National Pushkin Museum

The Consulate-General of Japan in Saint Petersburg is the consulate of Japan in Saint Petersburg, Russia. It is located at 29 Nabereznaya Reki Moiki (Russian: Набережная реки Мойки, 29) in the Tsentralny district of Saint Petersburg.The building was constructed in 1851 for Aleksey Lobanov-Rostovsky, with reconstructions and extensions in 1868 and 1875.The decision to open a consulate-general in Leningrad, as it was then named, was taken by the Japanese cabinet following a bill passed in the Diet. This happened on 30 March, 1971 with effect from April 1. This was part of a consular agreement in which consulates were also opened in Osaka, Sapporo and Nakhodka.

The Pevchesky Bridge (Russian: Пе́вческий мост; literally Singers' Bridge), also known as the Choristers' Bridge or Yellow Bridge (Жёлтый Мост, Zholtyi Most), is a single-span bridge across the Moika River in Saint Petersburg, Russia. The bridge is a part of the Palace Square. The length of the bridge is 21 metres, and the width is 72 metres. It is the third-widest bridge in Saint Petersburg, after the Blue Bridge and Kazansky Bridge. Before the February Revolution, the term "Choristers’ Bridge" was shorthand for the tsarist foreign ministry, just as the French foreign ministry is known as the Quai d'Orsay.The first wooden bridge on the site was designed by the French architect Auguste de Montferrand; it was inaugurated in 1834. The first pedestrians to cross the bridge were the troops marching to the parade celebrating the unveiling of the Alexander Column (also designed by Montferrand). The bridge got the name Yellow from the color of the railings, and according to the tradition of color-coding the bridges crossing the Moika River (that already had the Blue Bridge, the Green Bridge and the Red Bridge). In 1837, Georg von Cancrin, an imperial minister of finance, proposed to replace the wooden bridge with a much wider cast iron structure. According to legend, Emperor Nicholas I himself chose the location for the bridge. Across the river from the Winter Palace was located the house of Count Yury Alexandrovich Golovkin. Once, Golovkin was in such a hurry to meet the Emperor, that he stepped from the boat transporting him across the Moyka and nearly drowned. Thus, Nicholas stated to Golvkin that he specifically located the bridge close to Golovkin's house, so as not to repeat the accident.The new bridge was designed by architects Vasily Stasov, Domenico Adamini, and engineer E.A. Adam. The bridge was opened on 24 October 1840. The first user of the bridge was Nicholas I himself, who solemnly crossed the new bridge in his horse-drawn coach. The main decoration of the bridge are beautiful cast iron railings, with numerous frills, the main repeating elements being fan-like palmettos.Later, the bridge got the name Pevchesky (literally Singers' bridge), because the Saint Petersburg Court Capella was accommodated nearby. In 1937, the rose-colored paving stones of the bridge were replaced by bitumen. In 2004, the companies Lenmoststroy and Intarsiya undertook restoration works on the bridge.

The First Winter Bridge (Russian: 1-й Зимний мост) is a single-span stone bridge in Saint Petersburg, carrying Millionnaya Street across the Winter Canal. The current bridge was originally built in 1768 to cross a different watercourse, and was rebuilt and opened in its present location in 1784. There has been a bridge on the site of the present crossing since the digging of the Winter Canal between 1718 and 1719. It was initially a wooden drawbridge design, and was replaced by a triple-span fixed wooden bridge in the mid-eighteenth century. This was in turn replaced in the 1780s by a single-span stone arched bridge, which had originally been built over the nearby Red Canal. This bridge, designed by Yury Felten and I. G. Rossi, with its construction supervised by engineer T. I. Nasonov, was rendered obsolete after the Red Canal was filled in during the late 1770s. The bridge was subsequently disassembled, moved to the Winter Canal, and reassembled there. It has remained in its new location ever since, undergoing various changes in its name, before its current name appeared in 1940. It was repaired in the 1950s, but has retained its architectural appearance from the eighteenth century, and has been designated an object of historical and cultural heritage of federal significance.

