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Solovetsky Stone (Saint Petersburg)

1990 in the Soviet Union1990 sculptures2002 sculpturesGranite sculpturesHarv and Sfn no-target errors
Individual rocksMemorials to victims of communismMonuments and memorials in Saint PetersburgRussian sculpture
Wikiexpedition to Solovki 25
Wikiexpedition to Solovki 25

The Solovetsky Stone is a monument to the victims of political repression in the Soviet Union and to those who have fought and fight for freedom. It stands in Troitskaya (Trinity) Square in Saint Petersburg, near several other buildings directly related to political repression in the Soviet era—the House of Tsarist Political Prisoners; the prison and necropolis of the Peter and Paul Fortress; and the Bolshoy Dom or headquarters of the NKVD, both in the city and the surrounding Leningrad Region. Nowadays, the Stone also serves as a focus for commemorative events and for gatherings related to current human rights issues. The monument consists of a large boulder brought from the Solovetsky Islands in the White Sea, where the Solovki prison camp opened in 1923. The camp was the malignant cell which, in Solzhenitsyn's metaphor, metastazised to create the entire Gulag network of forced labour camps. The Stone is a fitting symbol of the Gulag and the related practices of political terror. The Memorial society in Petersburg was behind the creation of the monument. It was designed by Yuly Rybakov and Yevgeny Ukhnalyov, both political prisoners during the Soviet period.

Excerpt from the Wikipedia article Solovetsky Stone (Saint Petersburg) (License: CC BY-SA 3.0, Authors, Images).

Solovetsky Stone (Saint Petersburg)
Petr's quay, Saint Petersburg Petrograd Side (Посадский округ)

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N 59.952313 ° E 30.326125 °
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Жертвам политических репрессий (Соловецкий камень)

Petr's quay
197046 Saint Petersburg, Petrograd Side (Посадский округ)
Saint Petersburg, Russia
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Wikiexpedition to Solovki 25
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Cabin of Peter the Great
Cabin of Peter the Great

The cabin of Peter the Great (Russian: Domik Petra I or Domik Petra Pervogo or Domik Petra Velikogo) is a small wooden house which was the first St Petersburg "palace" of Tsar Peter the Great. The log cabin was constructed in three days in May 1703, by soldiers of the Semyonovskiy Regiment. At that time, the new St. Petersburg was described as "a heap of villages linked together, like some plantation in the West Indies". The date of its construction is now considered to mark the foundation of the city. The design is a combination of an izba, a traditional Russian countryside house typical of the 17th century, and the Tsar's beloved Dutch Baroque, later to evolve into the Petrine Baroque. Peter built similar domiki elsewhere in Russia - for example, in Voronezh, and Vologda. The wooden cabin in St. Petersburg covers only 60 square metres (650 sq ft) and contains three rooms - living room, bedroom, and study. It has large ornate windows and a high hipped roof of wooden tiles. Inside, the wooden walls were painted with red oil to resemble brick, and the rooms came to be known as the "red chambers" (krasnyie khoromtsy). There are no fires or chimneys, as it was intended to be used only in the warmer summer months. It was occupied by the Tsar between 1703 and 1708, while Peter supervised the construction of the new imperial city and the Peter and Paul Fortress. The cabin was moved to its present location, 6 Petrovskaia Naberezhnaia, in 1711 from its original site on the north bank of the River Neva close to the present Winter Palace. Peter had it encased for its protection within a red brick pavilion in 1723, and ordered that it be preserved for posterity as a memorial to his modesty, and the creation of St. Petersburg ex nihilo. Catherine the Great ordered the shelter for the cabin to be renovated in 1784, and the protective brick pavilion was reconstructed by Nicholas I in the 1840s. Nicholas I also had the bedroom converted into a chapel dedicated to Christ the Redeemer, and iron railings were added in 1874. Peter's domiki were used to mark significant dates, such as the bicentenary of Peter's birth in 1672. They became a centre of devotion to the tsar, the Russian Orthodox Church, and the Russian motherland (rodina). An image of the log cabin was included on the Peter the Great Fabergé egg, created in 1903 to celebrate the bicentenary of the founding of St. Petersburg. After the Russian Revolution, they became symbols of Russian heroic labour. A prized national monument, the contents were removed, and the Cabin was boarded up and camouflaged during the Second World War. It was the first St. Petersburg museum to reopen in September 1944, after the end of the Siege of Leningrad. Personal and domestic objects owned and used by Peter are still displayed within, and a bust of Peter by Parmen Zabello stands outside. The cabin is open to the public as a branch of the Russian Museum.

Suvorov Monument (Saint Petersburg)
Suvorov Monument (Saint Petersburg)

The Suvorov Monument (Russian: Памятник Суворову) is a bronze sculpture of Generalissimo Alexander Suvorov located in Saint Petersburg. It is at the centre of Suvorov Square, opposite the Field of Mars and the Trinity Bridge, and between the Marble Palace and the Saltykov Mansion. Commissioned in 1799 by Emperor Paul I to commemorate Suvorov's Italian expedition that year, the execution was entrusted to sculptor Mikhail Kozlovsky. His design was approved in early 1800, and depicted Suvorov in the allegorical guise of the god Mars. The sculpture was cast in bronze, but neither Paul nor Suvorov lived to see its unveiling, which took place in May 1801. The monument marked a number of firsts, it was the first monument in Russia to someone other than a member of the Imperial family, and the first time that a monument had been ordered during the subject's lifetime. It was also first major monument created entirely by Russian craftsmen. The monument was originally planned to be located in Gatchina, though the site was changed to the Tsaritsyn Meadows, later the Field of Mars. It was unveiled in the presence of Emperor Alexander I, many of his generals, and Suvorov's son Arkadi. The monument was moved to its present location in 1818 as part of a general reconstruction of the area by architect Carlo Rossi. It now stands at the centre of Suvorov Square. Its pedestal was replaced in the 1830s, and it survived the siege of Leningrad undamaged.