedar, Temple, and Thames Streets, in today's Financial District of Manhattan, New York City. It was the first functioning hotel in the United States.: 25,caption  Until the early 1840s it was the city's principal site for prestigious social functions and concerts. Designed by John McComb Jr., it offered not only luxurious accommodations, but also such amenities as shops, a barroom, and a coffeehouse, as well as public dining and dancing. Its five stories and 137 rooms replaced the former home of Stephen Delancey, built around 1700, which had become an inn.An 1825 guide-book, first published in 1817, calls it "an immense building, 5 stories in height, [which] contains 78 rooms of various dimensions, fitted up and furnished in a tasteful, elegant and convenient manner … the proprietor of this Hotel makes it his constant study to provide the best of every thing to his visitors." An 1828 expanded edition states: City Hotel, [operated] by Chester Jennings, is the chief place of resort, and … the loftiest edifice of that kind in the city, containing more than one hundred large and small parlours and lodging-rooms, besides the City Assembly Room, chiefly used for Concerts and Balls. The rooms appropriated for private families, parlours, and dining rooms are superbly fitted up, and constantly occupied by respectable strangers. Extensive additions have recently been made to this establishment. The principal Book stores and Libraries are in the vicinity. Prices, over two days, $1.50 per day, $10 per week, $416 per year—Board only, $5.50 per week, dinner only, $3.50 per week. Upon its closing on April 30, 1849, the New York Herald wrote: "In times gone by, it was the first hotel of the country, and the great men of the country always patronized it … ". It was once owned by Ezra Weeks. In 1828 John Jacob Astor bought it. He gave it to a granddaughter, Sara Langdon, who married Francis Robert Boreen in 1834, as a dowry. In 1849–50 she replaced it with a block of stores called the Boreel Building, and in 1878–79 replaced that with an office building, also called the Boreel Building.

George Washington is a large bronze sculpture of George Washington by John Quincy Adams Ward, installed on the front steps of Federal Hall National Memorial on Wall Street in New York City.

Columbian Academy of Painting was one of the earliest art schools in the United States. It was founded by brothers Archibald and Alexander Robertson in 1792. The school was located in New York at 79 Liberty Street. It was one of the country's first art schools. Their students included John Vanderlyn, Francis Alexander, and, rare for the time, woman miniaturist Ann Hall. The brothers taught art to amateur and professional students with a wide variety of mediums and subjects. Their methods were based upon those taught in European and British art schools at that time. The Columbian Academy of Art was renamed the Academy of Painting, which continued to be managed by Archibald. Alexander opened his own art school in 1802.The school operated for 30 years.

Double Check is a 1982 sculpture by John Seward Johnson II, located in Zuccotti Park in Manhattan, New York City.In July 2018, the statue was relocated to the northwest corner of Broadway and Liberty.