Hermitage Bridge

Winter Canal (Russian: Зимняя канавка, Zimnyaya kanavka) is a canal in Saint Petersburg, Russia, connecting Bolshaya Neva with Moika River in the vicinity of Winter Palace. The canal was dug in 1718–19. It is only 228 metres (748 ft) long, which makes it one of the shortest canals in the city. The width is about 20 metres (66 ft). The granite embankment was built in 1782–84, and railings designed by sculptor I.F.Dunker were added at the same time. The special picturesqueness to the canal is added by the arch connecting Old Hermitage and Hermitage Theater, built by architect Yury Felten next to the Hermitage Bridge.

The Hermitage Theatre (Russian: Эрмитажный Театр, tr. Èrmitážnyj Teátr, IPA: [ɪrʲmʲɪˈtaʐnɨj tʲɪˈatər]) in Saint Petersburg, Russia is one of five Hermitage buildings lining the Palace Embankment of the Neva River. The Hermitage Theatre was the second theatre of the Winter Palace. It replaced the Russian Imperial Theater, which operated from 1764 until 1783. The Hermitage Theatre was built between 1783 and 1787 at the behest of Catherine the Great to a Palladian design by Giacomo Quarenghi. The crumbling Third Winter Palace of Peter the Great was demolished to make room for the new structure, although its old foundations are still visible in the ground floor. Quarenghi's designs for the theatre were engraved and published in 1787, earning him a European reputation. The semicircular auditorium is decorated with color marble and surrounded with ten niches for statues of Apollo and the muses. As the interior has never been overhauled, the original stage machinery remains in situ, but the elaborate sets, an acclaimed work of the Italian artist Pietro Gonzaga (1751-1831), were lost during the years of Soviet neglect. The ceremonial opening of the theatre took place on 22 November 1785. Though the auditorium could seat no more than 250 spectators, it was often overcrowded. Usually, the performance would be attended by several dozen aristocratic spectators, all invited by the monarch herself. As a sign of gratitude, a separate loge was reserved for the architect Quarenghi and his family. In the 19th century, selected members of the diplomatic corps were admitted to the theatre as well. Although the building was used to entertain the imperial family until the Russian Revolution, it came to be viewed as a rare monument to Catherine's personal tastes and affections. The empress brought out several comedies specifically to be staged in this theatre, which also saw the premieres of Domenico Cimarosa's operas composed to her own librettos. As for the costumes, they were chosen from a 15,000-dress personal wardrobe of the late Empress Elizabeth. Mathilde Kschessinska, Anna Pavlova, and Fyodor Chaliapin were among the great artists who performed at the Hermitage Theatre for the last Russian tsar. Among the ballets performed there was the premiere of Marius Petipa's Harlequinade, in 1900. The Bolsheviks closed the theatre and utilised the building for administrative purposes. It was not until 1991 that performances were resumed on this stage, with the likes of Svyatoslav Richter, Mstislav Rostropovich and Yelena Obraztsova appearing as guest stars.

The First Winter Bridge (Russian: 1-й Зимний мост) is a single-span stone bridge in Saint Petersburg, carrying Millionnaya Street across the Winter Canal. The current bridge was originally built in 1768 to cross a different watercourse, and was rebuilt and opened in its present location in 1784. There has been a bridge on the site of the present crossing since the digging of the Winter Canal between 1718 and 1719. It was initially a wooden drawbridge design, and was replaced by a triple-span fixed wooden bridge in the mid-eighteenth century. This was in turn replaced in the 1780s by a single-span stone arched bridge, which had originally been built over the nearby Red Canal. This bridge, designed by Yury Felten and I. G. Rossi, with its construction supervised by engineer T. I. Nasonov, was rendered obsolete after the Red Canal was filled in during the late 1770s. The bridge was subsequently disassembled, moved to the Winter Canal, and reassembled there. It has remained in its new location ever since, undergoing various changes in its name, before its current name appeared in 1940. It was repaired in the 1950s, but has retained its architectural appearance from the eighteenth century, and has been designated an object of historical and cultural heritage of federal significance.

