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Dog and Duck, Soho

19th-century architecture in the United KingdomCommercial buildings completed in 1897Grade II listed pubs in the City of WestminsterLondon building and structure stubsNational Inventory Pubs
Pub stubsPubs in SohoUnited Kingdom listed building stubs
Dog and Duck, Soho, W1 (2534053077)
Dog and Duck, Soho, W1 (2534053077)

The Dog and Duck is a Grade II listed public house at 18 Bateman Street, Soho, London W1D 3AJ, built in 1897 by the architect Francis Chambers for Cannon Brewery.It is on the Campaign for Real Ale's National Inventory of Historic Pub Interiors. The pub has an upstairs dining room named after the writer George Orwell.

Excerpt from the Wikipedia article Dog and Duck, Soho (License: CC BY-SA 3.0, Authors, Images).

Dog and Duck, Soho
Bateman Street, City of Westminster Soho

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N 51.51397 ° E -0.132 °
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Mimi's Hotel Soho

Bateman Street
W1D 3AF City of Westminster, Soho
England, United Kingdom
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Dog and Duck, Soho, W1 (2534053077)
Dog and Duck, Soho, W1 (2534053077)
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PizzaExpress Jazz Club
PizzaExpress Jazz Club

PizzaExpress Jazz Club is a jazz club in London, England. Based in Dean Street in Soho, it is situated in the basement of a PizzaExpress restaurant, and was opened by company founder Peter Boizot in 1969. It has played host to Norah Jones, Amy Winehouse, Jamie Cullum and Walter Smith IIIAlthough the current building was built in 1878, the site was previously occupied by the Dispensary for Diseases of the Ear. Founded in 1816 by a Naval surgeon, John Harrison Curtis (1778–1860), the Dispensary for Diseases of the Ear – the first ear hospital in the UK if not in Europe. – opened at 20 Carlisle Street under the patronage of the Prince Regent (later George IV). Shortly after this it moved to 10 Dean Street in Soho. By 1845 it was known as the Royal Ear Hospital. When larger premises were needed, it moved to 66 Firth Street in 1876, then in 1904 to 42–43 Dean Street in purpose-built premises. Mr Curtis divided opinion at the time, being known as a "great aurist" and a "quack" in equal measure, as illustrated by the story of his "treatment" of Robert Peel. The club was founded as the PizzaExpress Jazz Room, and early on featured UK pianists like Brian Lemon and Lennie Felix. In May 1975, the venue presented their first American jazz star, the saxophonist Bud Freeman, and other early visitors included Buddy Tate, Bob Wilber, Al Grey, Benny Carter, Ruby Braff, and Snub Mosley, who recorded an album Live At Pizza Express at the club in 1978. From 1980, the club had its own house band made up of top UK mainstream players including Digby Fairweather, Danny Moss and Tommy Whittle, known as the PizzaExpress All Stars.Over the years the club has gone on to feature many prominent jazz musicians. Yank Lawson, Al Haig, John Dankworth, Red Norvo, Tal Farlow, Trummy Young, Jay McShann, Al Cohn, Kenny Baker, Dick Morrissey, Jimmy McPartland, and others appeared during the 1980s. When Peter Boizot sold the PizzaExpress company in 1993, the jazz club survived the transition, and over the next two decades presented the first UK performances of Diana Krall, Norah Jones, Kurt Elling, Brad Mehldau and e.s.t. Jamie Cullum performed at the venue with representatives from Universal and Sony sat on either side of the stage waiting to sign him.Over the years, the PizzaExpress music policy expanded beyond Dean Street, with high-profile artists appearing at PizzaExpress Maidstone and Pizza on the Park especially. The Dean Street venue has been associated with numerous festivals including the PizzaExpress Jazz Festival (1979–1981), the London Latin Jazz Festival (2012–present) the Soho Jazz Festival (1986–2002), the Steinway Festival (2009–present), the Revoice Festival (2010–2014) and the London Catalan Festival (2018–present).

De Lane Lea Studios
De Lane Lea Studios

Warner Bros. De Lane Lea Studios is a recording studio, based in Dean Street, Soho, London. Although the studios have mainly been used for dubbing feature films and television programmes, major artists such as the Animals, the Beatles, Soft Machine, Queen, the Rolling Stones, Bee Gees, the Who, the Jimi Hendrix Experience, Pink Floyd, Wishbone Ash, Renaissance, Electric Light Orchestra, Slade and Deep Purple recorded songs there, particularly at the studio's former premises at 129 Kingsway, Holborn, London, and at Engineers Way, Wembley, where Queen recorded demos in 1971.Major William De Lane Lea, a French intelligence attaché for the British government, founded De Lane Lea Studios in 1947 to dub English films into French. The studios were adapted according to the demands of the market, and expanded significantly on various sites in the 1960s and 1970s. Music recording increased dramatically, and the growth of commercial radio and TV also led to new work in advertising. De Lane Lea was succeeded on his death in 1964 by his son Jacques, who was also a film producer, director and writer. He left the company in 1978.De Lane Lea now specialises in sound post-production for cinema and television. It includes six individual studios, including Studio 1, the biggest in-town dubbing theatre with one of Europe's most powerful AMS Neve DFC mixing consoles, built on what was previously a TV studio and before that an orchestral recording studio. Recently the studios have been used for films by directors such as Nick Park, Tim Burton, Mike Newell, Guillermo del Toro and Chris Weitz.Warner Bros. purchased the studios in November 2012.

Royalty Theatre
Royalty Theatre

The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho. Established by the actress Frances Maria Kelly in 1840, it opened as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. The architect was Samuel Beazley. The theatre's opening was ill-fated, and it was little used for a decade. It changed its name twice and was used by an opera company, amateur drama companies and for French pieces. In 1861, it was renamed the New Royalty Theatre, and the next year it was leased by Mrs Charles Selby, who enlarged it from 200 seats to about 650. The theatre continued to change hands frequently. In the 1860s, it featured F. C. Burnand's burlesque of Black-Eyed Susan, which ran for nearly 500 nights, and a burlesque by W. S. Gilbert, The Merry Zingara. The theatre was managed by Henrietta Hodson during the early 1870s, who also produced mostly burlesques and comedies, including Gilbert's The Realm of Joy and Ought We to Visit Her? On 25 March 1875 the Royalty, under the direction of Selina Dolaro, enjoyed an historic success with Trial by Jury. In 1877, Kate Santley took control of the theatre, running it for nearly 30 years. She had the theatre rebuilt and it reopened in 1883. In this period, it featured opera-bouffes adapted from the French. M. L. Mayer and plays in French. It was increasingly hard for the theatre to compete with larger new London theatres. In 1891, the theatre started a policy of modern drama, presenting plays by Ibsen and George Bernard Shaw. When the theatre finally had a great success, with Charley's Aunt in 1892, its popularity led to its transference after only a month to a larger theatre. In 1895–96 the theatre underwent another renovation. Arthur Bourchier's The Chili Widow ran for over 300 nights. In the new century, Mrs Patrick Campbell played at the theatre. After another renovation in 1906, Sarah Bernhardt led her own company in a season. In 1912, Milestones, by Arnold Bennett and Edward Knoblauch had over 600 performances. The Man Who Stayed at Home played for 584 performances. The Co-Optimists played at the theatre after the war as did Noël Coward's The Vortex. In 1932, While Parents Sleep was a hit. The theatre closed in 1938 and was demolished in 1953.