The Vladimir Palace (Russian: Влади́мирский дворе́ц, Vladimirsky dvorets) is the former palace of Grand Duke Vladimir Alexandrovich of Russia, son of Alexander II. It was one of the last imperial palaces to be constructed in Saint Petersburg, Russia. It was designed by a team of architects including Vasily Kenel, Aleksandr Rezanov, Andrei Huhn, Ieronim Kitner, Vladimir Shreter and Maximilian Messmacher. Construction work on the waterfront lasted from 1867 to 1872, additional construction and extensions continued in the 1880s and 1890s. Major restorations were made in 1980s and in 2010. Like the Winter Palace and the Marble Palace, the Vladimir Palace is on the waterfront of the South bank of the river Neva; the location on Palace Embankment was extremely prized by the Russian aristocracy. The Neo-renaissance façade, richly ornamented with stucco rustication, was patterned after Leon Battista Alberti's palazzi in Florence. The main porch is built of Bremen sandstone and adorned with griffins, coats-of-arms, and cast-iron lanterns. Other details are cast in portland cement. The palace and its outbuildings contain some 360 rooms, all decorated in eclectic historic styles: Neo-Renaissance (reception room, parlor), Gothic Revival (dining room), Russian Revival (Oak Hall), Rococo (White Hall), Byzantine style (study), Louis XIV, various oriental styles, and so on. This interior ornamentation, further augmented by Maximilian Messmacher in 1881–1891, is considered by art historians, such as Nikolay Punin, a major monument to the 19th-century passion for historicism. Grand Duke Vladimir decorated his apartments with his collection of Russian paintings by the best artists of his time, such as Ilya Repin, Ivan Aivazovsky, Feodor Bruni, Vasili Vereshchagin, Ivan Kramskoy, Mikhail Vrubel, Nikolai Sverchkov and Rudolf Ferdinandovich Frentz.After the October Revolution of 1917, the original owners were purged and fled the country. The property was confiscated by the Soviet government. After several years of disputes and uncertainty, in 1920s the palace and what was left of the interior design was transferred to House of Scientists (Дом Учёных), (named after Maxim Gorky). Under the patronage of Russian Academy of Sciences, the palace and its interior has been preserved to a greater extent than other Romanov family residences. Much attractive tiling, and many internal architectural details have been retained and restored. Also preserved has been much of Vladimir's collection of late 19th-century porcelain, most of it manufactured in the Imperial Porcelain Factory, and painted or decorated by its leading artists. The collection has been extended to include interesting porcelain from the early Soviet period, including figures of Chaliapin and Nijinsky, as well as vases and dinner services inspired by constructivism.

The Consulate-General of France in Saint Petersburg is the diplomatic mission of France in Saint Petersburg, Russian Federation. It is located at 15 Moika River Embankment (Russian: Набережная реки Мойки, дом 15) in the Tsentralny District in Saint Petersburg.

The Institute of Oriental Manuscripts (IOM) of the Russian Academy of Sciences (RAS; Russian: Институт восточных рукописей Российской академии наук), formerly the St. Petersburg Branch of the Institute of Oriental Studies of the Russian Academy of Sciences, is a research institute in Saint Petersburg, Russia that houses various collections of manuscripts and early printed material in Asian languages, including Arabic, Chinese, Mongolian, Tibetan, and Tangut.

The New Michael Palace (Ново-Михайловский дворец, Novo-Mikhailovsky Dvorets) was the third Saint Petersburg palace designed by Andrei Stackenschneider for Nicholas I's children. It was built between 1857 and 1862 on the Palace Embankment, between the Hermitage Museum buildings (to the west) and the Marble Palace (to the east). The palace was commissioned by Grand Duke Michael Nikolaevich of Russia on the occasion of his wedding to Cecilie of Baden. The design is a Revivalist medley of quotations from the Renaissance, Baroque, and the Louis XVI styles. The Rococo interiors are ornate yet airy. The statuary is by David Jensen. Some of the paintings are by Michael Zichy. A residential wing of the palace (the so-called Equerry Wing) fronts on Millionnaya Street. Its decoration is not as riotous, but the distinctive curvilinear facade reflects the Italianate taste of the 1740s. The wing has its origin in the Baroque palace of Chancellor Tcherkassky whose design has been attributed to Pyotr Yeropkin.After the Russian Revolution the palace housed a branch of the Communist Academy. Then in 1949 it was occupied by the Institute of Oriental Studies (IOS), later the Leningrad branch of the IOS, and it is currently occupied by its successor, the Institute of Oriental Manuscripts.The building stands well preserved thanks to a major restoration effort of 2005-2009. The former stables were recently reconstructed with funds provided by Qaboos bin Said al Said in order to house some 1,000,000 Oriental books and manuscripts from the institute's collection.