St George's Hall (also referred to as the Great Throne Room) is one of the largest state rooms in the Winter Palace, St Petersburg. It is located on the eastern side of the palace, and connected to The Hermitage by the smaller Apollo Room. The colourful, neoclassical interior design of this great hall, executed by Giacomo Quarenghi between 1787 and 1795, was lost in the fire of 1837 which gutted much of the palace's interior. Following the fire, Russian architect Vasily Stasov was commissioned to oversee the restoration and rebuilding of the palace. While he retained the architectural features dictated by the exterior of the palace, he completely redesigned the interior in a more simple classical style. He replaced the columns of polychrome marble with those of white cararra marble. The original painted ceilings, depicting allegorical scenes, had been entirely lost in the fire, allowing Stasov to introduce a plain ceiling with gilded embellishments. St George's Hall, which served as the palace's principal throne room, was the scene of many of the most formal ceremonies of the Imperial court. Most historically, it was the setting of the opening of the First State Duma by Nicholas II, in 1906. The Tsar was forced to agree to the establishment of a Duma as a concession to his people in an attempt to avert revolution. However, the Imperial family saw it as "the end of Russian autocracy".It was the first time that ordinary Russians had been admitted to the palace in any number—a surreal experience for both the peasants and the Imperial family. The Tsar's sister, who stood with the Imperial family on the steps of the throne, recalled of the masses of ordinary Russians who packed the hall: "I went with my mother to the first Duma. I remember the large group of deputies from among peasants and factory people. The peasants looked sullen. But the workmen were worse: they looked as though they hated us. I remember the distress in Alicky's eyes." Minister of the Court Count Vladimir Frederiks commented, "The Deputies, they give one the impression of a gang of criminals who are only waiting for the signal to throw themselves upon the ministers and cut their throats. I will never again set foot among those people." The Dowager Empress noticed "incomprehensible hatred."Located behind the throne is the small Apollo Room. This anteroom is in fact the upper floor of a bridge linking the palace to the Hermitage. This room has a caisson ceiling adorned with stucco work. Today, as part of the State Hermitage Museum, this room retains the decorative scheme created by Stasov.

The Grand Church of the Winter Palace (Russian: Собор Спаса Нерукотворного Образа в Зимнем дворце) in Saint Petersburg, sometimes referred to as the Winter Palace's cathedral, was consecrated in 1763. It is located on the piano nobile in the eastern wing of the Winter Palace, and is the larger, and principal, of two churches within the Palace. A smaller, more private church was constructed in 1768, near the private apartment in the northwest part of the wing. The Grand Church was designed by Francesco Rastrelli, and has been described as "one of the most splendid rooms" in the Palace. Today, the church is an unconsecrated exhibition hall of the State Hermitage Museum.

The Vladimir Palace (Russian: Влади́мирский дворе́ц, Vladimirsky dvorets) is the former palace of Grand Duke Vladimir Alexandrovich of Russia, son of Alexander II. It was one of the last imperial palaces to be constructed in Saint Petersburg, Russia. It was designed by a team of architects including Vasily Kenel, Aleksandr Rezanov, Andrei Huhn, Ieronim Kitner, Vladimir Shreter and Maximilian Messmacher. Construction work on the waterfront lasted from 1867 to 1872, additional construction and extensions continued in the 1880s and 1890s. Major restorations were made in 1980s and in 2010. Like the Winter Palace and the Marble Palace, the Vladimir Palace is on the waterfront of the South bank of the river Neva; the location on Palace Embankment was extremely prized by the Russian aristocracy. The Neo-renaissance façade, richly ornamented with stucco rustication, was patterned after Leon Battista Alberti's palazzi in Florence. The main porch is built of Bremen sandstone and adorned with griffins, coats-of-arms, and cast-iron lanterns. Other details are cast in portland cement. The palace and its outbuildings contain some 360 rooms, all decorated in eclectic historic styles: Neo-Renaissance (reception room, parlor), Gothic Revival (dining room), Russian Revival (Oak Hall), Rococo (White Hall), Byzantine style (study), Louis XIV, various oriental styles, and so on. This interior ornamentation, further augmented by Maximilian Messmacher in 1881–1891, is considered by art historians, such as Nikolay Punin, a major monument to the 19th-century passion for historicism. Grand Duke Vladimir decorated his apartments with his collection of Russian paintings by the best artists of his time, such as Ilya Repin, Ivan Aivazovsky, Feodor Bruni, Vasili Vereshchagin, Ivan Kramskoy, Mikhail Vrubel, Nikolai Sverchkov and Rudolf Ferdinandovich Frentz.After the October Revolution of 1917, the original owners were purged and fled the country. The property was confiscated by the Soviet government. After several years of disputes and uncertainty, in 1920s the palace and what was left of the interior design was transferred to House of Scientists (Дом Учёных), (named after Maxim Gorky). Under the patronage of Russian Academy of Sciences, the palace and its interior has been preserved to a greater extent than other Romanov family residences. Much attractive tiling, and many internal architectural details have been retained and restored. Also preserved has been much of Vladimir's collection of late 19th-century porcelain, most of it manufactured in the Imperial Porcelain Factory, and painted or decorated by its leading artists. The collection has been extended to include interesting porcelain from the early Soviet period, including figures of Chaliapin and Nijinsky, as well as vases and dinner services inspired by constructivism.

