Volterra Baptistery of San Giovanni

Volterra Cathedral (Italian: Cattedrale di Santa Maria Assunta, or Duomo di Volterra) is a Roman Catholic cathedral in Volterra, Italy, dedicated to the Assumption of the Virgin Mary. It is the seat of the bishop of Volterra.

The Palazzo dei Priori is a Gothic-style monumental civic building in the center of the town of Volterra, located on the Piazza dei Priori, also known as Piazza Maggiore. The imposing 13th-century stone building once the office of appointed town magistrates, still has offices of the local commune, including the communal council, for Volterra, province of Pisa, region of Tuscany, Italy.

The Persio Flacco is an active opera and theater stage in Volterra, Italy.

The Palazzo Inghirami is an aristocratic palace with a main façade on Via Marchesi, on the corner with Piazza Martire della Liberta, in Volterra, in the province of Pisa, region of Tuscany, Italy. The main façade of the palace was commissioned in the early 17th-century by Jacopo Inghirami, Admiral of the Grand-Duchy of Tuscany.

San Lino is a Renaissance-style, Roman Catholic church and former monastery in Volterra, region of Tuscany, Italy. It is located on Via San Lino in the historic center of the town.

San Michele Arcangelo (St Michele Archangel) is a 13th-century Romanesque-style, Roman Catholic church in Volterra, region of Tuscany, Italy. The church is across the street from the Medieval Palazzo Maffei-Guarnacci (Casa Torre Toscano).

San Dalmazio is a Roman Catholic church in Volterra, region of Tuscany, Italy. The facade is built in local stone in a Renaissance-style, but the interior has a late Baroque decoration.

The church of San Francesco is an ancient church Volterra in the province of Pisa. The plain stone church was built in the 13th century for a community of Franciscan friars. The interior has marble monuments to members of the aristocratic family of Counts Guidi, who were patrons of the order. The monument to bishop Guidi (1588) was designed by Felice Palma. Among the paintings in the altars flanking the nave is a Concession (1585) by Giovanni Battista Naldini, a Nativity (1591) by Giovanni Balducci, a Crucifixion attributed to Bartolomeo Neroni, and a Crucifixion (1602) painted by Cosimo Daddi. The paintings of the Circumcision of Christ (1490-91) by Luca Signorelli and the stunning masterpiece of the Deposition (1521) by Rosso Fiorentino are no longer here, the church for which they were painted; the former is in the National Gallery of London, while the latter has been moved to the Pinacoteca Civica of Volterrra. The baptismal font was sculpted by Giovanni Battista Bava in 1552.

Sant'Agostino is a 13th-century, Roman Catholic church and former monastery located on Piazza XX di Settembre, in the historic center of Volterra, Italy. The church facade is just northwest of the Biblioteca Guarnacci and Museo Etrusco Guarnacci. The church since 2017 was restructured to house the Museo Diocesano di Arte Sacra (Diocesan Museum of Sacred Art) for the town of Volterra. Construction of this church and its adjacent Augustinian monastery was prompted when the started when the order arrived with a putative relic of a spine from the crown of thorns imposed by Jesus during his passion. The Augustinians were banished in 1785 by the Granduke of Tuscany, Pietro Leopoldo, although the prior and a small number of monks stayed in town until 1807. The adjacent convent was supposedly built prior to 1349, along with the Santi Giacomo e Giovanni hospital, commissioned by Ottaviano Strenna and using designs by Filippo Belforti. Initially, the church had a single nave, but by 1728 it had the additional aisles added.

The Fortezza Medicea is an occasional restaurant in Volterra, Italy. It is housed in the town's Renaissance-era fortress (Fortezza Medicea, lit. 'Medician fortress'), built 1474, which is a high-security prison for criminals serving no less than seven years.In 2006, the prison's administration began operating a restaurant within the prison, using inmates as staff, as a rehabilitation scheme. The project was successful in attracting clients and the attention of the international press. Despite the inconveniences of dining in the Fortezza – clients must pass a background check and several checkpoints, and all cutlery is plastic – tables, as of 2007, had to be booked weeks in advance.

The Fortezza Medicea (Medici Fortress) of Volterra is built on the highest point of the hill overlooking the town. Despite its name, the origins of the fortress predate the ascendancy of the Medicis. The southern part was constructed at the command of the Duke of Athens who had been appointed governor of Florence in 1342. For more than a century the once friendly relationship between Volterra and Florence became increasingly complicated and at times confrontational: the discovery locally of valuable Alum in the 1470s focused the interest of Florence, and in 1472 7,000 Florentine troops besieged and then sacked the town, after which Florentine control over Volterra and the alum mines was no longer in doubt. The fortress was upgraded by another Florentine ruler, Lorenzo the magnificent who was also responsible for the construction of the adjacent newer fortress in 1474.The two fortresses are linked by a stone “curtain wall”. The fortress is used currently as a medium security prison and tourist visits to the interior are restricted to a few days and a small portion of the buildings. A notable exception is that part used as a restaurant operated by appropriately supervised prisoners.

San Pietro in Selci is an ancient church in Volterra, Italy. A church was initially established by Guiscard, Marquis of Tuscany in 1005, and part of the building we see today dates to the 12th century, but sports today a later Baroque facade with statues in tufa of San Lino and Saint Giusto by Leonardo Ricciarelli. The interior contains a painting of a Madonna with Child and Saints by the 15th century Master of Volterra, two canvases by Niccolò Circignani depicting respectively an Annunciation and the Glory of the Virgin, a canvas by Francesco Brini depicting an Immaculate Conception and a painted stucco with a Madonna and Child.