Millionnaya Street (Russian: Миллионная улица), a street on the left bank of the Neva in the Central District of St. Petersburg in Russia, runs - parallel to the Palace Quay - from the Swan Canal to the Palace Square. Significant buildings on Millionnaya Street include the New Hermitage Museum, the Chief Pharmacy, the Marble Palace, and the New Michael Palace.

The Hermitage Theatre (Russian: Эрмитажный Театр, tr. Èrmitážnyj Teátr, IPA: [ɪrʲmʲɪˈtaʐnɨj tʲɪˈatər]) in Saint Petersburg, Russia is one of five Hermitage buildings lining the Palace Embankment of the Neva River. The Hermitage Theatre was the second theatre of the Winter Palace. It replaced the Russian Imperial Theater, which operated from 1764 until 1783. The Hermitage Theatre was built between 1783 and 1787 at the behest of Catherine the Great to a Palladian design by Giacomo Quarenghi. The crumbling Third Winter Palace of Peter the Great was demolished to make room for the new structure, although its old foundations are still visible in the ground floor. Quarenghi's designs for the theatre were engraved and published in 1787, earning him a European reputation. The semicircular auditorium is decorated with color marble and surrounded with ten niches for statues of Apollo and the muses. As the interior has never been overhauled, the original stage machinery remains in situ, but the elaborate sets, an acclaimed work of the Italian artist Pietro Gonzaga (1751-1831), were lost during the years of Soviet neglect. The ceremonial opening of the theatre took place on 22 November 1785. Though the auditorium could seat no more than 250 spectators, it was often overcrowded. Usually, the performance would be attended by several dozen aristocratic spectators, all invited by the monarch herself. As a sign of gratitude, a separate loge was reserved for the architect Quarenghi and his family. In the 19th century, selected members of the diplomatic corps were admitted to the theatre as well. Although the building was used to entertain the imperial family until the Russian Revolution, it came to be viewed as a rare monument to Catherine's personal tastes and affections. The empress brought out several comedies specifically to be staged in this theatre, which also saw the premieres of Domenico Cimarosa's operas composed to her own librettos. As for the costumes, they were chosen from a 15,000-dress personal wardrobe of the late Empress Elizabeth. Mathilde Kschessinska, Anna Pavlova, and Fyodor Chaliapin were among the great artists who performed at the Hermitage Theatre for the last Russian tsar. Among the ballets performed there was the premiere of Marius Petipa's Harlequinade, in 1900. The Bolsheviks closed the theatre and utilised the building for administrative purposes. It was not until 1991 that performances were resumed on this stage, with the likes of Svyatoslav Richter, Mstislav Rostropovich and Yelena Obraztsova appearing as guest stars.

DLT (Russian:ДЛТ: Дом ленинградской торговли — Dom Leningradskoy Torgovli, "Leningrad Trade House") is a department store in Saint Petersburg, Russia, which as of mid-2012 is set to reopen after a major renovation as a branch of the TsUM chain. DLT is located on Bolshaya Konyushennaya street 21–23 just north of Nevsky Prospekt.

Winter Canal (Russian: Зимняя канавка, Zimnyaya kanavka) is a canal in Saint Petersburg, Russia, connecting Bolshaya Neva with Moika River in the vicinity of Winter Palace. The canal was dug in 1718–19. It is only 228 metres (748 ft) long, which makes it one of the shortest canals in the city. The width is about 20 metres (66 ft). The granite embankment was built in 1782–84, and railings designed by sculptor I.F.Dunker were added at the same time. The special picturesqueness to the canal is added by the arch connecting Old Hermitage and Hermitage Theater, built by architect Yury Felten next to the Hermitage Bridge.

The Evangelical Lutheran Church of Saint Mary (Russian: Евангелическо-лютеранская церковь Святой Марии, Finnish: Pyhän Marian kirkko) is an Evangelical Lutheran church located in Saint Petersburg, Russia. It was built in 1805 and refurbished in 2002. Its address is: Bolshaya Konyushennnaya Ulitsa 8A, off Nevsky Prospekt. It is usually called the Finnish church and is one of the oldest and largest Protestant churches in Russia.