The Military Gallery (Russian: Военная галерея) is a gallery of the Winter Palace in Saint Petersburg, Russia. The gallery is a setting for 332 portraits of generals who took part in the Patriotic War of 1812. The portraits were painted by George Dawe and his Russian assistants Alexander Polyakov (1801–1835), a serf, and Wilhelm August Golicke. The top-lit, barrel-vaulted hall in which the gallery is accommodated was designed by architect Carlo Rossi and constructed from June to November 1826. It replaced several small rooms in the middle of the main block of the Winter Palace - between the White Throne Hall and the Greater Throne Hall, just a few steps from the palace church. The gallery was opened in a solemn ceremony on 25 December 1826. Less than ten years after its completion, it was destroyed by fire in 1837. The fire burned slowly and Dawe's portraits were saved from the flames. The architect Vasily Stasov recreated the hall exactly as it had been before. As a cadet of the Nicholas Cavalry School, Vladimir Littauer was posted in 1912 to stand night-time guard in the Military Gallery. He describes the experience as an eerie one, standing under the rows of portraits in the "huge hall" lit only by a single bulb over a cluster of banners. The isolation of the solitary sentry was emphasized by the two to three minutes that footsteps could be heard down halls and corridors before the replacement guard arrived in the gallery.During the Soviet era, the gallery collection was enhanced by four portraits of Palace Grenadiers, the special ceremonial unit created in 1827 from veterans of the Patriotic War of 1812 to guard the entire building. The portraits were also painted by George Dawe, in 1828. More recently, the gallery acquired two paintings by Peter von Hess from the 1840s. Today, as part of the Hermitage Museum, this room retains its original decoration. Monarchs Generals

The principal or Jordan Staircase of the Winter Palace, St Petersburg is so called because on the Feast of the Epiphany the Tsar descended this imperial staircase in state for the ceremony of the "Blessing of the Waters" of the Neva River, a celebration of Christ's baptism in the Jordan River. The staircase is one of the few parts of the palace retaining the original 18th-century style. The massive grey granite columns, however, were added in the mid 19th century.The staircase was badly damaged by a fire that swept the palace in 1837, but Nicholas I ordered the architect in charge of reconstruction, Vasily Stasov, to restore the staircase using Francesco Bartolomeo Rastrelli's original plans. Stasov made two small changes: he replaced the original gilt bronze handrails with white marble and the original pink columns with gray granite.The stair hall, which has an 18th-century ceiling depicting the Gods at Olympus, is decorated with alabaster statues of Wisdom and Justice by Mikhail Terebenev (1795-1866); Grandeur and Opulence by Alexander Ustinov (1796-1868); Fidelity and Equity by Ivan Leppe; and Mercury and Mars by Apollon Manyulov. At the centre of the first landing is an anonymous 18th-century marble sculpture, Allegory of the State.During state receptions and functions the Jordan Staircase was a focal point for arriving guests. After entering the palace through the Ambassadors' entrance, in the central courtyard, they would pass through the colonnaded ground floor Jordan Hall before ascending the staircase to the state apartments. Following a ball at the Winter Palace in 1902, The Duchess of Sutherland wrote: "The stairs of the palace were guarded by cossacks, with hundreds of footmen in scarlet liveries, I have never in my life seen so brilliant a sight—the light, the uniforms, the enormous rooms, the crowd, the music, making a spectacle that was almost Barbaric."Today, as part of the State Hermitage Museum, this room retains its original decoration.

The Pevchesky Bridge (Russian: Пе́вческий мост; literally Singers' Bridge), also known as the Choristers' Bridge or Yellow Bridge (Жёлтый Мост, Zholtyi Most), is a single-span bridge across the Moika River in Saint Petersburg, Russia. The bridge is a part of the Palace Square. The length of the bridge is 21 metres, and the width is 72 metres. It is the third-widest bridge in Saint Petersburg, after the Blue Bridge and Kazansky Bridge. Before the February Revolution, the term "Choristers’ Bridge" was shorthand for the tsarist foreign ministry, just as the French foreign ministry is known as the Quai d'Orsay.The first wooden bridge on the site was designed by the French architect Auguste de Montferrand; it was inaugurated in 1834. The first pedestrians to cross the bridge were the troops marching to the parade celebrating the unveiling of the Alexander Column (also designed by Montferrand). The bridge got the name Yellow from the color of the railings, and according to the tradition of color-coding the bridges crossing the Moika River (that already had the Blue Bridge, the Green Bridge and the Red Bridge). In 1837, Georg von Cancrin, an imperial minister of finance, proposed to replace the wooden bridge with a much wider cast iron structure. According to legend, Emperor Nicholas I himself chose the location for the bridge. Across the river from the Winter Palace was located the house of Count Yury Alexandrovich Golovkin. Once, Golovkin was in such a hurry to meet the Emperor, that he stepped from the boat transporting him across the Moyka and nearly drowned. Thus, Nicholas stated to Golvkin that he specifically located the bridge close to Golovkin's house, so as not to repeat the accident.The new bridge was designed by architects Vasily Stasov, Domenico Adamini, and engineer E.A. Adam. The bridge was opened on 24 October 1840. The first user of the bridge was Nicholas I himself, who solemnly crossed the new bridge in his horse-drawn coach. The main decoration of the bridge are beautiful cast iron railings, with numerous frills, the main repeating elements being fan-like palmettos.Later, the bridge got the name Pevchesky (literally Singers' bridge), because the Saint Petersburg Court Capella was accommodated nearby. In 1937, the rose-colored paving stones of the bridge were replaced by bitumen. In 2004, the companies Lenmoststroy and Intarsiya undertook restoration works on the bridge.

The Consulate-General of Japan in Saint Petersburg is the consulate of Japan in Saint Petersburg, Russia. It is located at 29 Nabereznaya Reki Moiki (Russian: Набережная реки Мойки, 29) in the Tsentralny district of Saint Petersburg.The building was constructed in 1851 for Aleksey Lobanov-Rostovsky, with reconstructions and extensions in 1868 and 1875.The decision to open a consulate-general in Leningrad, as it was then named, was taken by the Japanese cabinet following a bill passed in the Diet. This happened on 30 March, 1971 with effect from April 1. This was part of a consular agreement in which consulates were also opened in Osaka, Sapporo and Nakhodka.

The Alexander Column (Russian: Алекса́ндровская коло́нна, Aleksandrovskaya kolonna) also known as Alexandrian Column (Russian: Александри́йская коло́нна, Aleksandriyskaya kolonna), is the focal point of Palace Square in Saint Petersburg, Russia. The monument was raised after the Russian victory in the war with Napoleon's France. The column is named for Emperor Alexander I of Russia, who reigned from 1801–25.

Palace Square (Russian: Дворцо́вая пло́щадь, tr. Dvortsovaya Ploshchad, IPA: [dvɐˈrtsovəjə ˈploɕːɪtʲ]), connecting Nevsky Prospekt with Palace Bridge leading to Vasilievsky Island, is the central city square of St Petersburg and of the former Russian Empire. Many significant events took place there, including the Bloody Sunday massacre and parts of the October Revolution of 1917. Between 1918 and 1944, it was known as Uritsky Square (Russian: площадь Урицкого), in memory of the assassinated leader of the city's Cheka branch, Moisei Uritsky. The earliest and most celebrated building on the square, the Baroque white-and-turquoise Winter Palace (as re-built between 1754 and 1762) of the Russian tsars, gives the square its name. Although the adjacent buildings are designed in the Neoclassical style, they perfectly match the palace in their scale, rhythm, and monumentality. The opposite, southern side of the square was designed in the shape of an arc by George von Velten in the late 18th century. These plans came to fruition half a century later, when Alexander I of Russia (reigned 1801–1825) envisaged the square as a vast monument to the 1812–1814 Russian victories over Napoleon and commissioned Carlo Rossi to design the bow-shaped Empire-style Building of the General Staff (1819–1829), which centers on a double triumphal arch crowned with a Roman quadriga. In the centre of the square stands the Alexander Column (1830–1834), designed by Auguste de Montferrand. This red granite column (the tallest of its kind in the world) is 47.5 metres high and weighs some 500 tons. It is set so well that it requires no attachment to the base. The eastern side of the square comprises Alexander Brullov's building of the Guards Corps Headquarters (1837–1843). The western side, however, opens towards Admiralty Square, thus making the Palace Square a vital part of the grand suite of St Petersburg squares.